Alice Diop’s Nous begins with images of a white family looking through binoculars at an apparently uninhabited landscape, then cuts to a shot of the landscape itself, as if inhabiting their point of view. Immediately, then, the film suggests that the act of looking is one worth paying attention to. The question of who gets to look and how the looker reacts to what they see is inscribed, almost wordlessly, onto the film. I thought immediately of W.J.T. Mitchell’s Landscape and Power, which examines the artistic depiction of landscape as a politically charged one central to the formation of national […]
The post “Not Just a Formal Thing, But a Political Ethic”: Alice Diop on We first appeared on Filmmaker Magazine.
The post “Not Just a Formal Thing, But a Political Ethic”: Alice Diop on We first appeared on Filmmaker Magazine.
- 6/29/2022
- by Forrest Cardamenis
- Filmmaker Magazine - Blog
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