Much like the Super-Collider at the center of its multiverse plot, “Spider-Man: Into the Spider-Verse” opened a rift that continues to impact the world around it. Its influence can still be felt across the film industry, from “The Mitchells vs. The Machines” and “The Bad Guys” to the new “Puss in Boots” blending CG animation with illustrated looks — showing not only what superhero movies could do better, but how Hollywood animation as a whole could improve.
For the sequel to the Oscar winner, the filmmakers are not just resting on their laurels, but doubling down on the innovation of “Into the Spider-Verse.” This means inventing new tools for animation and challenging the characters with emotional stories. But arguably the biggest innovation is the way “Across the Spider-Verse” challenges the superhero film industrial complex and its treatment of comic book artists, by making them a part of the film’s development.
For the sequel to the Oscar winner, the filmmakers are not just resting on their laurels, but doubling down on the innovation of “Into the Spider-Verse.” This means inventing new tools for animation and challenging the characters with emotional stories. But arguably the biggest innovation is the way “Across the Spider-Verse” challenges the superhero film industrial complex and its treatment of comic book artists, by making them a part of the film’s development.
- 6/22/2022
- by Rafael Motamayor
- Indiewire
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