Two of this year's most discussed awards season contenders, Daniel Kwan's and Daniel Scheinert's (aka the Daniels') crowd-pleasing "Everything Everywhere All at Once" and Todd Field's provocative "Tár" might not initially seem to have a lot in common. One is a maximalist tale of a Chinese-American immigrant mother trying to save her daughter with her newfound ability to traverse the infinite multiverse, and the other is a slow-burn character study of a renowned maestro's career imploding with the changing modern culture around her. What these roles share, however, is the fact they both are wonderfully elevated by the performances of the actors who play them and lean into their real-life Hollywood personas.
There's a universe in "Everything, Everywhere" where Michelle Yeoh's character, Evelyn, dedicates her life to kung-fu and essentially becomes a fictionalized version of herself, including a meta moment that incorporates real red carpet footage.
There's a universe in "Everything, Everywhere" where Michelle Yeoh's character, Evelyn, dedicates her life to kung-fu and essentially becomes a fictionalized version of herself, including a meta moment that incorporates real red carpet footage.
- 12/9/2022
- by Tyler Llewyn Taing
- Slash Film
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