Instant hits: Jane Campion’s “The Power of the Dog” and Ridley Scott’s “The Last Duel,” both midweek additions for home viewing, have already hit number one on their first day in release, care of the two charts that most quickly gauge audience response. Though the films — one a Netflix heavy-hitter hot off a limited theatrical run, the other a Disney holdover that fared poorly in its theatrical-only release — are totally separate cases, each is significant. And they also share a surprising element that suggests why they had instant success.
Netflix has produced a steady supply of awards-pursuing titles for several years now. But only a handful — Martin Scorsese’s “The Irishman” is the rare case — have ever reached the #1 spot on the streamer’s own daily movie chart. Most of them have minimal appearances. Last year, David Fincher’s “Mank,” despite its later multiple Oscar nominations, showed up...
Netflix has produced a steady supply of awards-pursuing titles for several years now. But only a handful — Martin Scorsese’s “The Irishman” is the rare case — have ever reached the #1 spot on the streamer’s own daily movie chart. Most of them have minimal appearances. Last year, David Fincher’s “Mank,” despite its later multiple Oscar nominations, showed up...
- 12/2/2021
- by Tom Brueggemann
- Indiewire
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