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1-6 of 6
- Actor
- Soundtrack
John Donovan Cannon graduated from high school in his hometown of Salmon, Idaho, in 1940. His subsequent studies at the Academy of Dramatic Arts were interrupted as a result of wartime military service from 1942 to 1945. After the war, Cannon returned to New York to complete his training and acting on the stage, both on and off-Broadway, trying his hand at a wide variety of parts, mostly in classical plays. He essayed "Petruchio" in "The Taming of the Shrew" and appeared on Broadway in "Henry IV", "Lysistrata" and "Peer Gynt". Leading roles were few and far between, however.
Once Cannon had found his niche as a frequent guest star on numerous television episodes, his career as a motion picture actor became somewhat desultory, though he had memorable roles in two films: as the road gang convict "Society Red" in Cool Hand Luke (1967); and as the gangster "Calhoun" in Cotton Comes to Harlem (1970). His first TV appearance was as a poker-hustling master sergeant in a 1958 episode of The Phil Silvers Show (1955). His tough screen persona was pretty well established by the mid-60's, though, against character, he portrayed the timid weakling "Lloyd Chandler" (witness to the original crime committed by the "one-armed man") in the final denouement installment of The Fugitive (1963). He was at his scene-stealing best in an episode of The Invaders (1967) as "Peter Kalter", a strangely sympathetic mobster who turns against his own outfit and aids the chief protagonist against the impending alien threat.
In his recurring role as lawman "Harry Briscoe" in the western comedy series Alias Smith and Jones (1971), Cannon was again given the opportunity to deliver some enjoyably caustic one-liners, something at which he excelled. He will arguably be most fondly remembered for his popular portrayal of the perpetually exasperated, choleric, cigar-chewing NYPD Chief of Detectives, "Peter B. Clifford", in McCloud (1970) (1970-77).- Actress
- Additional Crew
- Casting Director
Born in Somerville, Massachusetts, on March 14, 1914, Harriet White Medin started out as a dental assistant and cleaned the teeth of young John and Robert Kennedy. After deciding to pursue work in the theater and playing a role on Broadway, she joined the USO and this led to her becoming the first American actress to relocate to post-war Italy and work in Italian films, beginning with Roberto Rossellini's Paisan (1946). Her following role was the lead in a dramatic film about the life of a saint, Genoveffa di Brabante (1947). She never found success as anything but a character actress and was often typecast as starchy, prim housewives and housekeepers. Orson Welles wanted her to play the role of Emilia in his Othello, but Harriet's inability to remain at the beck and call of Welles' shooting schedule forced him to recast the role with Fay Compton. When she realized that her acting career was at a standstill, she began working as a dialogue coach, helping Italian actors with their English. She became the personal assistant of Gina Lollobrigida in this respect for many years, and also assisted directors working in Italy, among them Vittorio De Sica, Joseph Losey, Raoul Walsh and John Huston. She witnessed some extraordinary things in film history, including the death of Tyrone Power on the set of Solomon and Sheba (for which she blamed George Sanders) and the filming of the famous Trevi fountain scene in La Dolce Vita (1960), in which she played Edna, Anita Ekberg's personal assistant. In the early 1960s, Harriet entered the Italian horror boom when they needed actors who could speak English, the better for the movies to seem British or American rather than Italian. She played the housekeepers in Riccardo Freda's _Orribile segreto del Dr. Hichcock, L' (1962), played important red herring parts in Bava's The Whip and the Body (1963) and Blood and Black Lace (1964), and also appeared in Elio Scardamaglia's The Murder Clinic (1966).
After assisting John Huston on Reflections in a Golden Eye, Harriet was persuaded by her friend, director Andrew Marton, to come and live in his guest house in Hollywood. One day, while doing the dishes, she decided that her marriage (to art director Gastone Medin) was over, and she accepted Marton's invitation by walking out on her old life, leaving the sink full of dirty dishes. After relocating to California, she did a fair amount of work in television (in addition to playing Henry Fonda's date in an episode of Family, she appeared on Bonanza, The A-Team, Northern Exposure and many other shows) and low-budget films. As a SAG member, she had to play the blind girl's mother in Schlock (1973) under the pseudonym of "Enrica Blankey." She also played the President of the United States in Death Race 2000 (1975), one of Linda Hamilton's diner customers in The Terminator (1984) and a grocery shopper in The Witches of Eastwick (1987). She narrated the trailer for George Romero's Hungry Wives (Season of the Witch).- Marie E. Johnston was born on 10 November 1917 in Bridgeport, Connecticut, USA. She was married to Ollie Johnston. She died on 20 May 2005 in Flintridge, California, USA.
- Actor
- Production Designer
Tino Pascali was born on 21 February 1928 in Buenos Aires, Argentina. He was an actor and production designer, known for Verdad consecuencia (1996), El novicio rebelde (1968) and Vamos a soñar por el amor (1971). He died on 20 May 2005 in Mar del Plata, Buenos Aires, Argentina.- Kadu Karneiro was born in 1961. He was an actor, known for Cruz e Sousa - O Poeta do Desterro (1998), Filhas do Vento (2004) and Cronicamente Inviável (2000). He died on 20 May 2005 in Rio de Janeiro, Rio de Janeiro, Brazil.
- Paul Ricoeur was born on 27 February 1913 in Valence, Drôme, France. He was a writer, known for Film socialisme (2010), Philosophie et vérité (1965) and Main basse sur la mémoire, les pièges de la Loi Gayssot (2012). He was married to Simone Lejas. He died on 20 May 2005 in Châtenay-Malabry, Hauts-de-Seine, France.