Notebook is covering the Cannes Film Festival with an on going correspondence between critics Leonardo Goi and Lawrence Garcia, and editor Daniel Kasman.Armageddon Time.Dear Lawrence and Leo,I’m happy to learn of your appreciation for One Fine Morning, a superficially normative bourgeois French drama that slowly but surely reveals its touching nuances and gentle expressions through Léa Seydoux’s restrained performance and Mia Hansen-Løve’s ineffable ability to pinpoint the tenor of a scene or a character through a deceptively unobtrusive, gently luminous style. Its aspect of being a drama of personal memory from the director I’m less enthused by, but still found it to be one of the best films at the festival so far.I never would have thought to compare Hansen-Løve to American director James Gray, but of course one of the much-remarked upon pleasures—as well as hackneyed writing devices—of festival-going...
- 5/22/2022
- MUBI
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