Even such enfant terribles as Gaspar Noé have to confront the fact that life (and death) is catching up with them. Noé in such films as Climax, Irreversible, Enter The Void and Stand Alone has always pushed audiences and subjects to extremes - and not always to good or lasting effect.
Here in his sixth feature we are offered another facet to Noé as he examines old age, and the perils of Alzheimer’s all stemming, we are given to understand, from personal motifs.
He is wonderfully served by his two main actors Dario Argento (the Italian horror master) and French actress Françoise Lebrun whose younger self is about to be seen all over again in the restored version of Jean Eustache’s The Mother and the Whore in Cannes Classics.
The ageing couple who are nameless, live in a sprawling Parisian apartment surrounded by memorabilia of other times including film posters and books.
Here in his sixth feature we are offered another facet to Noé as he examines old age, and the perils of Alzheimer’s all stemming, we are given to understand, from personal motifs.
He is wonderfully served by his two main actors Dario Argento (the Italian horror master) and French actress Françoise Lebrun whose younger self is about to be seen all over again in the restored version of Jean Eustache’s The Mother and the Whore in Cannes Classics.
The ageing couple who are nameless, live in a sprawling Parisian apartment surrounded by memorabilia of other times including film posters and books.
- 5/10/2022
- by Richard Mowe
- eyeforfilm.co.uk
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