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By Todd Garbarini

The major question that I have about Douglas Heyes’s Kitten with a Whip, which opened in New York on Wednesday, November 4, 1964 on a double bill with Lance Comfort’s Sing and Swing (1963) with David Hemmings at some theaters, is this: where is the titular whip? We have the kitten, as embodied by the overly beautiful Ann-Margret as “bad girl” Jody Dvorak, but there is no whip to be found. Perhaps the “whip” is her personality? There certainly is an argument to be made for that. Jody has just made a break from a juvenile detention center but not before seriously wounding the head of the place who becomes hospitalized. Outwitting the police, she breaks into the semi-upscale home of David Stratton (John Forsyth), a stuffy, by-the-book political candidate hopeful twenty-three years her senior whose wife and daughter are conveniently...