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1-9 of 9
- Producer
- Cinematographer
- Director
Born in London, England, in 1874, Cecil Hepworth was one of the founders of the British film industry, directing and producing many films from 1898 into the late 1920s. Developing an early interest in films from following his father on lecture tours about the magic-lantern, he patented several photographic inventions and wrote possibly the earliest handbook on the film medium. Directing, producing, and occasionally, acting in his films, Hepworth was instrumental in developing the British film industry through his use of cutting to produce a coherent film narrative. After a lull in film-making while attending more to his film studio business, he began making films again in 1914 and continued into the 1920s where he began falling behind the times in his techniques, thereby contributing to his bankruptcy in 1924, ending his career as a director of trailers and advertisements. He died in 1953.- Actor
- Director
- Producer
Conrad Veidt attended the Sophiengymnasium (secondary school) in the Schoeneberg district of Berlin, and graduated without a diploma in 1912, last in his class of 13. Conrad liked animals, theater, cinema, fast cars, pastries, thunderstorms, gardening, swimming and golfing. He disliked heights, flying, the number 17, wearing ties, pudding and interviews. A star of early German cinema, he became a sensation in 1920 with his role as the murderous somnambulist Cesare in Robert Wiene's masterpiece The Cabinet of Dr. Caligari (1920). Other prominent roles in German silent films included Different from the Others (1919) and Waxworks (1924). His third wife, Ilona (nicknamed Lily), was Jewish, although he himself wasn't. However, whenever he had to state his ethnic background on forms to get a job, he wrote: "Jude" (Jew). He and Lily fled Germany in 1933 after the rise to power of Adolf Hitler, and he became a British citizen in 1939. Universal Pictures head Carl Laemmle personally chose Veidt to play Dracula in a film to be directed by Paul Leni based on a successful New York stage play: "Dracula". Ultimately, Bela Lugosi got the role, and Tod Browning directed the film, Dracula (1931). In his last German film, F.P.1 Doesn't Answer (1932), Veidt sang a song called "Where the Lighthouse Shines Across the Bay." Although the record was considered a flop in 1933, the song became a hit almost 50 years later, when, in 1980, DJ Terry Wogan played it as a request on the Radio 2 breakfast show. That single playing generated numerous phone calls, and shortly thereafter the song appeared on a British compilation album called "Movie Star Memories" - a collection of songs from 1930s-era films compiled from EMI archives. The album was released by World Records Ltd., and is now out of print but can still be ordered online ("Where the Lighthouse Shines Across the Bay" is track 4 on side 2). Veidt appeared in Germany's first talking picture, Bride 68 (1929), and made only one color picture, The Thief of Bagdad (1940), filmed in England and Hollywood. His most famous role was as Gestapo Maj. Strasser in the classic Casablanca (1942); although he was not the star of the picture, he was the highest paid actor. He died while playing golf, and on the death certificate his name is misspelled as "Hanz Walter Conrad Veidt". Because he had been blacklisted in Nazi Germany, there was no official announcement there of his death. His ex-wife, Felicitas, and daughter Viola, in Switzerland, heard about it on the radio.- Cinematographer
- Director
- Writer
Beginning his career at age 13 as a stagehand for D.W. Griffith, George W. Hill worked his way up through cinematography and screenwriting to finally begin directing films in the early 1920s. His later films took on a stark, brutally realistic atmosphere and were renowned for their effective use of shadows in the lighting as in The Big House (1930), considered to be his masterpiece. He was found dead in his beach house in 1934, victim of an apparent suicide.- Actor
- Soundtrack
Holmes Herbert was a tall, intense English actor who made his first films after coming to America. He began in silent movies as a leading man but eventually was relegated to less important roles as a character actor when sound came in. He played in several of the Universal "Sherlock Holmes" movies, the title character of which was the initial inspiration for his stage name. His career spanned a total of 37 years, and he retired in 1952.- Director
- Producer
- Writer
A businessman and operetta director, Joe May, one of the founders of the German cinema, started directing films in 1911 and started his own production company a few years later. He gave famous German director Fritz Lang his start in films, employing him as a screenwriter in his early films. After the Nazi takeover, May fled to the United States where he directed several excellent action films for Universal, but never could quite break into the ranks of the "A" picture directors. May never bothered to completely learn the English language and was never popular with his casts and crews due to his dictatorial nature. He ended his career by directing his last film for Monogram in 1944 at the age of 64. He later briefly owned a restaurant in Hollywood that failed because, in keeping with his Teutonic roots, told customers what they should order.- Director
- Writer
- Actor
Curtiz began acting in and then directing films in his native Hungary in 1912. After WWI, he continued his filmmaking career in Austria and Germany and into the early 1920s when he directed films in other countries in Europe. Moving to the US in 1926, he started making films in Hollywood for Warner Bros. and became thoroughly entrenched in the studio system. His films during the 1930s and '40s encompassed nearly every genre imaginable and some, including Casablanca (1942) and Mildred Pierce (1945), are considered to be film classics. His brilliance waned in the 1950s when he made a number of mediocre films for studios other than Warner. He directed his last film in 1961, a year before his death at 74.- Director
- Writer
- Producer
Director and producer of many German as well as a few American, British and French films, Richard Oswald started making films in 1914 and shortly formed his own production company. After making many successful films and discovering several important performers, he fled his homeland after the Nazi takeover and eventually settled in the US. He was the father of Gerd Oswald, a well-regarded director of "B" pictures and television shows.- Director
- Writer
- Actor
After working in vaudeville, on the stage and in early movies, Richard Thorpe launched his directing career in 1923. After directing dozens of low-budget comedies and westerns, his talents were recognized in the mid-'30s when he went to work for MGM. Studio chief Louis B. Mayer valued efficiency in his directors, and Thorpe prided himself on bringing a production in under budget--that would be key to his remarkable longevity in Hollywood. He had no particular style, directing mechanically on the premise of keeping the camera rolling until an actor blew a line--or a scene suffered a mechanical malfunction--and then going back and completing it with a close-up or reaction shot. Mechanical or not, his technique worked. Though he never directed any blockbusters, he was solid and dependable, directing hundreds of movies of all genres for over four decades. He retired in 1967.- Born on August 26, 1928 in Kansas City, Missouri, Yvette Vickers majored in picture and theatre arts at UCLA for three years. On a trip to New York in the mid-1950s, she was cast as the White Rain Girl in commercials. She returned to the West Coast, working in various television series until she debuted in her first movie, Short Cut to Hell (1957), James Cagney's first directing effort. She played Allison Hayes' slatternly rival in Attack of the 50 Foot Woman (1958) and Bruno VeSota's slatternly wife in Attack of the Giant Leeches (1959). After doing a half dozen more movies through the end of the 1950s, the blonde, blue-eyed actress appeared once in 1963 in Hud (1963), in What's the Matter with Helen? (1971), and in the television movie The Dead Don't Die (1975).