Lifting its title from Interpol’s most-wanted list, “Dodgeball” director Rawson Marshall Thurber’s twisty treasure-hunt lark “Red Notice” blurs the lines between good guys and bad guys, and instead focuses on which of two notorious art thieves is better at breaking the law: sarcastic master forger Nolan Booth (a reliably whiny Ryan Reynolds) or his upscale nemesis, known only as “the Bishop” (a more wine-and-diney Gal Gadot).
Their goal is to collect three ornamental orbs — worth some $300 million, but only as a set — originally gifted from Anthony to Cleopatra, then scattered to the corners of the globe. While Booth and the Bishop ricochet around the world, engaging in what amounts to a high-stakes Easter egg hunt, criminal profiler John Hartley (Dwayne Johnson) tries to bring them in, making for a fun, fast-paced and frequently amusing divertissement. Produced by Universal, then sold off to Netflix for a hybrid release, “Red Notice...
Their goal is to collect three ornamental orbs — worth some $300 million, but only as a set — originally gifted from Anthony to Cleopatra, then scattered to the corners of the globe. While Booth and the Bishop ricochet around the world, engaging in what amounts to a high-stakes Easter egg hunt, criminal profiler John Hartley (Dwayne Johnson) tries to bring them in, making for a fun, fast-paced and frequently amusing divertissement. Produced by Universal, then sold off to Netflix for a hybrid release, “Red Notice...
- 11/4/2021
- by Peter Debruge
- Variety Film + TV
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