“The Tiger Rising” spells out its entire plot and overarching theme from the get-go, bluntly articulating its inspirational modus operandi so viewers can remain perpetually ahead of its action. The fact that writer-director Ray Giarratana’s film is based on Kate Dicamillo’s children’s book — and thus intended for young audiences — is hardly an excuse for such stodgy storytelling, which plays out with no mystery, ambiguity or subtlety. when it debuts in theaters on Jan. 21 and on VOD on Feb. 8.
Designed for maximum corniness, “The Tiger Rising” peppers its action with enough references to God, upturned-to-the-heavens gazes and warm enveloping light to make clear its function as a homily. As overtly expressed by opening narration, the message here has to do with cages — namely, the figurative ones encasing grief-stricken adolescent Rob (Christian Convery) and furiously angry new friend Sistine (Madalen Mills), and the literal one surrounding a tiger that...
Designed for maximum corniness, “The Tiger Rising” peppers its action with enough references to God, upturned-to-the-heavens gazes and warm enveloping light to make clear its function as a homily. As overtly expressed by opening narration, the message here has to do with cages — namely, the figurative ones encasing grief-stricken adolescent Rob (Christian Convery) and furiously angry new friend Sistine (Madalen Mills), and the literal one surrounding a tiger that...
- 1/21/2022
- by Nick Schager
- Variety Film + TV
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