. The ocean is a source of ongoing fascination to German director Helena Wittmann, whose debut feature, “Drift” was set in a largely dialogue-free realm aboard a boat as a woman charted a course across the North Sea. This time around, the woman in the largely dialogue-free realm aboard a boat is charting a course across the Mediterranean Sea, a visual distinction that may only be detectable to marine professionals and Atlantic Ocean enthusiasts. Irrespective of the conceptual similarities to her debut, “Human Flowers of Flesh ” is a meditative gem powered by images, shot by Wittmann herself, that, on their own terms, make the film worth your time.
Ida (Angeliki Papoulia of “Dogtooth”) is a Greek wanderer with the mien of a woman more at home on the road than in any fixed abode. She carries herself with the resolute, slightly detached energy of someone driven by highly personal motives, coming...
Ida (Angeliki Papoulia of “Dogtooth”) is a Greek wanderer with the mien of a woman more at home on the road than in any fixed abode. She carries herself with the resolute, slightly detached energy of someone driven by highly personal motives, coming...
- 8/7/2022
- by Sophie Monks Kaufman
- Indiewire
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