As with his past features Beginners and 20th Century Women, writer-director Mike Mills focused his latest effort, C’mon C’mon, on family—this time honing in not on his relationship with his father or mother, but instead on that between an adult and a child.
“The story, the heart of it came from me having a kid, and living with my kid, and experiencing the world with them,” Mills said Sunday during Deadline’s Contenders Film: Los Angeles even, “and having someone need you so fully. It’s so intimate, being a parent.”
In the A24 pic, Joaquin Phoenix plays Johnny, a radio journalist whose latest project has him interviewing children across the U.S. about the state of affairs in the world. Johnny forges a tenuous but transformational relationship with his 8-year-old nephew Jesse (Woody Norman)—the son of his sister Viv (Gaby Hoffmann)—when he winds up...
“The story, the heart of it came from me having a kid, and living with my kid, and experiencing the world with them,” Mills said Sunday during Deadline’s Contenders Film: Los Angeles even, “and having someone need you so fully. It’s so intimate, being a parent.”
In the A24 pic, Joaquin Phoenix plays Johnny, a radio journalist whose latest project has him interviewing children across the U.S. about the state of affairs in the world. Johnny forges a tenuous but transformational relationship with his 8-year-old nephew Jesse (Woody Norman)—the son of his sister Viv (Gaby Hoffmann)—when he winds up...
- 11/15/2021
- by Matt Grobar
- Deadline Film + TV
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