It’s a well-known fact that all French filmmakers are legally required to make at least one movie about an extramarital affair, but few such auteurs have been better-suited to the task than the great Mia Hansen-Løve, whose raw yet ravishingly urbane character dramas thrive in the messy spaces where fear and excitement overlap — where loss and possibility are as inseparable from each other as a movie and the screen onto which it’s being projected. In fact, the “One Fine Morning” isn’t even Hansen-Løve’s first crack at her national pastime, as the subject of infidelity has cropped up throughout her work, most notably in 2016’s exquisite “Things to Come.”
This time, however, she approaches that sticky situation through the eyes of the other woman, a widowed single mother whose stunning resemblance to Léa Seydoux could make any wedded man rethink their vows. A professional translator who’s...
This time, however, she approaches that sticky situation through the eyes of the other woman, a widowed single mother whose stunning resemblance to Léa Seydoux could make any wedded man rethink their vows. A professional translator who’s...
- 5/20/2022
- by David Ehrlich
- Indiewire
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