Mothers, Daughters and German Autumns in Luca Guadagnino’s ‘Suspiria’ Remake [Horror Queers Podcast]
Eat my c**t.
After looking at two very different types of queer-coded bromances in Robert Eggers’ The Lighthouse and Ron Underwood’s Tremors, we took a trip to Poland to analyze the trans allegory in the mermaid horror musical The Lure before heading back into the twisted mind of Clive Barker to discuss his infamous directorial debut, Hellraiser. This week, we’re doing a deep dive into Luca Guadagnino‘s 2018 remake of Dario Argento‘s 1977 classic Suspiria.
In the film, Susie Bannion (Dakota Johnson) is an American woman and former Mennonite who enrolls at the prestigious Markos Dance Academy in 1977 Berlin that just so happens to be run by a coven of witches, including the mysterious Madame Blanc (Tilda Swinton).
Be sure to subscribe to the podcast to get a new episode every Wednesday. You can subscribe on iTunes/Apple Podcasts, Stitcher, Spotify, iHeartRadio, SoundCloud, TuneIn, Amazon Music, Acast,...
After looking at two very different types of queer-coded bromances in Robert Eggers’ The Lighthouse and Ron Underwood’s Tremors, we took a trip to Poland to analyze the trans allegory in the mermaid horror musical The Lure before heading back into the twisted mind of Clive Barker to discuss his infamous directorial debut, Hellraiser. This week, we’re doing a deep dive into Luca Guadagnino‘s 2018 remake of Dario Argento‘s 1977 classic Suspiria.
In the film, Susie Bannion (Dakota Johnson) is an American woman and former Mennonite who enrolls at the prestigious Markos Dance Academy in 1977 Berlin that just so happens to be run by a coven of witches, including the mysterious Madame Blanc (Tilda Swinton).
Be sure to subscribe to the podcast to get a new episode every Wednesday. You can subscribe on iTunes/Apple Podcasts, Stitcher, Spotify, iHeartRadio, SoundCloud, TuneIn, Amazon Music, Acast,...
- 9/26/2022
- by Trace Thurman
- bloody-disgusting.com
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