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1-50 of 1,571
- Actress
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- Soundtrack
Agnes was born of Anglo-Irish ancestry near Boston, the daughter of a Presbyterian minister (her mother was a mezzo-soprano) who encouraged her to perform in church pageants. Aged three, she sang 'The Lord is my Shepherd' on a public stage and seven years later joined the St. Louis Municipal Opera as a dancer and singer for four years. In keeping with her father's dictum of finishing her education first (then being permitted to do whatever she wished with her career), Agnes attended Muskingum College (Ohio), and, subsequently, the University of Wisconsin. She graduated with an M.A. in English and public speaking and later added a doctorate in literature from Bradley University to her resume. When her family moved to Reedsburg, Wisconsin, where her father had a pastorate, Agnes taught public school English and drama for five years. In between, she went to Paris to study pantomime with Marcel Marceau.
In 1928, she began training at the American Academy for Dramatic Arts and graduated with honors the following year. In order to supplement her income , Agnes had turned to radio early on. She had her first job in 1923 as a singer for a St. Louis radio station. Her love for that medium remained with her all her life. From the 1930s to the 50s, she appeared on numerous serials, dramas and children's programs. She was Min Gump in "The Gumps" (1934), the 'dragon lady' in "Terry and the Pirates" (1937), Margot Lane of classic comic strip fame in "The Shadow", Mrs.Danvers in "Rebecca" and the bed-ridden woman about to meet her end in "Sorry, Wrong Number". Acting on the airwaves was so important to her that she would insist on its continuation as a precondition of a later contract with MGM. Significantly, through her radio work on "The Shadow"and "March of Time" in 1937, she met and befriended fellow actor Orson Welles. Welles soon invited her to join him and Joseph Cotten as charter members of his Mercury Theatre on the Air. Agnes was involved in the famous "War of the Worlds" broadcast of 1938 which attracted nationwide attention and resulted in a lucrative $100,000 per picture deal with RKO in Hollywood. The Mercury players (the other principals were Ray Collins, Everett Sloane, Paul Stewart and George Coulouris) packed up and went west.
An ebullient and versatile character actress, Agnes was impossible to typecast: she could play years older than her age, appear as heroine or villainess, tragedienne or comedienne. In her first film, the iconic Citizen Kane (1941), she played the titular character's mother. She received her greatest critical acclaim for her emotive second screen performance as Aunt Fanny Minafer in The Magnificent Ambersons (1942). In addition to being voted the year's best female performer by the New York Film Critics she was also nominated for an Academy Award. Through the years, Agnes would be nominated three more times: for her touching portrayal of the jaded but sympathetic Baroness Conti in Mrs. Parkington (1944); for her role as the title character's Aunt Aggie in Johnny Belinda (1948) and for playing Velma, the hard-boiled, suspicious housekeeper of Bette Davis in Hush...Hush, Sweet Charlotte (1964), co-starring her old friend Joseph Cotten. Other notable film appearances included Jane Eyre (1943), with Orson Welles, The Woman in White (1948) as Countess Fusco), The Lost Moment (1947) (as a 105-year old woman) and Dark Passage (1947), a classic film noir in which she had third billing behind Humphrey Bogart and Lauren Bacall as the treacherous , malevolent Madge Rapf. She had a rare starring role in the campy horror flick The Bat (1959), giving (according to the New York Times of December 17) 'a good, snappy performance'.
On Broadway, she appeared in such acclaimed plays as "All the King's Men" and "Candlelight". She enjoyed success with "Don Juan in Hell", touring nationally: the first time (1951-2) with Charles Laughton and Cedric Hardwicke, the second time (though receiving fewer critical plaudits) with Ricardo Montalban and Paul Henreid in 1973. She also starred with Joseph Cotten in "Prescription Murder" (1962). While not a great critical success, this was much liked by audiences and it introduced a famous detective named Lieutenant Columbo. From 1954, she also toured the U.S. and Europe with her own a one-woman show entitled "The Fabulous Redhead". Agnes performed numerous times on television before landing the role of Endora on Bewitched (1964). One particularly interesting part came her way through the director Douglas Heyes who remembered her from "Sorry, Wrong Number". He cast her in the starring - and indeed, only role in The Invaders (1961). As the lonely old woman confronted by tiny alien invaders in her remote farmhouse, Agnes never utters a single word and cleverly acts her scenes as a pantomime of unspoken terror.
Of course, the genial Agnes Moorehead has been immortalized as Elizabeth Montgomery's flamboyant witch-mother, Endora, although that was not a role the actress wished to be remembered for (in spite of several Emmy Award nominations). Indeed, she had thought this whole witchcraft theme to be rather far-fetched and was somewhat taken aback by the show's huge popularity. Agnes had a special clause inserted in her contract which limited her appearances to eight out of twelve episodes which gave her the opportunity to also work on other projects. Commenting on the acting profession in one of her many interviews (New York Times, May 1, 1974), she found the key to success in being " sincere in your work " and to "just go right on whether audiences or critics are taking your scalp off or not".- Actor
- Soundtrack
In many ways the most successful and familiar character actor of American sound films and the only actor to date to win three Oscars for Best Supporting Actor, Walter Brennan attended college in Cambridge, Massachusetts, studying engineering. While in school he became interested in acting and performed in school plays. He worked some in vaudeville and also in various jobs such as clerking in a bank and as a lumberjack. He toured in small musical comedy companies before entering the military in 1917. After his war service he went to Guatemala and raised pineapples, then migrated to Los Angeles, where he speculated in real estate. A few jobs as a film extra came his way beginning in 1923, then some work as a stuntman. He eventually achieved speaking roles, going from bit parts to substantial supporting parts in scores of features and short subjects between 1927 and 1938. In 1936 his role in Come and Get It (1936) won him the very first Best Supporting Actor Academy Award. He would win it twice more in the decade, and be nominated for a fourth. His range was enormous. He could play sophisticated businessmen, con artists, local yokels, cowhands and military officers with apparent equal ease. An accident in 1932 cost him most of his teeth, and he most often was seen in eccentric rural parts, often playing characters much older than his actual age. His career never really declined, and in the 1950s he became an even more endearing and familiar figure in several television series, most famously The Real McCoys (1957). He died in 1974 of emphysema, a beloved figure in movies and TV, the target of countless comic impressionists, and one of the best and most prolific actors of his time.- Actor
- Soundtrack
As the brash and bruising tough guy with wide, flaring nostrils, compact features and boorish, bullying personality, you could have placed bets that anyone who had the guts to go nose-to-nose against crew cut-wearing badger Frank Sutton had better be one tough order. Nope. Far from it. Sutton's most feared, ulcer-inducing on-camera nemesis would be none other than one of TV's gentlest souls ever--Mayberry's own lovable gas station attendant Gomer Pyle.
As the antagonistic, in-your-face Sgt. Vince Carter, whose outer bluster occasionally revealed a softer inner core, the 41-year-old Sutton finally found himself front and center co-starring in one of sitcomdom's most successful spin-offs--Gomer Pyle: USMC (1964), the offspring of The Andy Griffith Show (1960). Fans really took to Sutton's volatile character whose hilarious slow burn meshed perfectly with Jim Nabors' awkward guile. The gimmick of watching Carter's devious but ultimately failed plans to transfer Pyle out of his unit each week worked for five seasons. Off-stage Nabors and Sutton shared a mutual respect for each other. After the show's demise, in fact, Sutton went on to become a part of Jim's roster of regulars on The Jim Nabors Hour (1968), a variety show that had a very short run.
Frank Spencer Sutton was born in Clarksville, Tennessee. Although some sources list the year of his birth as 1922, his grave marker indicates 1923. An only child, both his parents had jobs working for the local newspaper. When he was eight, the family moved to Nashville, his father dying some time later of an intestinal ailment. Belonging to the drama club and appearing in high school plays sparked his early interest in acting, and he majored in Dramatic Arts at Columbia University, graduating cum laude. Gaining experience on the local stages, he eventually found a job as a radio announcer. Following WWII military service, he returned to acting and in the 1950s segued into TV, appearing on a couple of the more popular children's adventure series -- Captain Video and His Video Rangers (1949) and Tom Corbett, Space Cadet (1950). Based in New York, Sutton also found work on the soaps The Edge of Night (1956) and The Secret Storm (1954).
Sutton's imposing mug and hothead countenance proved quite suitable for playing both good guys and bad guys and he became a steady, reliable fixture in rugged surroundings. With work on such series as "Gunsmoke", "Maverick", "The Fugitive", "Combat!", and "The Untouchables" he could be counted on to play everything from a crass, outspoken blue-collar buddy to a menacing henchman. Film appearances were sporadic, with only a few secondary roles offered. His best chances were in Four Boys and a Gun (1957), Town Without Pity (1961) (a very good performance as one of a trio of American GIs accused of raping a young German girl) and The Satan Bug (1965).
In the early 1970s, after the success of the "Gomer Pyle" series, Sutton was seen in TV guest spots while performing in small-scale stock plays all over the US. His stage work would include comedic roles in "The Odd Couple," "Anything Goes" and "No Hard Feelings." In fact, he died suddenly of a heart attack on June 28, 1974, while in rehearsals for a show at a Louisiana dinner theater. The 50-year-old actor was survived by his wife of 25 years, daytime soap writer Toby Igler, and children Joseph and Amanda. He was buried in his home town.- Actress
- Soundtrack
This pert and pretty number was probably better known for her not-so-private off-camera escapades than for her commendable "B" work as a light comedienne in 30s and 40s films. Nevertheless, actress Arline Judge enlivened a number of them with her blue-eyed, brunette beauty and colorful characterizations. Her numerous marriages and divorces (8) equaled that of the more notable Hollywood husband-hunter Lana Turner. She topped Ms. Turner only if you consider that Arline married 8 different men; Lana's eight marriages included one remarriage (to actor Stephen Crane). The two ladies even shared an ex-husband!
Connecticut-born Arline arrived on February 21, 1912. Her father, a newspaperman, moved his family to New York City while Arline was still young. She was eventually enrolled at the Ursuline Academy in the Bronx where, among other things, she studied dance. Briefly working in vaudeville, nightclubs and other New York musical shows, the petite-framed, eye-catching chorine was noticed for films in 1930 by an RKO talent agent who spotted her in the Broadway revue "The Second Little Show," and signed.
Arline made her film debut with a flashy bit part in Bachelor Apartment (1931). After appearing fairly non-descriptively in An American Tragedy (1931) and Three Who Loved (1931), among others, she finally had people taking notice of her as a tawdry good-time girl in Are These Our Children (1931). 1931 also marked the year of marriage #1 to Wesley Ruggles, nearly 24 years her senior (she was 19; he was 42), who directed her in the afore-mentioned movie. She subsequently gave birth to their son Wesley, Jr. Nicknamed "One-Take Sally", Arline proved adaptable at both snappy comedy and teary drama, easily alternating her services between a wacky Wheeler and Woolsey farce such as Girl Crazy (1932) or Helen Twelvetrees weepie such as Young Bride (1932). Her characters were often more trouble than they were worth as her scheming waitress in Is My Face Red? (1932) and adulterous wife in Flying Devils (1933) can attest.
After losing her RKO contract in 1933, Arline freelanced with lesser studios as various suspiciously-motivated ladies and was often cast for amusement. She enjoyed her many couplings with comic actor Jack Oakie in Looking for Trouble (1934), Shoot the Works (1934) and King of Burlesque (1936), and also worked time and again with her husband in the films Roar of the Dragon (1932), Shoot the Works (1934)Valiant Is the Word for Carrie (1936). Arline could always be counted on to sparkle up lightweight comedy material such as College Scandal (1935), Here Comes Trouble (1936) and, the Sonja Henie capade One in a Million (1936) with her trademark effervescence.
Divorced from Ruggles by 1937, she immediately got caught up in a tabloid triangle that resulted in marriage #2 (only hours after her divorce was finalized) with one of her battling beaus, Daniel Reid Topping, owner of football's Brooklyn Dodgers. This marriage to Topping, who in 1945 (after their 1940 divorce) co-purchased the New York Yankees, lasted about two years and produced another son, Daniel, Jr. Marriage #3 less than a month and came in the form of hotel executive James Bryant.
The trials and tribulations of Arline's hectic private life took up a lot of time and severely hampered the momentum of her film career. Five years after her last movie, she finally resurfaced again in the uneventful comedy Harvard, Here I Come! (1941), which led to a few war-era "B" and "C" rankers including The Lady Is Willing (1942), Song of Texas (1943), G.I. Honeymoon (1945) and From This Day Forward (1946). A bit part as a manicurist in the Harold Lloyd comedy The Sin of Harold Diddlebock (1947) (aka _Mad Wednesday) ended her 1940s movie run. In between there an eight-day marriage #4 to Royal Air Force Captain James Adams in 1942; a slightly longer marriage #5 to ad exec Vincent Morgan Ryan in 1945); and marriage #6 to wealthy sportsman Henry (Bob) Topping, brother of second husband Daniel. After her second Topping family divorce, Henry went on to marry Lana Turner. Marriage #7 was to insurance man George Ross III (1949-1950), and marriage #8 in 1955 to Beverly Hills inventor Edward Cooper Heard, her final union ending a lengthy (for her) 5 years.
Interspersed with all this marriage mayhem were some isolated TV guest roles in the 50s and early 60s in such series as "Perry Mason" and a final leap back in films as the mom of William Wellman Jr. in the poorly acted drama A Swingin' Summer (1965), which included surf music (!), and a role as one of the strangling victims of The Crawling Hand (1963), a low-grade horror opus.
By the mid-60s Arline had given up on pursuing both career (save a few commercials) and husbands. She lived out her final years in her West Hollywood digs and was found dead of natural causes ("aspiration of gastric contents") on February 7, 1974, just shy of her 62nd birthday . She was survived by her two sons and buried in her home state of Connecticut.- Actor
- Director
- Second Unit Director or Assistant Director
Entering films straight out of high school, Richard Long's good looks served him well and got him a contract at Universal Pictures. Making his debut as Claudette Colbert's son in Tomorrow Is Forever (1946), Long played juvenile leads in many Universal productions (he was one of the sons in the "Ma and Pa Kettle" series), and gradually worked his way into leading parts in second features. His most successful efforts were in television, however, where he became best known for his roles in the western series The Big Valley (1965) and the comedy Nanny and the Professor (1970).- Actor
- Director
- Writer
Vittorio De Sica grew up in Naples, and started out as an office clerk in order to raise money to support his poor family. He was increasingly drawn towards acting, and made his screen debut while still in his teens, joining a stage company in 1923. By the late 1920s he was a successful matinee idol of the Italian theatre, and repeated that achievement in Italian movies, mostly light comedies. He turned to directing in 1940, making comedies in a similar vein, but with his fifth film The Children Are Watching Us (1943), he revealed hitherto unsuspected depths and an extraordinarily sensitive touch with actors, especially children. It was also the first film he made with the writer Cesare Zavattini with whom he would subsequently make Shoeshine (1946) and Bicycle Thieves (1948), heartbreaking studies of poverty in postwar Italy which won special Oscars before the foreign film category was officially established. After the box-office disaster of Umberto D. (1952), a relentlessly bleak study of the problems of old age, he returned to directing lighter work, appearing in front of the camera more frequently. Although Yesterday, Today and Tomorrow (1963) won him another Oscar, it was generally accepted that his career as one of the great directors was over. However, just before he died he made The Garden of the Finzi-Continis (1970), which won him yet another Oscar, and his final film A Brief Vacation (1973). He died following the removal of a cyst from his lungs.- Actor
- Soundtrack
Paul Richards was born on 23 November 1924 in Hollywood, California, USA. He was an actor, known for Beneath the Planet of the Apes (1970), Monkey on My Back (1957) and The St. Valentine's Day Massacre (1967). He was married to Monica Keating. He died on 10 December 1974 in Culver City, California, USA.- Actor
- Soundtrack
The grandnephew of South African pioneer and former president Paul Krüger, Otto Kruger trained for a musical career from childhood, but after enrolling in Columbia University he switched his career choice to acting. Making his Broadway debut in 1915, at 30, he shortly became a matinée idol of the day, specializing in sophisticated leading roles. He made his film debut in 1915 in The Runaway Wife (1915), but it was in the 1930s that Kruger's polished, urbane characterizations came into full swing. Although he occasionally played a hero, as in Corregidor (1943) he was often cast as the amoral villain or a charming but corrupt businessman (usually a banker), a task at which he excelled. Kruger was one of the industry's busiest character actors until a series of strokes brought about his retirement in the mid-1960s.- "Doc T". as he was known, was a Ph.D., and Professor of Theatre at Michigan State University in the early 1940s, just before World War II. He often spoke about leaving academia and actually trying his hand at the craft he taught. After the war, he got his chance and never looked back.
- Actor
- Producer
- Soundtrack
Forever and fondly remembered as Don Adams' foil on the popular Mel Brooks/Buck Henry spy series Get Smart (1965), character actor Ed Platt (also billed as Edward C. Platt) had been around for two decades prior to copping that rare comedy role. Born in Staten Island, New York, on Valentine's Day, 1916, he inherited an appreciation of music on his mother's side. He spent a part of his childhood in Kentucky and in upstate New York where he attended Northwood, a private school in Lake Placid, and was a member of the ski jump team. He majored in romantic languages at Princeton University but left a year later to study at the Conservatory of Music in Cincinnati after his thoughts turned to a possible operatic career. He later was accepted into Juilliard.
Instead of opera, however, Ed first became a band vocalist with Paul Whiteman and Orchestra. He then sang bass as part of the Mozart Opera Company in New York. With the Gilbert and Sullivan Opera Company in 1942, he appeared in the operettas "The Mikado," "The Gondoliers" and "The Pirates of Penzance".
WWII interrupted his early career. Ed served as a radio operator with the army and would find himself on radio again in the post-war years where his deep, resonant voice proved ideal. A number of musical comedy roles also came his way again. In 1947, he made it to Broadway with the musical "Allegro." Star José Ferrer took an interest in Ed while they both were appearing in "The Shrike" on Broadway in 1952.
Around 1953, Edward moved to Texas to be near his brother and began anchoring the local news and kiddie birthday party show called "Uncle Eddie's Kiddie Party." Ferrer remembered Platt and invited him to Hollywood where Ferrer was starring in the film version of The Shrike (1955). Ed recreated his stage role. He also earned fine notices as James Dean's understanding juvenile officer in the classic film Rebel Without a Cause (1955).
This led to a plethora of film and TV support offers where the balding actor made fine use of his dark, rich voice, stern intensity and pragmatic air, portraying a slew of professional and shady types in crime yarns, soap dramas and war pictures -- everything from principals and prosecutors to mobsters and murderers.
After years of playing it serious, which included stints on the daytime drama General Hospital (1963), Ed finally was able to focus on comedy as "The Chief" to Don Adams klutzy secret agent on Get Smart (1965), a show that inevitably found a cult audience. Picking up a few occasional guest spots in its aftermath, he later tried producing.
Twice married and the father of four, Platt died on March 19, 1974. Death was attributed to a massive heart attack at the time. Years later his son revealed that his father, suffering from acute depression and undergoing severe financial pressures, committed suicide at his Santa Monica, California apartment.- Actress
- Soundtrack
Cass Elliot was born Ellen Naomi Cohen on September 19, 1941, in Baltimore, Maryland. She grew up in the Washington D.C. environs and in her senior year of high school, performed in a summer stock production of "The Boyfriend" at the Owings Mills Playhouse, where she played the French nurse who sings "It's Nicer, Much Nicer in Nice." After this experience, even though her family anticipated her seeking a college education in pursuit of a career, Cass forged ahead in the performing arts. She made a splash in New York and began an acting career, competing with Barbra Streisand for the Miss Marmelstein part in "I Can Get It for You Wholesale" in 1962.
She toured in a production of Meredith Willson's "The Music Man." Elliot also produced a play at Cafe La Mama in New York. However, by early 1963 she had met up with Tim Rose and John Brown and formed a folk trio initially dubbed The Triumvirate, but later known as The Big 3 when Brown was replaced by James Hendricks. The Big 3 were a progressive and innovative folk trio who recorded two albums and made appearances on The Tonight Show Starring Johnny Carson (1962), Hootenanny (1963) and The Danny Kaye Show (1963). In 1964 the group had begun to fall apart and it metamorphosized into a foursome called "Cass Elliot and The Big Three" which included Canadians Denny Doherty and Zal Yanovsky (Rose had left at this point). Soon this foursome became The Mugwumps who operated out of The Shadows nightclub in Washington. They released a single for Warner Brothers and stayed together through the end of 1964, until they, too, began to disintegrate. Cass began to work as a solo single in Washington, D.C.
At this point Doherty had joined John Phillips and Michelle Phillips and the three were performing as The New Journeymen. Soon they left for the Virgin Islands, where Cass subsequently joined them, and the four began to sing together in mid-1965--thus, the superstar group The Mamas and The Papas was born. From 1965 to 1968 the Mamas and Papas recorded a series of top-ten hits including "Monday, Monday," "California Dreamin'," "I Saw Her Again," and "Dedicated to the One I Love."
The group's last hit was a launching number for Cass Elliot. "Dream A Little Dream Of Me" became her theme song and, beginning in 1968, she embarked on her own short-lived but solid solo career. Her distinct voice had always emerged from the groups in which she sang. In 1969 she scored big with "It's Getting Better" and 1970 yielded the hits "Make Your Own Kind of Music" and "New World Coming." In 1970, Elliot also appeared in the film Pufnstuf (1970) and recorded an album with rock singer Dave Mason. Recently, the issue of the soundtrack of Monte Walsh (1970) turned up four different versions of her theme song, "The Good Times Are Coming", composed by John Barry and Hal David.
Elliot had two prime-time television specials of her own in 1969 and 1973, but most people remember her scores of television appearances throughout the early 1970s with Mike Douglas, Julie Andrews, Andy Williams, Johnny Cash, Red Skelton, Ed Sullivan, Tom Jones, Carol Burnett and others. She guest-hosted "The Tonight Show", had successful stints in Las Vegas and continued to record for RCA during these years, too. Cass had one daughter, Owen Vanessa, in April 1967 and she was married twice, first (1963-68) to fellow Big Three and Mugwumps member Jim Hendricks and second to Baron Donald von Wiedenman (1971). In 1974, she traveled to London where she had a two-week engagement at the London Palladium. After performing to sellout crowds and basking in repeated ovations, Cass tragically succumbed to a heart attack on July 29, 1974 in London, following this successful concert tour (and NOT, as is commonly believed, from choking on a sandwich).
In 1998, The Rock and Roll Hall of Fame inducted Cass Elliot and her fellow band-mates from The Mamas and The Papas into that institution. Her daughter Owen represented her mother and accepted her award.- Actor
- Producer
- Soundtrack
The son of a saloon keeper, Jack Benny (born Benny Kubelsky) began to study the violin at the age six, and his "ineptness" at it, would later become his trademark (in reality, he was a very accomplished player). When given the opportunity to play in live theatre professionally, Benny quit school and joined vaudeville. In the same theatre that Benny was working with were the very young The Marx Brothers. Their mother, Minnie Marx, wanted Benny to go on the road with them. However, this plan was foiled by his parents who would not let their 17-year-old son on the road.
Having a successful vaudeville career, Benny also had a greater career on radio for "The Jack Benny Program". The show was one of the few successful radio programs that also became a successful television show.
Benny also starred in several movies, including The Hollywood Revue of 1929 (1929), Broadway Melody of 1936 (1935), The Horn Blows at Midnight (1945) and George Washington Slept Here (1942), although he had much greater success on radio and on TV than he did on the big screen.
He was good friends with Fred Allen, with whom he had a long-standing comic "feud".- Actor
- Soundtrack
Born on November 8, 1924, in Youngstown, Ohio and after attending Northwestern University, Flynn began his entertainment career as a ventriloquist and as a radio performer. During World War II, he served in the Army's Special Services Branch (formerly the Morale Branch) entertaining the troops in the United States. After the war, Flynn moved to Hollywood. He made his film debut as Joseph Flynn in the bottom-of-the-barrel, beneath-B-picture potboiler The Big Chase (1954), which co-starred Lon Chaney Jr., which he followed up with a part as a priest in The Seven Little Foys (1955) starring Bob Hope.
Flynn began to achieve success on television in the late 1950s, becoming a regular on The George Gobel Show (1954). This landed him a role on The Joey Bishop Show (1961), but Flynn was dumped after the first season by Bishop for stealing too many scenes. By the time he was booted off, he had developed a reputation as a reliable comic foil.
The termination of his Bishop gig proved fortuitous for he landed the role that made him a television immortal that very next season: Captain Wallace 'Leadbottom' Binghamton on McHale's Navy (1962). The classic sit-com, which co-starred Ernest Borgnine and Tim Conway, ran until 1966 and spawned two theatrical movie releases. It also lead to a co-starring role on the short-lived The Tim Conway Show (1970).
Beginning with his appearance in Walt Disney Co.'s The Love Bug (1969), Flynn appeared in nine other Disney productions: seven theatrical releases and two TV movies, including two movies released after his death. He appeared in five movies with Kurt Russell, including three in which he played Eugene (E.J.) Higgins, the dean of financially-strapped Medfield College: The Computer Wore Tennis Shoes (1969), Now You See Him, Now You Don't (1972), and The Strongest Man in the World (1975).
In the early 1970s, Flynn was one of the leaders of a Screen Actors Guild group that sought a more equitable distribution of TV residual payments. On July 19, 1974, just after completing his voice-over work on the Disney animated movie The Rescuers (1977)," he died of a heart attack in the swimming pool of his Beverly Hills home. Apparently, he had gone into the pool with a cast on his broken leg. His body was found at the pool's bottom, held down by the weight of the cast. He was 49 years old.- Stafford Repp was born on 26 April 1918 in San Francisco, California, USA. He was an actor, known for Batman: The Movie (1966), Batman (1966) and Playhouse 90 (1956). He was married to Theresa Valenti Moriarty, Sharon Diane Currier and Berta J. Slack. He died on 5 November 1974 in Inglewood, California, USA.
- Walter Coy was born on 31 January 1909 in Great Falls, Montana, USA. He was an actor, known for The Searchers (1956), The Lusty Men (1952) and Pancho Villa (1972). He was married to Ruth E. Harburger, Anne Burr, Idyl Lilith Stanward and Esther Bullis. He died on 11 December 1974 in Santa Maria, California, USA.
- Actor
- Producer
- Soundtrack
Long acknowledged as one of the best "straight men" in the business, Bud Abbott was born William Alexander Abbott in Reading, Pennsylvania to Rae (Fisher) and Harry Abbott, who had both worked for the Barnum and Bailey Circus. When Bud was three his family moved to Asbury Park, New Jersey, which he later, erroneously, listed as his place of birth. He himself worked in carnivals while still a child and dropped out of school in 1909. He worked as assistant treasurer for the Casino Theater in Brooklyn, then as treasurer and/or manager of various theaters around the country. He worked as the straight man to such vaudeville and burlesque comics as Harry Steepe and Harry Evanson while managing the National Theater in Detroit. In 1931 while cashiering at the Brooklyn theater, he substituted for comic Lou Costello's ill straight-man. The two clicked almost immediately and formed their famous comedy team. Throughout the 1930s they worked burlesque, minstrel shows, vaudeville and movie houses. In 1938 they got national exposure through the Kate Smith radio show "The Kate Smith Hour", and signed with Universal Pictures the next year. They made their film debut in One Night in the Tropics (1940), and, while the team wasn't the film's stars, it made money for Universal and they got good enough notices to convince Universal to give them their own picture. Their first starring film, Buck Privates (1941), with The Andrews Sisters, grossed what was then a company-record $10 million (on a $180,000 budget) and they were on their way to stardom and a long run as the most popular comedy team in America. In 1942 they topped a poll of Hollywood stars. They had their own radio show (ABC, 1941-6, NBC, 1946-9) and TV show (The Abbott and Costello Show (1952)). After the war their careers stalled and the box-office takes for their films started slipping. However, they made a big comeback in Abbott and Costello Meet Frankenstein (1948), which raked in huge profits and even got the team good notices from critics who normally wouldn't even review their films. The movie's success convinced Universal to embark on a series of films in which the team met various monsters or found themselves in exotic locations. Their film career eventually petered out and the team split up in 1957. Costello embarked on a series of TV appearances and even made a film, without Abbott, called The 30 Foot Bride of Candy Rock (1959), but it was a flop. He received good notices after a dramatic performance in an episode of Wagon Train (1957) and was in discussion to star in a biography of famed New York City mayor Fiorello LaGuardia, a project Costello had been trying to get off the ground for years, when he died. Both Abbott and Costello had major tax problems with the Internal Revenue Service and wound up virtually broke. Abbott started over with a new partner, Candy Candido, in the 1960s and set off on a national tour, including Las Vegas, but the act failed. In 1966 he voiced his character in a cartoon version of their television show. His health deteriorated badly in the late 1960s, he had always suffered from epilepsy, and he died in 1974.- Actor
- Music Department
- Soundtrack
Tex Ritter was born on 12 January 1905 in Murvaul, Texas, USA. He was an actor, known for Song of the Gringo (1936), High Noon (1952) and Varsity Blues (1999). He was married to Dorothy Fay. He died on 2 January 1974 in Nashville, Tennessee, USA.- Actress
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A bundle of bright sunshine and unabashed energy, lovely musical actress Barbara Ruick delighted audiences for over two decades. The brown-eyed singer/actress who admittedly came up short in the dancing department nevertheless toyed with top musical stardom in mid-1950s films and almost nabbed it. A vivacious beauty whose sparkling, fresh-faced appeal reminded one instantly of a Mitzi Gaynor or Vera-Ellen, Barbara's untimely death at age 41 robbed Hollywood of a tried-and-true talent.
She was born on December 23, 1932 in sunny Pasadena, California, the daughter of show biz professionals. Father Mel Ruick was a well respected radio actor and announcer while mother Lurene Tuttle earned equal distinction as a radio player and (later) reliable TV and film performer playing a lovely assortment of fluttery matrons and mothering types. Deeply influenced by her parents' obvious success and fulfillment, the blonde and starry-eyed Barbara started acting on radio and TV as a Hollywood High School teenager. One of her first jobs was in the chorus of Chico Marx's TV show despite the fact she was a lackluster dancer.
Following other TV work, the just-turned-21 Barbara earned the attention of MGM and signed a long-term contract with the topnotch studio. She dutifully apprenticed in starlet parts with bit or not billed roles in both musical and dramatic outings including Invitation (1952), Scaramouche (1952) and Fearless Fagan (1952). Slightly better parts were handed to her in the films You for Me (1952), Above and Beyond (1952) and Apache War Smoke (1952). The last movie mentioned co-starred future husband Robert Horton, known for his rugged appearances in numerous westerns. The twosome married in Las Vegas in 1953.
The next couple of years were quite frustrating for Barbara at MGM. After finally earning a second female lead role in the film The Affairs of Dobie Gillis (1953) alongside Bobby Van, Debbie Reynolds and Bob Fosse, MGM inexplicably reverted her right back to playing bit parts again in such offerings as Confidentially Connie (1953), I Love Melvin (1953) and The Band Wagon (1953). She finally retreated from both MGM and Hollywood and returned to New York to concentrate on TV. She earned a slew of assignments including a number of variety show appearances. On series TV she was a bright and breezy regular for such stalwarts as Ezio Pinza, Jerry Colonna and Johnny Carson. She also proved her dramatic mettle on such programs as The New Loretta Young Show (1962), Public Defender (1954) and The Lineup (1954).
Out of nowhere Barbara was ushered back to Hollywood for the most important film role of her career. In Rodgers and Hammerstein's classic Carousel (1956), it seemed that stardom was just within reach after winning the cute and flighty Carrie Piperidge role alongside Gordon MacRae and Shirley Jones. Ruick shined in the well-mounted 20th Century-Fox production while offering a lovely rendition of "When I Marry Mr. Snow". Instead of this success propelling Barbara into other films, it would be her last movie for nearly two decades. She also recorded for Columbia Records around this period but, other than a couple of novelty items, none of her songs ever made it to the top of the charts.
Divorced from actor Horton in 1956, Barbara married Academy Award-winning composer and Boston Pops conductor John Williams that same year. They had one daughter and two sons. The boys went on to have musical careers of their own; their daughter became a doctor. She continued to thrive on TV in the late 50s. In 1965 angular Barbara and plump Pat Carroll camped it up and nearly stole the proceedings as the evil stepsisters with their uproarious version of "The Stepsisters Lament" in Rodgers & Hammerstein's star-studded musical special Cinderella (1965) starring Lesley Ann Warren.
Barbara was little seen in the ensuing years but did pop up for a small role as a barmaid in the comedy film California Split (1974) showcasing the then-hot film stars Elliott Gould and George Segal. Barbara died suddenly of a cerebral hemorrhage on March 3, 1974 in Reno, Nevada. Although her musical gifts were shamefully underused by MGM in the early 1950s, her comeback role in Carousel (1956) will endure and remain a film treasure.- Actor
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American character actor in scores of films after substantial stage experience. He was born in DeSoto, Missouri, but raised in Atchison, Kansas. The son of a railroad worker and law clerk (some publicity material states the father was a physician, but family and census records show otherwise), he wavered between various careers including oil exploration, but found his way after an introduction to the stage with the Atchison Civic Theatre and Kansas City Civic Theatre. He briefly attended the University of Kansas (where he was a fraternity brother of future newsman John Cameron Swayze). He moved from Kansas to California in 1930, where he lived with his grandparents and worked in the lemon groves near Pomona prior to opening a tire-repair shop in that city. He also helped found a theatre company in Pomona. He joined the Pasadena Community Playhouse, where he was spotted by a Warner Bros. talent scout looking for someone with a resemblance to Henry Clay, for the Warners short film The Monroe Doctrine (1939). He signed with Warners as a contract player and was thereafter virtually never without work. He played in an enormous number of films over the next three decades, mostly in small supporting roles. He was equally adept at playing businessmen, attorneys, or historical figures, and was a familiar face on screen and on television for his entire career, though most people would have been unable to identify him by name. Perhaps his greatest fame came in the TV role of oil company president John Brewster on The Beverly Hillbillies (1962). During the last years of his life, he was co-owner of a popular restaurant/bar in Encino, California, called The Oak Room. Wilcox died in 1974.- Actress
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Born on June 16, 1910, sultry, opulent, mole-lipped, Budapest-bred blonde singer/actress Ilona Massey survived an impoverished childhood in Hungary to become a glamorous talent both here and abroad. As a dressmaker's apprentice she managed to scrape up money together for singing lessons and first danced in chorus lines, later earning roles at the Staats Opera.
A statuesque Broadway, radio and night-club performer, Ilona made her debut in the Austrian film Heaven on Earth (1935) before coming to America to duet with Nelson Eddy in a couple of his glossy operettas. In the first, Rosalie (1937), she was secondary to Mr. Eddy and Eleanor Powell, but in the second vehicle, Balalaika (1939), she was the popular baritone's prime co-star.
Billed as "the new Dietrich," Ms. Massey did not live up to the hype as her soprano voice was deemed too light for the screen and her acting talent too slight and mannered. An American citizen in 1946, continued pleasantly moody in non-singing roles in a brief movie career that included such films as the Franz Schubert biopic New Wine (1941); the action adventure International Lady (1941); the double agent Nazi thriller Invisible Agent (1942), the musical comedy Holiday in Mexico (1946), the action drama Northwest Outpost (1947) and the romantic drama Trouble in the Air (1948).
For the most part Ilona was called upon to play ladies of mystery and sophisticated temptresses in thrillers and spy intrigues. Frankenstein Meets the Wolf Man (1943) and Love Happy (1949), the latter starring The Marx Brothers, are her best recalled. She appeared on radio as a spy in the Top Secret program and, on TV, co-starred in the espionage series Rendezvous (1952). The ABC mystery-drama had glamorous Ilona as a nightclub owner.
In the mid-50s, in addition to singing appearances on "Cavalcade of Stars," "The Milton Berle Show," "The Robert Q. Lewis Show," The Colgate Comedy Hour" and "The Ken Murray Show" and acting guest spots on such anthologies as "Lux Video Theatre," "Cameo Theatre" and "Studio One in Hollywood," Ilona hosted her own musical program, The Ilona Massey Show (1954), in which she sang classy ballads. By the 1960's she was rarely seen and ended her career with an obscure bit in the film The Cool Ones (1967).
Three marriages ended in divorce, her second being to actor Alan Curtis. 64-year-old Ms. Massey died of cancer on August 20, 1974, and was survived by her fourth husband, (retired) Major Donald Shelton Dawson. She had no children.- Actress
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Candy Darling was born on 24 November 1944 in Long Island, New York, USA. She was an actress, known for Women in Revolt (1971), The Death of Maria Malibran (1972) and Flesh (1968). She died on 21 March 1974 in New York City, New York, USA.- Producer
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The beloved Impresario of TV variety from 1948 to 1971, Ed Sullivan originally made his name as a newspaper sportswriter, radio broadcaster and theater columnist for the New York Daily News. His column focused primarily on Broadway shows and juicy items about its stars. On the new medium of TV, however, he became a pioneer master of ceremonies and entertainment showman.
Edward Vincent Sullivan and his twin brother, Daniel (who died at age 2), were born to a modest Irish-Catholic family on September 28, 1901, in Harlem. A major athlete at Port Chester High School, he lettered in track, football, basketball and baseball. His first professional experience was his local The Port Chester Daily Item, a local newspaper for which he had written sports news while in high school. He joined the paper full-time after graduation. He would land subsequent jobs as a sports reporter, and then various news-related jobs with such papers as The Associated Press, The Philadelphia Bulletin and The New York Bulletin. A sport writer and (later) editor for The Evening Graphic in 1927, Sullivan took over the Broadway column for The News after Walter Winchell left. That position would last 42 years.
Hired in 1932 by the CBS network as a rival of radio commentator Walter Winchell, future radio stars introduced on Sullivan's program included Jack Benny. Sullivan made his film debut as himself in Mr. Broadway (1933), which he also wrote. His subsequent screenplay and story involvements included the screwy comedy There Goes My Heart (1938) and the Universal musical Ma! He's Making Eyes at Me (1940).
So successful was he as Masters of Ceremony at the Harvest Moon Ball at Madison Square Garden, CBS hired him to do The Ed Sullivan Show (1948) ("Toast of the Town") just as TV sets were becoming a home staple. The show, which balanced amazing novelty acts with singing and comedy talents, both legendary and up-and-coming, was broadcast from CBS Studio 50 on Broadway in New York City. In 1967 the studio was aptly renamed the Ed Sullivan Theater. Although Sullivan himself had zilch stage or camera presence and had a frustrating habit of forgetting performers' names as he was about to present them, audiences were completely taken by his charming idiosyncrasies and mellow, guy-next-door approach. He and the show became a resounding success for a staggering 23 years.
Sullivan had a knack for identifying talent and his Sunday night variety platform became a springboard for a number of top stars and groups, including comics Dean Martin & Jerry Lewis and singers Elvis Presley and The Beatles. He also was color blind when it came to talent, generously promoting a number of black crossover acts, such as The Supremes and other Motown artists, when few other TV shows would. Sullivan appeared as himself in such films as Bye Bye Birdie (1963), The Patsy (1964) and The Singing Nun (1966), among others. The irrepressibly stiff, hunch-shouldered emcee was unmercifully parodied by a parade of impressionists over the decades, including Will Jordan, John Byner and David Frye.
Following his cancellation in 1971, Sullivan was seen infrequently hosting variety specials. He died in his beloved New York of esophageal cancer in 1974, three years after the cancellation of his series. The father of one daughter, Betty, Sullivan's wife Sylvia (Weinstein) Sullivan, whom he married in 1930, died the year before.- Chubby Johnson was born Charles Rutledge Johnson on August 13, 1903, in Terre Haute, Indiana. He made a living as a journalist and did not become a movie actor until he was in his 40s, making his debut in the Randolph Scott oater Abilene Town (1946) in support of Scott, Ann Dvorak and Edgar Buchanan. He continued to practice his craft as a member of the press, serving as a radio announcer as well as pounding the keys as a columnist, until he was nearly 50. Chubby appeared in the Errol Flynn horse opera Rocky Mountain (1950) as part of an army of quirky character actors, including Guinn 'Big Boy' Williams and Slim Pickens. Chubby then quit the Fourth Estate for a Hollywood career.
When Republic Pictures sought a replacement for Eddy Waller to play sidekick to B-movie cowboy star Allan Lane in the Rocky Lane series, Chubby filled in for most of 1951-52. He also starred in the TV series Sky King (1951) as ranch foreman Jim Bell. The low-budget series, a spin-off from a five-year-old radio show in which individual episodes were made for approximately $9,000 each, ran on NBC from Sept 16, 1951, until Oct 26, 1952. The series was then picked up by ABC, which ran the same NBC episodes from November 8, 1952, until September 12, 1954. A season of new episodes was aired in 1955.
Chubby freelanced as a character actor after these stints on the TV, appearing in support of James Stewart in the Anthony Mann classic Bend of the River (1952), and in their The Far Country (1954), which also featured character actor par excellence Walter Brennan, the movies' first triple-Oscar threat. Chubby then went on to appear in support of Doris Day in Calamity Jane (1953), Audie Murphy in Gunsmoke (1953), Ronald Reagan in Law and Order (1953), Barbara Stanwyck and Ronnie again in Cattle Queen of Montana (1954) and James Cagney in Tribute to a Bad Man (1956), one of the legend's rare forays into the western.
Other stars Chubby supported were Richard Chamberlain and Claude Rains in Twilight of Honor (1963), the 1963 courtroom drama that won the ill-fated Nick Adams a Best Supporting Actor Oscar nomination; James Garner in Support Your Local Sheriff! (1969); and Burt Reynolds in his audacious debut as a big-screen star as the eponymous Sam Whiskey (1969). He also appeared uncredited in the classic High Noon (1952).
After appearing as a regular in the short-lived series Frontier Doctor (1956), Chubby appeared as Concho on another TV western, Temple Houston (1963), which starred Jeffrey Hunter. He also guested on many other TV westerns, including Bonanza (1959), Gunsmoke (1955) and The Rifleman (1958).
Chubby continued to appear in films until 1969, with Sam Whiskey (1969) serving as the nightcap to his career. He died on Halloween Day 1974 from complications from a leg infection. - Actor
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White-haired London-born character actor, a familiar face in Hollywood for more than five decades. He was born George William Crisp, the youngest of ten siblings, to working class parents James Crisp and his wife Elizabeth (nee Christy). Despite his humble beginnings, Donald was educated at Oxford University. He saw action with the 10th Hussars of the British Army at Kimberley and Ladysmith during the Boer War and subsequently moved to the United States to begin a new life as an actor.
Arriving in New York in 1906 he began as a singer in Grand Opera with the company of impresario John C. Fisher. By 1910, he had climbed his way up the ladder to become stage manager for George M. Cohan. He was a member of D.W. Griffith's original stock company in the early days of the film industry, beginning with Biograph in New Jersey and featured in The Birth of a Nation (1915) (as General Ulysses S. Grant), Intolerance (1916) and Broken Blossoms (1919). He later joined Famous Players Lasky (subsequently Paramount) and turned with some success to directing in the 1920s, on occasion also appearing in his films (as for example in Don Q Son of Zorro (1925), as Don Sebastian). By the early 30s, Crisp concentrated exclusively on acting and became one of the more prolific Hollywood character players on the scene. Though he was actually a cockney, he -- for unknown reasons -- invented a Scottish ancestry for himself early on, claiming that he was born in Aberfeldy and affected a Scottish accent throughout his career. Crisp's particular stock-in-trade types were crusty or benevolent patriarchs, stern military officers, doctors and judges. He had lengthy stints under contract at Warner Brothers (1935-42) and MGM (1943-51) with an impressive list of A-grade output to his credit: Burkitt in Mutiny on the Bounty (1935), Colonel Campbell in The Charge of the Light Brigade (1936), Maitre Labori in The Life of Emile Zola (1937), Phipps in The Dawn Patrol (1938), General Bazaine in Juarez (1939), Francis Bacon in The Private Lives of Elizabeth and Essex (1939) and Sir John Burleson in The Sea Hawk (1940). He is perhaps most fondly remembered as the famous canine's original owner in Lassie Come Home (1943), Elizabeth Taylor's dad Mr. Brown in National Velvet (1944), and, above all, as the head of a Welsh mining family in How Green Was My Valley (1941) (the role which won him an Oscar for Best Supporting Actor). In a less sympathetic vein, Crisp gave a sterling performance as a ruthless tobacco planter in the underrated Gary Cooper drama Bright Leaf (1950).
Donald Crisp died in May 1974 in Van Nuys, California, at the age of 91. He is commemorated by a star on the Hollywood Walk of Fame on Vine Street.- Born Olga Vladimirovna Baklanova, one of six children of Vladimir Baklanoff and his wife Alexandra, later billed as the Russian Tigress in her early talking films, was born August 19, 1893. She graduated from the Cherniavsky Institute in Moscow prior to her selection in 1912 at age 19 to apprentice at the Moscow Art Theatre. During her early years at M.A.T. (1914-1918) she appeared in perhaps 18 films bringing her into contact with Tourjansky, Boleslawski and M. Chekov among others. Her last Russian film, Bread (1918) was the first communist agitprop vehicle. From 1917 she appeared in the "classics" on the parent stage and at the M.A.T. First Studio. Her mentor, Nemirovich-Danchenko, showcased her in avant-garde productions of the newly created M.A.T. Musical Studio from 1920-1925. She was honored with the Worthy Artist Of The Republic by the Soviet regime.
Eight months after her M.A.T. New York debut in December 1925, she declined to return with the M.A.T. company to Russia and subsequently defected. She was noticed by the Hollywood studios while performing on stage in Los Angeles in The Miracle in the role of the nun. Her film debut was a bit in The Dove (1927). Her dramatic Portrayals in The Man Who Laughs (1928), Street of Sin (1928), The Docks of New York (1928) and Forgotten Faces (1928) brought her critical acclaim in 1928. Her subsequent vamp/tramp roles in early Paramount and Fox talking films nearly destroyed her promising start. Stagey mannerisms and a heavy accent relegated her to supporting roles. She appeared to advantage in three films at MGM including the infamous Freaks (1932) with an unrestrained and legendary performance.
After appearing in west coast stage productions in 1931-32, she permanently left for the Broadway stage in 1933 following one last film at Paramount. From 1933 to 1943 she starred in various Broadway productions and then toured in road companies of Cat And The Fiddle, Twentieth Century, Grand Hotel and Idiot's Delight. She debuted on the London stage in 1936 in Going Places. One last big role in Claudia (1943) kept her busy for two years (1941-1943). She returned to Hollywood in 1943 to recreate her stage role. Some summer stock and occasional night club appearances followed as she moved into retirement.
During the mid-1960s Olga was interviewed by Richard Lamparski, Kevin Brownlow and John Kobal who all recognized her unique contributions in the performing arts. Her death occurred at Vevey, Switzerland on September 6, 1974 after a period of declining health. - Actress
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Pamela Britton was born Armilda Jane Owen in Milwaukee, Wisconsin. Her mother was Ethel Owen, a prominent stage, radio and early television actress. Pam first used Gloria Jane Owen as her stage name, but not wanting to trade on her mother's reputation, chose Pamela from a British book, and then Britton to emphasize its source. Her father, Raymond G. Owen, was a doctor who died prior to 1944. She had two sisters, Virginia Owen, an actress under contract to RKO Radio and Mary Owen, a social worker who lived in Fort Worth, Texas.
Pam attended State Teacher's Normal School and Holy Angels Academy in Milwaukee, had leads in her school class plays, and listed horseback riding, tennis and swimming as her favorite sports. In later years, she was an avid golfer. She was doing summer stock by age nine, and was offered a chance to be another Shirley Temple at age ten, but her mother squelched the idea, saying she wanted her to be an actress, not a child star. At age 15, her mother was on Broadway and Pam started to make the rounds, but found people unrealistically expected her to be as accomplished as her mother, and so she changed her name. Also, while her mother was a dramatic actress, Pam preferred comedy and singing. Discovered by band leader Don McGuire at a party, she was hired as his singer and toured with his band. She also sang at New York's Latin Quarter nightclub.
Her big break came when she was cast as Celeste Holm 's understudy in the Broadway company of Oklahoma! and also played Gertie. When the show went on tour, she took over Holm's role as Ado Annie. Touted by her New York agent, he got MGM executive Marvin Schenck to go see her when the show was in Chicago. Schenck was disappointed, not knowing he'd seen her understudy. But the agent got him to come back the next night and Schenck signed her immediately. She was cast as Frank Sinatra 's girlfriend in Anchors Aweigh (1945) but the film roles she was offered afterward weren't satisfying and she went on suspension to play Meg Brockie in Brigadoon on Broadway and on tour for three years.
She married Capt. Arthur Steel on April 8, 1943 after being set up on a blind date in Texas by Pam's sister, and she kept working while he served in Italy on the staff of Lt. General Mark Clark, and later went on in the Pacific Theater. They had a daughter, Katherine Lee, on September 8, 1946. Steel became an advertising executive after the war, and went on to manage the Gene Autry Hotels on the West Coast. Pam stuck close to her West Los Angeles home while Kathy was growing up, reprising her role in Brigadoon in the Los Angeles Civic Light Opera revival in 1954, in Annie Get Your Gun at the Santa Barbara Bowl and in Lunatics and Lovers at the Carthay Circle Theatre in Los Angeles. She replaced an ailing Janis Paige in Guys and Dolls with Dan Dailey, Shelley Berman and Constance Towers, on Broadway and on tour.
Britton co-starred in D.O.A. (1949) opposite Edmond O'Brien and Beverly Garland, and played Blondie Bumstead in the TV show based on the comic strip. But it's as ditzy landlady Lorelei Brown on the 1963 TV series My Favorite Martian (1963) that most people remember her. The show also brought her back to MGM, her original Hollywood studio. She made two forgettable films after the series, then returned to her real love, the musical stage. She also loved gardening and played the piano beautifully.
It was while performing on tour with Don Knotts in The Mind with The Dirty Man in Arlington Heights, Illinois that she began to have headaches. She went to a doctor and two weeks later, died suddenly from a brain tumor on June 17, 1974, leaving her mother Ethel Owen (who lived to be 103), her husband Art Steel and her daughter Kathy Steel Ferber. She had four grandsons. She is buried at Forest Lawn Cemetery, Burbank, California.- Actor
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Bobby Buntrock was born on 4 August 1952 in Denver, Colorado, USA. He was an actor, known for Hazel (1961), Burke's Law (1963) and Bus Stop (1961). He died on 7 April 1974 in Keystone, South Dakota, USA.- Actor
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Actor Roger Pryor was considered the "poor man's Clark Gable" at Universal and Columbia studios where he held long-term contracts during the 30s and 40s. The son of the popular composer/band leader Arthur Pryor (1869-1942) and his wife Maude Russell, the mustachioed leading man used his slick, roguish looks to good effect, enabling him to become a durable co-star of breezy "B" level musicals and stylish dramas.
Born in New York City (Manhattan) close to the turn of the 20th century on August 27, 1901, Roger made his stage debut at 18 in a New Jersey stock play called "Adam and Eva." He went on to also work with the Myskle-Harder Stock Company in Connecticut. After years of touring in repertory companies, he finally hit the Broadway lights in 1925 with a production of "The Back Slapper" and went on to appear with Ruth Gordon in "Paid (1926), as well as "Saturday's Children" (1927), "The Royal Family" (1927), "See Naples and Die" (1929), "Up Pops the Devil" (1930) and "Here Goes the Bride" (1931). While he did a fine job replacing Lee Tracy in the popular classic "The Front Page," it was his role in the 1932 play "Blessed Event" that got the Universal New York movie studio paying special attention.
Taking his initial film bow opposite lovely Mary Brian in the second-string Universal musical Moonlight and Pretzels (1933) , Roger was sent straight to Hollywood where he starred in the musical I Like It That Way (1934) and the sparkling comedy I'll Tell the World (1934) both paired with equally lovely Gloria Stuart. Roger was also Heather Angel's leading man in the light comedy Romance in the Rain (1934) before appearing in his biggest pre-Code picture as one of Mae West's paramours, the prizefighting Tiger Kid, in her bawdy vehicle Belle of the Nineties (1934).
Roger continued on the "B" Hollywood romantic path for the next several years. He was part of a vaudeville trio act in the musical Wake Up and Dream (1934) with ill-fated Russ Columbo and pert blonde June Knight; appeared in Lady by Choice (1934) opposite Carole Lombard; starred in Strange Wives (1934) with June Clayworth; headlined both Straight from the Heart (1935) and Dinky (1935) opposite Mary Astor; appeared in The Headline Woman (1935) again with Heather Angel; starred in $1000 a Minute (1935) with Leila Hyams; and was front and center in To Beat the Band (1935) co-starring Helen Broderick.
Married in 1926 to Priscilla Mitchell, the mother of his only child, Roger fell in love with his co-star Ann Sothern of the romantic musical comedy The Girl Friend (1935). They were wed the following year (1936) months after his divorce was finalized. Experiencing the height of his cinematic career, Roger went on to play reporters in both The Return of Jimmy Valentine (1936) and Missing Girls (1936), an amnesiac in the comedy Ticket to Paradise (1936) and a songwriter in Sitting on the Moon (1936).
As he began to decline into second leads and support roles (often as a heavy), Roger turned more and more to radio hosting, possessing a perfectly rich voice that suited the medium quite well. He also carried on the family tradition as a dance band leader and trombonist. At one time, wife Ann Sothern briefly toured with Pryor's band but the union began to crumble and they divorced in 1943.
Roger's film career continued throughout WWII with secondary roles in such secondary films as I Live on Danger (1942), A Man's World (1942), Smart Alecks (1942), Submarine Alert (1943) and High Powered (1945). Occasional leads still came his way occasionally with Gambling Daughters (1941) and The Kid Sister (1945). The actor made his last appearance on film with the Roy Rogers/Dale Evans oater Man from Oklahoma (1945).
Though his work as a bandleader was personally satisfying, it wasn't profitable and it drove Roger into bankruptcy. In 1947, he retired from show business altogether and turned to business, finding a comfortable niche as an ad executive and vice president in charge of broadcasting at Foote, Cone and Belding advertising agency.
Roger remarried a third time and the couple settled comfortably in Florida. He died of cardiac arrest at age 72 on January 31, 1974, while in Puerta Valarta, Mexico. His elder brother, Arthur Pryor, Jr. (1897-1954) was a radio pioneer who ran a prime agency in the 1930s and 1940s.- Tall, dark, and handsome, Reed Hadley appeared most frequently as either a villain or as an officer of the law during a film career of 35 years. His rich, bass voice was also frequently heard as narrator for movies and documentaries. He may be best remembered for his work in television, where he starred in Racket Squad (1950) and Public Defender (1954). Other highlights of his career include playing the title character in "Red Ryder" on the radio and "Zorro" in the Republic serial, Zorro's Fighting Legion (1939).
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Edward G. Robinson Jr. was born on 19 March 1933 in Los Angeles, California, USA. He was an actor, known for Some Like It Hot (1959), Get Smart (1965) and Invasion, U.S.A. (1952). He was married to Nan Elizabeth Morris, Ruth Elaine Menold Conte and Frances Chisholm. He died on 26 February 1974 in Los Angeles, California, USA.- Actress
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Martha Wentworth was an American actress from New York City, and a versatile voice actress in radio and animation. She is better remembered for voicing the shape-shifting witch Madam Mim in the Arthurian animated film "The Sword in the Stone" (1963). This was Wentworth's last credited voice role, but Mim turned out to be one of the most popular characters introduced in this film. Mim went on to become a significant recurring character in Disney comics, often depicted as the roommate and best friend of fellow witch Magica De Spell.
In 1889, Wentworth was born in New York City. She made her theatrical debut c. 1906, at the age of 17. She was one of the proteges of the veteran actress Minnie Maddern Fiske (1865-1932). In the early 1920s, Wentworth started regularly voicing radio characters.
In 1935, she was hired to voice the horror host Old Nancy, the Witch of Salem in the horror-themed radio series "The Witch's Tale" (1931-1938). She replaced Nancy's previous actress Adelaide Fitz-Allen, who had died in 1935. Wentworth also voiced the recurring villain Wintergreen the Witch in the Christmas-themed serial "The Cinnamon Bear" (1937).
Wentworth voiced Jenny Wren in "Who Killed Cock Robin?" (1935), one of Disney's "Silly Symphonies". She also voiced the terrorist Mad Bomber in "The Blow Out", the first solo cartoon for Porky Pig. She voiced several minor characters in late 1930s "Merrie Melodies". She voiced the radio announcer of the "witching hour" in "Fraidy Cat" (1942), one of the earliest Tom and Jerry short films.
Wentworth was one of the regular supporting players in the radio show "The Abbott and Costello Show" (1940-1949). The show's stars were the comedy duo of Bud Abbott and Lou Costello. She voiced Daffy Duck's domineering wife in "His Bitter Half" (1950). Wentworth voiced three relatively minor characters in the animated feature film "One Hundred and One Dalmatians" (1961). Her characters in the film were the loyal housekeeper Nanny, the helpful goose Lucy, and Queenie, the leader of a group of cows. During its initial release, the film earned 14 million dollars at the domestic box office.
Wentworth retired from acting in the mid-1960s. She died in March 1974, at the age of 84. Though her radio fame has faded, she still has a loyal following among animation fans. Her voice has continued to entertain generations of fans, long after her heyday.- Genteel, ladylike British actress who was a much respected theatrical star in the 1920s and '30s, both in her own country and in the United States. Born in March 1900 in Hove, Sussex, she took to the stage at the age of seventeen as Ela Delahay in 'Charley's Aunt'. She played Peter Pan three years later and married the first of her actor husbands, Seymour Beard. By the mid '20s, Edna had become the toast of London for her performances in 'Fallen Angel' (with Tallulah Bankhead), and (in a role she made her own) as Teresa (Tessa) Sanger in 'The Constant Nymph' (opposite Noël Coward, and, subsequently, John Gielgud). With the part of Tessa she also enjoyed a successful run on Broadway in 1926, which was followed by another Margaret Kennedy play, 'Come With Me'. She married her co-star, Herbert Marshall, after divorcing Beard in 1928.
Edna started in films as early as 1921 but made little headway until Michael and Mary (1931), for which she recreated her role from the London stage. She then co-starred again with husband Herbert Marshall in Faithful Hearts (1932), but neither of these films received much international exposure. Her only Hollywood film at this time was The Key (1934), which -- though directed by Michael Curtiz -- was decidedly too 'low-key' as far as critical plaudits or the box office was concerned. She had smallish parts in other British films, notably South Riding (1938) and the original version of Alfred Hitchcock's The Man Who Knew Too Much (1934) as the mother of kidnap victim Nova Pilbeam. Not until 1939 did a worthy motion picture role come her way in the shape of the forlorn wife whom violinist Leslie Howard deserts for Ingrid Bergman in Intermezzo (1939). Other worthy screen roles included her Catherine Apley in The Late George Apley (1947) and the housekeeper Martha in The Ghost and Mrs. Muir (1947), which the New York Times review of June 27 considered 'by far the best performance' in the picture. All in all, Edna's film appearances were few and far between, and only a handful adequately showcased her talents as an actress otherwise so abundantly evident from the body of her work in the theatre.
From 1939 a U.S. resident and a nationalised citizen by the early 1950s, Edna continued her frequent triumphant returns to the stage. Her most celebrated performances on Broadway were in Terence Rattigan's 'The Browning Version' as downtrodden housewife Millie Crocker-Harris and in 'Harlequinade' (1949) (both co-starred 'Maurice Evans (I)' (q)) and as the titular character 'Jane' (1952) in a play adapted by S.N. Behrman from a W. Somerset Maugham short story. Brooks Atkinson described her performance as the timorous spinster as both 'comic' and 'forceful'. In her last significant role on stage she co-starred with Brian Aherne and Lynn Fontanne in the romantic comedy 'Quadrille' (1954-55), directed by Alfred Lunt and outfitted by Cecil Beaton, who also designed the costumes. Edna retired from acting in the early 1960s and died in a clinic in Geneva, Switzerland, in 1974. - Alessandro Momo was one of the promising young Italian actors. He began his acting career when he was very young, starring as a protagonist in the soap operas along with Valerio Fioravanti.
He became famous for his sexual exploitation of the maid played by the Italian sex bomb, Laura Antonelli in Malicious (1973) directed by Salvatore Samperi. In an eerie parallelism with James Dean and his final film, Giant (1956), Alessandro starred in his final film, Scent of a Woman (1974) (Profumo di Donna), along with Vittorio Gassman and Agostina Belli.
Alessandro was killed in the motorcycle accident shortly after the shooting was wrapped up. Eleonora Giorgi, an actress and his friend, had given him a motorcycle, Honda CB750 Four, in spite of Italian traffic regulations at that time prohibiting the riders under 21 from operating the powerful motorcycles. The actress was under the investigation for reckless endangerment of the youth by supplying him the motorcycle in question.
Patrizio Sandrelli dedicated a song, 'Brother in Love', to Alessandro Momo in his memory.
He is buried in Verano cemetery together with his father, Gabriel, who died in 2000. - Gene Lyons was born on 9 February 1921 in Pittsburgh, Pennsylvania, USA. He was an actor, known for Star Trek (1966), The Philco Television Playhouse (1948) and Ben Casey (1961). He was married to Peggy Scott. He died on 8 July 1974 in Hollywood, California, USA.
- Anna Quirentia Nilsson, popularly known as "Anna Q", who was born on March 30th, 1888, in Ystad, Sweden, emigrated to the United States in 1905. The 5'7" Nilsson used her blonde beauty to become a famous model for well-known fashion photographers and fine artists. In 1907 she was chosen the most beautiful girl in the US and in 1911 made her film debut in Molly Pitcher (1911). She was an overnight sensation, becoming a silent film superstar in the first decade of the 20th century. In 1914 she was chosen the most beautiful actress "in the world" and Photoplay magazine named her "the ideal American girl" in 1919.
She appeared in films by the top studios in Hollywood, including Goldwyn, Famous Players (Paramount), Metro and First National. Her movie career continued to flourish in the 1920s, the decade of the flapper and bathtub gin, the so-called Jazz Age. In 1926 she was chosen the most popular actress. However, she suffered a major setback in 1928, when she was thrown off a horse and fractured her thigh. To her relatives in Sweden she wrote " . . . no tragedy is greater than mine. I am still a young star and suddenly everything is lost". Her fans supported her with some 30,000 letters a month and Nilsson tried to rush her convalescence. It made a bad situation worse and doctors needed to shorten her leg.
In 1931 Nilsson was back before the camera, but her stardom was unfortunately in the past. She appeared in approximately 40 more films until she retired in 1954. She was one of the bridge players (a.k.a. the "wax works") in Norma Desmond's mansion in Sunset Boulevard (1950), appearing with her former co-star, silent film superstar and prominent victim of sound, H.B. Warner. Four years later, she appeared in a small part in her motion-picture swan-song, the classic musical Seven Brides for Seven Brothers (1954).
Anna Q. Nillson died on February 11, 1974, six weeks shy of her 85th birthday. - Actor
- Soundtrack
Both of Allen Jenkins' parents were musical comedy performers, and he entered the theater as a stage mechanic after World War I, after having spent time working in the Brooklyn Navy Yard. Although his screen persona was that of a not-too-bright Brooklyn tough guy, Jenkins attended the American Academy of Dramatic Arts and appeared in many Broadway plays before making his film debut in 1931. He found his niche at Warner Brothers, where he perfected his slow-witted but good-natured gangster/taxi driver/cop/etc. character. In the latter part of his career he appeared frequently on TV, and was a regular on the TV series Hey, Jeannie! (1956). He is probably best remembered by "baby boomers" as the voice of the put-upon cop Officer Dibble in the popular cartoon series Top Cat (1961).
He died in Santa Monica, CA, in 1974 after undergoing surgery.- Chester Marshall was born on 23 June 1932 in Los Angeles, California, USA. He was an actor, known for Matinee Theatre (1955), The Silent Service (1957) and Adventures of Superman (1952). He was married to Ouida Gayle Baker, Karen Sharpe and Mary Virginia Jackson. He died on 22 June 1974 in Los Angeles County, California, USA.
- Mexican character actor Rodolfo Acosta (born Rodolfo Acosta Pérez) achieved his greatest success in the US, primarily as a villain in westerns. He was born in Chamizal, a section of land disputed by Mexico and Texas due to changes in the Rio Grande river which forms the border. At the time of Acosta's birth, the area was generally accepted by both Mexican and Texas governments as U.S. territory, and Acosta was born an American citizen, despite the fact that his birthplace is now in the Mexican state of Chihuahua. He served in the U.S. Navy in naval intelligence during World War II and married Jeanine Cohen, a woman he met in Casablanca during the North African campaign. They had four children. She filed for divorce when she found out Acosta was having an affair and sharing an apartment in Mexico City with actress Ann Sheridan in the 1950s.) They divorced in 1957. Rodolfo Acosta married again on September 18, 1971 to Vera Martinez and they had one child. She divorced him in 1974 a few weeks before his death at the Motion Picture and Television Country House and Hospital in Woodland Hills, California. After the war, Acosta worked in Mexico in films of the great director Emilio Fernández, which led to a bit in John Ford's film The Fugitive (1947). He came to the US and was signed by Universal for a small role in One Way Street (1950). He stayed in the US and his sharp, ruthless features led him to a long succession of roles as bandits, Indian warriors and outlaws. In The Tijuana Story (1957), he actually had a sympathetic leading role, but in general he spent his career as a very familiar western bad guy.
- Producer
- Additional Crew
- Actor
Famed for his relentless ambition, bad temper and genius for publicity, Samuel Goldwyn became Hollywood's leading "independent" producer -- largely because none of his partners could tolerate him for long. Born Shmuel (or Schmuel) Gelbfisz, probably in 1879, in the Jewish section of Warsaw, he was the eldest of six children of a struggling used-furniture dealer. In 1895 he made his way to England, where relatives Anglicized his name to Samuel Goldfish. There he begged (or stole) enough money for a ticket in steerage across the Atlantic. He reached the US, probably via Canada, in 1898. He gravitated to Gloversville, New York, in the Adirondack foothills, which was then the capital of the US leather glove industry; he became one of the country's most successful glove salesmen. After moving his base of operations to Manhattan and marrying the sister of Jesse L. Lasky, who was then a theatrical producer, Goldfish convinced Lasky and Cecil B. DeMille to go into film production. The new company's first film, The Squaw Man (1914), was one of the first features made in Hollywood; the company later became the nucleus of what would later become Paramount Pictures. As his marriage fell apart, Goldfish dissolved his partnership with Lasky. His next enterprise was the Goldwyn Co., founded in 1916 and named for himself and his partners, brothers Edgar Selwyn and Archibald Selwyn--Goldfish liked the name so much he took it for his own. The Goldwyn Co.'s stars included Mabel Normand, Madge Kennedy and Will Rogers, but its most famous legacy was its "Leo the Lion" trademark, which was adopted by its successor company, Metro-Goldwyn-Mayer (MGM). Goldwyn himself was ousted from his own company before the merger, which was why his name became part of MGM even though he himself had nothing to do with the company. After his firing Goldwyn would have nothing to do with partners and went into independent production on his own, and for 35 years was the boss and sole proprietor of his own production company, a mini-studio specializing in expensive "quality" films, distributed initially by United Artists and later by RKO. His contract actors at various times included Vilma Bánky, Ronald Colman, Eddie Cantor, Gary Cooper, David Niven and Danny Kaye. In some cases, Goldwyn collected substantial fees for "lending" his stars to other producers. Touted by publicists for his "Goldwyn touch" and loathed by many of his hirelings for his habit of ordering films recast, rewritten and recut, Goldwyn is best remembered for his films that teamed director William Wyler and cinematographer Gregg Toland.- Writer
- Producer
- Director
Marcel Pagnol was born on 28 February 1895 in Aubagne, Bouches-du-Rhône, France. He was a writer and producer, known for The Well-Digger's Daughter (1940), Jean de Florette (1986) and Le schpountz (1938). He was married to Jacqueline Pagnol and Simone Collin. He died on 18 April 1974 in Paris, France.- Patricia Cutts was born on 20 July 1926 in London, England, UK. She was an actress, known for The Tingler (1959), The Adventures of P.C. 49: Investigating the Case of the Guardian Angel (1949) and Playhouse 90 (1956). She was married to William Nichols, John A.C. Findlay (agent) and Harold S.N.I. Norway-Baker. She died on 6 September 1974 in London, England, UK.
- Actor
- Soundtrack
An All-American halfback while attending the University of Alabama, Johnny Mack Brown chose the silver screen over the green grass of the football field when he graduated. Signed to a contract with MGM in 1926, Brown debuted in Slide, Kelly, Slide (1927) with William Haines in a film about - baseball. This was followed by The Bugle Call (1927), which starred the fading Jackie Coogan. In 1928 he appeared in the last Norma Shearer silent film, A Lady of Chance (1928). After that, he worked with Greta Garbo, Marion Davies and Mary Pickford. His muscular good looks only carried him so far in films, however, and by 1930 he had yet to find his place. At MGM Clark Gable was taking the roles that Brown was up for, so he went into a western for director King Vidor, Billy the Kid (1930). While Vidor did not want him for the part to begin with, the picture was successful; however, Brown's career at MGM soon ended. By 1933 he was still making westerns, but they were for low-rung studios like Mascot. More westerns at even lower-rung Supreme Pictures followed, as well as serials like Wild West Days (1937) at Universal. In 1943 Brown took his boots over to Monogram Pictures, where he made over 60 westerns. He started off as "Nevada Jack McKenzie" in the Rough Riders series, but the name soon changed to Johnny. As with most of the early cowboy stars, he was a hero to millions of young children and consistently among the top ten money-makers in westerns from 1942-50. The bubble burst, though, just as it did for Allan Lane, in 1953, as the days of the "B" western came to an end.- Actor
- Writer
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Comedian, actor, pianist, composer and songwriter. He was a night club pianist, later joining the Henry Halstead orchestra in 1923. He created the character of 'Charlie Weaver' for The Jack Paar Show, and portrayed 'Mrs. Butterworth' in television commercials. He joined ASCAP in 1959, and his chief musical collaborator was Charles "Bud" Dant. His popular-song compositions include: "It's Xmas in Mount Idy" "Just Got a Letter from Mama"; "On the Boardwalk at Snider's Swamp"; "Fight for Sub-Normal U"; "Who'll Sign the Pardon for Wallace Swine?"; and "Don't Give the Chair to Buster".- Gifted, poetic actor who never fulfilled his potential. The son of an Episcopal minister and the eldest of four, Kinsolving began acting after his first year of college. A Method actor, Kinsolving studied under Mary Welch of the famed Actors Studio in New York.
After a short turn on Broadway, he was signed by agent Richard Clayton, who had brought both James Dean and Tab Hunter to stardom. Soon, Kinsolving was appearing in various East Coast television shows, including the live presentation of Eugene O'Neill's "Ah, Wilderness!" with Helen Hayes. In 1959, Kinsolving headed for Hollywood, rooming with actor James Franciscus. After several more TV appearances in such shows as Have Gun - Will Travel (1957), Kinsolving landed his first movie role, with Alan Ladd, in 1960's All the Young Men (1960). That same year, he gave a moving performance as "Sammy Golden" in the film adaptation of William Inge's The Dark at the Top of the Stairs (1960). Kinsolving won raves and a Golden Globe nomination for Best Supporting Actor. Regrettably, Kinsolving made only one more film, The Explosive Generation (1961), before completing his brief career in TV guest roles. Nonetheless, Kinsolving brought a striking combination of sexuality, pathos and vulnerability to his work (including an outstanding performance in Route 66 (1960)). Kinsolving retired from acting in 1966, due to his personal frustrations with the business. For two years, he owned a hip restaurant-bar, "Toad Hall", in Manhattan.
After brief romances with Tuesday Weld and Candice Bergen, Kinsolving sold his bar and married in mid-1969. Moving to Florida, he managed two art galleries. After divorcing his wife in 1972, Kinsolving, an avid seaman, spent the remainder of his life sailing exotic locales in his private schooner.
Sadly, Kinsolving developed a strange respiratory illness which, without warning, rendered him unconscious. On the afternoon of December 4, 1974, Kinsolving collapsed and died in his Palm Beach apartment. He was 36. - Actress
- Producer
Judith Furse was born on 4 March 1912 in Camberley, Surrey, England, UK. She was an actress and producer, known for Black Narcissus (1947), Goodbye, Mr. Chips (1939) and Carry on Spying (1964). She died on 29 August 1974 in Canterbury, Kent, England, UK.- Writer
- Director
- Actor
Pietro Germi was born on 14 September 1914 in Genoa, Liguria, Italy. He was a writer and director, known for The Railroad Man (1956), Divorce Italian Style (1961) and The Birds, the Bees and the Italians (1966). He was married to Olga D'Aiello and Anna Bancio. He died on 5 December 1974 in Rome, Lazio, Italy.- Distinguished character villain Douglass (R.) Dumbrille, whose distinctive stern features, beady eyes, tidy mustache, prominent hook nose and suave, cultivated presence graced scores of talking films, was born on October 13, 1889, in Hamilton, Ontario, Canada. He was first employed as a bank clerk in his home town but caught the acting bug and subsequently left his position to pursue work in various stock companies in the States.
After appearing in a production of "Rain" in 1923, Dumbrille made his Broadway debut in 1924 as Banquo in "Macbeth" at the 48th Street Theatre. Throughout the 1920s and early 1930s he was a moderate fixture on the Great White Way, appearing in dramas ("The Call of Life" (1925) with Eva Le Gallienne, "Chinese O'Neill" (1929), "As You Desire Me" (1931)), romantic comedies ("Joseph" (1930), "Child of Manhattan" (1932)) and musical operettas ("Princess Flavia" (1925), "Princess Charming" (1930)). He also appeared in Florenz Ziegfeld Jr.'s 1928 musical production of "The Three Musketeers", portraying Athos alongside Dennis King's D'Artagnan, with Rudolf Friml providing the music. A decade later he portrayed Athos once again, this time in a film version (The Three Musketeers (1939)).
On the silent screen he portrayed Thomas Jefferson in the short historical film The Declaration of Independence (1924), but did not return to film until 1931, when he began unleashing a number of sneering, oily villains on the viewing public. His first film job was to harass sea captain Gary Cooper in His Woman (1931). From there he proved a slick nemesis to a number of stars, both male and female: Marion Davies with his leering moneybags in Blondie of the Follies (1932); Pat O'Brien with his cruel-minded chain gang warden in Laughter in Hell (1933); Barbara Stanwyck as her unctuous love patsy in Baby Face (1933); James Cagney as gangster Spade Maddock in Lady Killer (1933); Warner Baxter and Myrna Loy as a mobster involved in horse race fixing in Broadway Bill (1934) and, most notoriously, Gary Cooper and Franchot Tone, both of whom he induces fingernail torture ("We have ways of making men talk!") as the sinister, turban-wearing rebel leader Mohammed Khan in The Lives of a Bengal Lancer (1935).
Dumbrille was also a great pompous foil in comedy slapstick - harassing everybody from The Marx Brothers, Bud Abbott and Lou Costello to Bob Hope. He returned to the musical operetta fold as well on film and played a nuisance to Jeanette MacDonald in three of her films. Seen everywhere, both billed and unbilled, he played sheriffs who went bad in westerns, red-herring suspects or victims who deserved their fate in murder mysteries and corrupters of the legal system in political dramas.
The man everybody loved to hate on film softened his image a bit with old age, playing a number of non-plussed executive or officious types in films and TV comedy. Finding a stream of TV work in the 1950s and early 1960s (including The George Burns and Gracie Allen Show (1950), The Untouchables (1959), Perry Mason (1957), Laramie (1959). Petticoat Junction (1963)), Dumbrille's final role was at age 76 as a doctor in a TV episode of Batman (1966) in 1966.
His long-time first wife, Jessie Lawson, died in 1957, leaving him two sons, John and Douglas Murray. Dumbrille had more than a few Hollywood tongues wagging when, at age 70, he married Patricia Mowbray, the 28-year-old daughter of his good friend, character actor Alan Mowbray. The marriage was a lasting one, however, and she was among his survivors when he passed away several years later from a heart attack on April 2, 1974. Dumbrille was buried at Pierce Brothers Valhalla Memorial Park Cemetery in North Hollywood, California. - Actor
- Soundtrack
Most certainly egged on by the dandified antics of an Edward Everett Horton, Eric Blore and/or Franklin Pangborn, burlesque clown Billy DeWolfe in turn gave obvious inspiration to such effeminate cutups as Paul Lynde and Charles Nelson Reilly. Billy's life was one hundred percent show business from start to finish in a career that lasted five decades, and it took everything, including the proverbial vaudeville hook, to get the delightful ham off the stage he craved and loved so well.
Christened William Andrew Jones, he was the son of a Welsh-born immigrant and bookbinder. Born in Massachusetts, the family returned to Wales almost immediately and did not come back to the States until Billy was nine years old. He began his career in the theater as an usher until he found work as a dancer with a band. He subsequently took his name from a theater manager, William De Wolfe, who actually offered him his name. Billy developed his own comedy-dance act and originally played the vaudeville circuit as part of a duo or trio. In London for five years, he eventually went solo and was given the chance to play the London Palladium at one point. He returned to America in 1939 and enjoyed notice as a prime radio and nightclub performer-impressionist, appearing in satirical revues, sometimes in drag, with great results.
Billy enlisted in the U.S. Navy in 1942 shortly after completing his first movie role as a riverboat conman in Dixie (1943) for Paramount. In civilian clothes again by war's end, he returned to Paramount and brought hyper comedy relief to a number of films including Miss Susie Slagle's (1946), Our Hearts Were Growing Up (1946), and The Perils of Pauline (1947). He then instigated what would become his suitor prototype. With trademark mustache and spiffy duds, he assumed the role of the highly ineffectual, fastidious, self-involved bore who loses the girl, in Dear Ruth (1947), one of his biggest film triumphs, which was followed by two "Dear..." movie sequels. Old-fashioned musicals were definitely his cup of tea and he was easily fit into such nostalgic fare as Tea for Two (1950) and Lullaby of Broadway (1951). One of his other film highlights includes getting snitty with bombastic Ethel Merman in Call Me Madam (1953).
Irrepressible and definitely hard to contain for film (not to mention difficult to cast due to his mincing mannerisms), Billy focused instead on the live stage. He won the 1954 Donaldson Award for the NY production of "John Murray Anderson's Almanac," returned to London in command performances, and revisited Broadway in the last edition of "The Ziegfeld Follies" in 1957. Better yet was his pompous performance in the musical "How to Succeed in Business Without Really Trying" On TV he was a mildly popular raconteur on the talk show circuit. Fussy second-banana series roles took up his final decade of acting with such comedy series showcasing the likes of Imogene Coca, Phyllis Diller and Doris Day, who became a very close friend.
A lifelong hypochondriac, Billy was about to take on the role of Madam Lucy in a 1973 Broadway revival of "Irene" when the ravages of lung cancer forced him to leave the show before rehearsals even began. Character player George S. Irving replaced Billy and went on to win a supporting-actor Tony for his wild efforts. Billy lost his fight at age 67 in 1974.- Phil Tead was born on 29 September 1893 in Somerville, Massachusetts, USA. He was an actor, known for The Lost Paradise (1914), Six of a Kind (1934) and Adventures of Superman (1952). He died on 9 June 1974 in Los Angeles, California, USA.
- Music Department
- Actor
- Composer
Composer ("It Don't Mean a Thing if It Ain't Got That Swing", "Sophisticated Lady", "Mood Indigo", "Solitude", "In a Mellotone", "Satin Doll"), pianist and conductor, holder of an honorary music degree from Wilberforce University and an LHD from Milton College, Duke Ellington led his own orchestra by 1918, and came to New York in 1923, appearing at the Cotton Club between 1927 and 1932. Making his first European tour in 1933, he followed with his annual Carnegie Hall concerts between 1943 and 1950, and then a Middle East tour (under the auspices of the State Department), including an appearance at the International Fair in Damascus in 1963. His stage scores include "Jump for Joy" and "Beggars Holiday" (Broadway). He made many records.
Joining ASCAP in 1953, his chief musical collaborators included Billy Strayhorn, Irving Mills, Mitchell Parish, Mann Curtis, Barney Bigard, Henry Nemo , Bob Russell, Don George, Lee Gaines , Paul Francis Webster, Edgar De Lange, Johnny Hodges, Cootie Williams, Juan Tizol and his own son, Mercer Ellington. His other popular song and instrumental compositions include "Blind Man's Buff", "Creole Love Call", "Black and Tan Fantasy", "I Let a Song Go Out of my Heart", "Rockin' in Rhythm", "Caravan", "Pyramid", "Creole Rhapsody", "Don't Get Around Much Anymore", "I Got It Bad and That Ain't Good", "I'm Beginning to See the Light", "In a Sentimental Mood", "East St. Louis Toodle-oo", "Birmingham Breakdown", "Black Beauty", "Flaming Youth", "Awful Sad", "The Duke Steps Out", "Saturday Night Function", "Old Man Blues", "Ring Dem Bells", "Drop Me Off in Harlem", "Daybreak Express", "Delta Serenade", "Reminiscing in Tempo", "In a Jam", "Clarinet Lament", "Echoes of Harlem", "Dusk on the Desert", "Lost in Meditation", "Blue Reverie", "I've Got to Be a Rug Cutter", "Please Forgive Me", "Chatterbox", "Harmony in Harlem", "If You Were in My Place", "Skronch", "Braggin' in Brass", "Blue Light", "Buffet Flat", "The Gal from Joe's", "Subtle Lament", "Old King Dooji", "Boy Meets Horn", "Stevedore's Serenade", "You Gave Me the Gate and I'm Swinging", "Grievin'", "The Sergeant Was Shy", "Tootin' Through the Roof", "Rumpus in Richmond", "Jack the Bear", "Me and You", "Flaming Sword", "Harlem Air Shaft", "Bojangles", "Portrait of Bert Williams", "Do Nothin' Till You Hear from Me" (Concerto for Cootie), "Kind of Moody" (Serenade to Sweden), "Morning Glory", "Blue Goose", "Cotton Tail", "Conga Brava", "Chocolate Shake", "Rocks in My Bed", "San Juan Hill", "Crescendo in Blue", "Diminuendo in Blue", "Dusk", "C Jam Blues", "Main Stem", "I Didn't Know About You", "Just a-Sittin' and a-Rockin'", "Jazz Convulsions", "I'm Just a Lucky So and So", "The Blues", "Come Sunday", "Magenta Haze", "Just Squeeze Me", "Happy-Go-Lucky Local", "Takle Love Easy", "Tomorrow Mountain", "I'm Gonna Go Fishin'", "Money Jungle", "Prelude to a Kiss", "Jump for Joy", "I'm Checking Out, Goom-Bye", "The Mooche", "Warm Valley", "Blue Serge", "I Wish I Was Back in My Baby's Arms", "Lament for a Lost Love", "It Shouldn't Happen to a Dream", "Afro-Bosso", "In the Beginning, God" and "Christmas Surprise".