During the period of Peter Jackson’s The Beatles: Get Back, John Lennon and Yoko Ono made many experimental films. One of the techniques they pioneered was film speed. They showed the erection of a building, from scratch, fit into a few minutes of screentime by shooting a few frames per day. Jackson does the opposite in his new documentary, creating a slow-mo cinema verité version of director Richard Lester’s A Hard Day’s Night.
In the greatest jukebox musical ever made, the band has to retrieve an errant band member in time to make a show, and when they make that show, it’s a success. The crowds go wild. Beatlemania is encapsulated for all time. They play all their songs during the long and winding road to the TV station, and during rehearsals. They actually have to escape from prying eyes during rehearsals. We get snippets of old songs,...
In the greatest jukebox musical ever made, the band has to retrieve an errant band member in time to make a show, and when they make that show, it’s a success. The crowds go wild. Beatlemania is encapsulated for all time. They play all their songs during the long and winding road to the TV station, and during rehearsals. They actually have to escape from prying eyes during rehearsals. We get snippets of old songs,...
- 11/28/2021
- by Mike Cecchini
- Den of Geek
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