“It’s war. You’re going to see the wounds of war.”
This grave warning comes from a gun-safety-training officer who, with a team of others, is in the business of training teachers to prepare for the likely possibility of an armed intruder to their classroom. It’s with a chilling, overtly masculine “ooh-rah” cadence that these muscle-ripped crisis-prevention officers attempt to prepare teachers (already terrified) to adopt a new mindset with out-of-context Bible verses and nonsense like “love is the opposite of fear” to discourage panic and encourage shooting to kill. It all fits with the rhetoric that this is somehow a natural fit with their job description, seemingly director Todd Chandler’s primary focus. His unmoving camera, no doubt echoing the tone of Gus Van Sant’s Elephant, shows how normalized all this has become without ever trying to tack on any extra sense of pomp or sensationalism.
This grave warning comes from a gun-safety-training officer who, with a team of others, is in the business of training teachers to prepare for the likely possibility of an armed intruder to their classroom. It’s with a chilling, overtly masculine “ooh-rah” cadence that these muscle-ripped crisis-prevention officers attempt to prepare teachers (already terrified) to adopt a new mindset with out-of-context Bible verses and nonsense like “love is the opposite of fear” to discourage panic and encourage shooting to kill. It all fits with the rhetoric that this is somehow a natural fit with their job description, seemingly director Todd Chandler’s primary focus. His unmoving camera, no doubt echoing the tone of Gus Van Sant’s Elephant, shows how normalized all this has become without ever trying to tack on any extra sense of pomp or sensationalism.
- 10/28/2021
- by Murphy Kenefick
- The Film Stage
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