It wouldn’t be an overstatement to proclaim that South Korea consistently delivers some of the most riveting thriller entertainment. Long before the (K)wave of interest in soppy K-dramas and overproduced K-pop, it was thriller Korean cinema that was gripping audiences all around the world, exemplified by masterpieces like Oldboy and I Saw The Devil. This is probably why said genre keeps delivering hard-hitting shows every month. This year alone, we’ve had a dozen in this category, with Sweet Home 2 being the latest in the mix. So, when I heard of Death’s Game, I was certainly excited to see what the industry was going to cook up for us. The South Korean industry, known for its prowess in adapting webtoons and consistently delivering compelling content, had something promising in store. Oftentimes, though, the buzz surrounding a show intensifies when it hails from said industry. When we got to...