Set in “the new dark ages” — a ruined tomorrow in which the engineered viruses and organisms that humanity created in order to stem the planet’s ecological crisis have escaped into the wild and remade life on Earth into a dreary (but awesome) Cronenbergian wasteland full of fleshy droids, bioluminescent critters, and trees whose spores try to suck out your internal tissue while you sleep — Kristina Buozyte and Bruno Samper’s “Vesper” has already drawn several comparisons to the likes of “Stalker” and the Andrei Tarkovsky-inspired “Annihilation.” It’s easy to see why.
Told at the somnambulant of a European art film but plotted with the simplicity of a fairy tale, the filmmaking duo’s first feature since 2012’s “Vanishing Waves” offers .
Instead of using a variety of unique details to flesh out its familiar dystopian premise about the tension between a rich society of elites — who’ve barricaded...
Told at the somnambulant of a European art film but plotted with the simplicity of a fairy tale, the filmmaking duo’s first feature since 2012’s “Vanishing Waves” offers .
Instead of using a variety of unique details to flesh out its familiar dystopian premise about the tension between a rich society of elites — who’ve barricaded...
- 9/29/2022
- by David Ehrlich
- Indiewire
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