It’s daunting trying to cover the Emmy race in an era of so much prestige TV, just as I’m sure it’s challenging for the armies of publicists trying to get journalists interested in writing about their clients’ work.
I’ve never had to turn away so many pitches on worthwhile shows, performers and producers as I’ve had to this year. Sure, there are limited slots in most categories for Emmy nominations, but there’s also a limit to how many podcasts I can produce, how many features our team can write and even how many panels any of us can moderate.
I’ve never had to turn away so many pitches on worthwhile shows, performers and producers as I’ve had to this year. Sure, there are limited slots in most categories for Emmy nominations, but there’s also a limit to how many podcasts I can produce, how many features our team can write and even how many panels any of us can moderate.
- 5/27/2022
- by Michael Schneider
- Variety - TV News
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