Cate Blanchett delivers two outstanding performances that are both in the awards conversation this year: “Don’t Look Up” and “Nightmare Alley.” The star shepherds grace and a hypnotic trance that has the viewer hanging on every single word she releases.
With another impressive turn in Adam McKay’s “Don’t Look Up,” Blanchett is a contender in what is easily our strongest field of supporting actress contenders in the last 30 years. Blanchett was shortlisted at BAFTA for “Don’t Look Up,” and also picked up a SAG Award nod for Guillermo del Toro’s “Nightmare Alley.”
Variety’s Awards Circuit Podcast recently spoke with Blanchett about her double dip in the awards arena this season, and having to turn down the role of Lucille Ball in Aaron Sorkin’s “Being the Ricardos,” which ultimately went to Nicole Kidman. Plus, the Australian actor talks about her next project with Pedro Almodóvar and why...
With another impressive turn in Adam McKay’s “Don’t Look Up,” Blanchett is a contender in what is easily our strongest field of supporting actress contenders in the last 30 years. Blanchett was shortlisted at BAFTA for “Don’t Look Up,” and also picked up a SAG Award nod for Guillermo del Toro’s “Nightmare Alley.”
Variety’s Awards Circuit Podcast recently spoke with Blanchett about her double dip in the awards arena this season, and having to turn down the role of Lucille Ball in Aaron Sorkin’s “Being the Ricardos,” which ultimately went to Nicole Kidman. Plus, the Australian actor talks about her next project with Pedro Almodóvar and why...
- 1/20/2022
- by Clayton Davis
- Variety Film + TV
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