Dubbed the “Polish Marilyn Monroe,” the late actor and singer Kalina Jędrusik used to electrify the audiences of the Polish People’s Republic with her risqué outfits, performance in Andrzej Wajda’s Oscar-nominated “The Promised Land” or unconventional relationship with husband, writer Stanisław Dygat. But “Autumn Girl” – which screens this week in the Polish Competition of the EnergaCamerimage Film Festival – named after one of her songs, “Jesienna dziewczyna,” refuses to show Jędrusik as yet another woman defined and destroyed by her sexualized image.
“They didn’t want it to be a film in which the main character is a victim,” says cinematographer Weronika Bilska, who joined the female-heavy crew led by director Katarzyna Klimkiewicz, who co-wrote the script alongside Patrycja Mnich. The film was produced by Renata Czarnkowska-Listoś and Maria Gołoś for Re Studio, with Next Film handling local distribution.
“Kasia would always say that she wanted to make something cheerful,...
“They didn’t want it to be a film in which the main character is a victim,” says cinematographer Weronika Bilska, who joined the female-heavy crew led by director Katarzyna Klimkiewicz, who co-wrote the script alongside Patrycja Mnich. The film was produced by Renata Czarnkowska-Listoś and Maria Gołoś for Re Studio, with Next Film handling local distribution.
“Kasia would always say that she wanted to make something cheerful,...
- 11/13/2021
- by Marta Balaga
- Variety Film + TV
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