Mature content means something different when it comes to Eleanor Coppola’s narrative features. “Love Is Love Is Love” — opening Friday theatrically — is the director’s second narrative film. And as with her 2017 debut, “Paris Can Wait,” Coppola writes and shoots what she knows: the lives of women of a certain age — but also of a rather rarefied status.
Coppola has gathered a fine ensemble of actors, many of whom likely share in her concerns about the paucity of big-screen stories for — and featuring — grown women. The three vignettes in this at times tender, occasionally amusing adventure in romance, marriage and friendship provide a number of textured moments for their female performers. Johanna Whalley nails marital knowingness in “Two for Dinner.” Kathy Baker proves to be the adult in the room — er, on deck — in “Sailing Lesson.” The dinner table in “Late Lunch” is ringed with welcome guests who underscore...
Coppola has gathered a fine ensemble of actors, many of whom likely share in her concerns about the paucity of big-screen stories for — and featuring — grown women. The three vignettes in this at times tender, occasionally amusing adventure in romance, marriage and friendship provide a number of textured moments for their female performers. Johanna Whalley nails marital knowingness in “Two for Dinner.” Kathy Baker proves to be the adult in the room — er, on deck — in “Sailing Lesson.” The dinner table in “Late Lunch” is ringed with welcome guests who underscore...
- 11/11/2021
- by Lisa Kennedy
- Variety Film + TV
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