It’s “Squid Game’s” world, and we’re just living in it.
That was one takeaway from a wide-ranging conversation held during Rome’s Mia Market on Saturday, as top independent producers met to assess the state of international drama and explore how hit series like Netflix’s Korean phenomenon are rewriting the rules of the game.
From heated competition between new and established streaming platforms to increasingly complicated rights deals to skyrocketing demand for non-English-language content, it’s a landscape that looks unrecognizable from even just a few years ago. Yet that’s opened the door for innovation – and more opportunities than ever before.
“The industry is ripe for disruption,” said Erik Barmack, CEO and founder of Wild Sheep Content. “I do think the room for independent producers is only going to grow.”
The former VP and head of international original series at Netflix helped shape the modern TV business,...
That was one takeaway from a wide-ranging conversation held during Rome’s Mia Market on Saturday, as top independent producers met to assess the state of international drama and explore how hit series like Netflix’s Korean phenomenon are rewriting the rules of the game.
From heated competition between new and established streaming platforms to increasingly complicated rights deals to skyrocketing demand for non-English-language content, it’s a landscape that looks unrecognizable from even just a few years ago. Yet that’s opened the door for innovation – and more opportunities than ever before.
“The industry is ripe for disruption,” said Erik Barmack, CEO and founder of Wild Sheep Content. “I do think the room for independent producers is only going to grow.”
The former VP and head of international original series at Netflix helped shape the modern TV business,...
- 10/17/2021
- by Christopher Vourlias
- Variety Film + TV
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