For Variety‘s Writers on Writers, Emma Forrest pens a tribute to “Spencer” (screenplay by Steven Knight).
I’ve always enjoyed Steven Knight’s work because it’s so outside my own wheelhouse. Having created the taut, broken-machismo of “Peaky Blinders” and written the urban thrillers “Eastern Promises” and “Dirty Pretty Things,” the 62-year-old Birmingham-born Knight is who you would not pick to map the interior emotional landscape of a damaged young woman from the upper classes.
Then, after watching “Spencer,” I remembered how moved I’ve been by the way Springsteen writes about women, and the tenderness Tarantino evoked for “Jackie Brown.” Like them, counterintuitive as it may seem, Knight knocks it out of the park.
With no disrespect to the other depictions of Diana, if you weren’t actually there to witness what transpired and must therefore imagine, use your imagination. Diana being talked down from suicide by the ghost of Anne Boleyn?...
I’ve always enjoyed Steven Knight’s work because it’s so outside my own wheelhouse. Having created the taut, broken-machismo of “Peaky Blinders” and written the urban thrillers “Eastern Promises” and “Dirty Pretty Things,” the 62-year-old Birmingham-born Knight is who you would not pick to map the interior emotional landscape of a damaged young woman from the upper classes.
Then, after watching “Spencer,” I remembered how moved I’ve been by the way Springsteen writes about women, and the tenderness Tarantino evoked for “Jackie Brown.” Like them, counterintuitive as it may seem, Knight knocks it out of the park.
With no disrespect to the other depictions of Diana, if you weren’t actually there to witness what transpired and must therefore imagine, use your imagination. Diana being talked down from suicide by the ghost of Anne Boleyn?...
- 12/22/2021
- by Emma Forrest
- Variety Film + TV
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