“Don’t Worry Darling” (Warner Bros. Discovery) performed slightly better than studio and tracking projections to take #1 this weekend with about the same gross as “The Woman King” (Sony) last weekend.
The performance of Gina Prince-Bythewood’s African female warrior film, which cost 15 million more than Olivia Wilde’s much-discussed 1950s “Stepford Wives”-adjacent drama with Florence Pugh, Harry Styles, and Chris Pine, was regarded as strong, in part because of lower expectations.
After the barrage of publicity surrounding its Venice showing, “Darling” became a box-office cause celebre with consensus of an opening weekend of 20 million or higher. However, it faced an above-average drop from its combined preview and Friday results. These were further exaggerated by additional Monday IMAX fan screenings.
Even with its declining trajectory, “Darling” saw heavy support from younger females much as “The Woman King” received from older (particularly Black) women. Both films are mid-budget original dramas, an...
The performance of Gina Prince-Bythewood’s African female warrior film, which cost 15 million more than Olivia Wilde’s much-discussed 1950s “Stepford Wives”-adjacent drama with Florence Pugh, Harry Styles, and Chris Pine, was regarded as strong, in part because of lower expectations.
After the barrage of publicity surrounding its Venice showing, “Darling” became a box-office cause celebre with consensus of an opening weekend of 20 million or higher. However, it faced an above-average drop from its combined preview and Friday results. These were further exaggerated by additional Monday IMAX fan screenings.
Even with its declining trajectory, “Darling” saw heavy support from younger females much as “The Woman King” received from older (particularly Black) women. Both films are mid-budget original dramas, an...
- 9/25/2022
- by Tom Brueggemann
- Indiewire
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