Following The Film Stage’s collective top 50 films of 2021, as part of our year-end coverage, our contributors are sharing their personal top 10 lists.
Two years into the pandemic, we’re still living through a collective nightmare, a cycle of crisis/reprieve/next-wave that can be so demoralizing. All the more reason, then, to be thankful for the filmmakers who soldiered on, telling stories that helped to make things feel less bad.
What a joy it was to travel through Siberia with the protagonists of Finnish director Juho Kuosmanen’s Compartment Number 6 and be reminded of the sparks of chemistry we share with random passers-by in our lives. How healing it felt to see a deep, life-changing bond develop between two strangers in Japanese filmmaker Ryūsuke Hamaguchi’s poetic Murakami adaptation Drive My Car. And bless Norwegian auteur Joachim Trier for the bittersweet ride that is The Worst Person in the World,...
Two years into the pandemic, we’re still living through a collective nightmare, a cycle of crisis/reprieve/next-wave that can be so demoralizing. All the more reason, then, to be thankful for the filmmakers who soldiered on, telling stories that helped to make things feel less bad.
What a joy it was to travel through Siberia with the protagonists of Finnish director Juho Kuosmanen’s Compartment Number 6 and be reminded of the sparks of chemistry we share with random passers-by in our lives. How healing it felt to see a deep, life-changing bond develop between two strangers in Japanese filmmaker Ryūsuke Hamaguchi’s poetic Murakami adaptation Drive My Car. And bless Norwegian auteur Joachim Trier for the bittersweet ride that is The Worst Person in the World,...
- 1/5/2022
- by Zhuo-Ning Su
- The Film Stage
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