Every day I think about “Lost.”
This is not about my undying love for the serpentine ABC drama from 2004 (though don’t tempt me); Lost was this TV fan’s first exposure to flashback-based storytelling in a TV show, which it didn’t invent but certainly deployed with enviable efficacy. Each Lost episode focused on a specific character, following their narrative in the present and a related chapter of their past via flashback. It’s a format viewers will recognize from “Yellowjackets,” “Orange is the New Black,“ “This is Us,” and more — but the flashback structure takes on a twisted new form in Netflix’s “Firefly Lane,” which returned Friday for a second season.
“Firefly Lane,” based on the novel by Kristin Hannah, centers around the friendship of Tully (Katherine Heigl) and Kate (Sarah Chalke) throughout their lives. Any given episode tracks between three and four timelines; the girls’ teen years in the 1970s,...
This is not about my undying love for the serpentine ABC drama from 2004 (though don’t tempt me); Lost was this TV fan’s first exposure to flashback-based storytelling in a TV show, which it didn’t invent but certainly deployed with enviable efficacy. Each Lost episode focused on a specific character, following their narrative in the present and a related chapter of their past via flashback. It’s a format viewers will recognize from “Yellowjackets,” “Orange is the New Black,“ “This is Us,” and more — but the flashback structure takes on a twisted new form in Netflix’s “Firefly Lane,” which returned Friday for a second season.
“Firefly Lane,” based on the novel by Kristin Hannah, centers around the friendship of Tully (Katherine Heigl) and Kate (Sarah Chalke) throughout their lives. Any given episode tracks between three and four timelines; the girls’ teen years in the 1970s,...
- 12/3/2022
- by Proma Khosla
- Indiewire
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