“The Power of the Dog” editor Peter Sciberras was drawn to the psychological tension woven into Jane Campion’s script. That tension underlined the relationship between the Burbank brothers Phil (Benedict Cumberbatch) and George (Jesse Plemons), as well as their dealings with George’s wife, Rose (Kirsten Dunst), or the tense dynamic between Phil and Rose’s son Peter (Kodi Smith-McPhee). Sciberras says he and Campion talked about how that tension was achieved through restraint. “We talked about elegant cutting without holding shots for as long as we could,” he says.
A key moment is the banjo-piano exchange between Rose and Phil. Sciberras says that it’s a great example of every department coming together to bring it to life, from cinematographer Ari Wegner’s camera work — particularly when Rose looks over her shoulder at the door swinging open — to the sound of the wind coming through the doors and the doors closing.
A key moment is the banjo-piano exchange between Rose and Phil. Sciberras says that it’s a great example of every department coming together to bring it to life, from cinematographer Ari Wegner’s camera work — particularly when Rose looks over her shoulder at the door swinging open — to the sound of the wind coming through the doors and the doors closing.
- 1/15/2022
- by Jazz Tangcay
- Variety Film + TV
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