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- Horror films are filled with jump scares, moments that shock and startle viewers as monsters, serial killers, ghosts and even cats pop out of the darkness. But while jump scares are a very common element to include in a scary movie, they don't always work as intended, and often, you might just end up laughing instead of screaming. To find out what goes into creating an effective jump scare we spoke with Rebekah McKendry. a film professor at USC who specializes in horror. What makes certain scenes in "The Conjuring," "Insidious," and "The Exorcist 3" so terrifying while others like in "Friday the 13th Part VIII: Jason Takes Manhattan" fall flat?
- A look at how they brought "Doubt" from the stage to the screen.
- Roodaka discusses her past with a Visorak spider and wonders which one of the Toa Hordika will eventually succumb to their bestial side. Meanwhile, Whenua, Nuju, Bomonga and Kualus get into trouble in the ruins of the Archives.
- Acting coach Keira Duffy critiques 13 of Hollywood's most famous - and infamous - rage fits. She reviews anger scenes ranging from great to mediocre to downright terrible, breaking down what went right and wrong in the actors' performances.
- A look back at Neil Jordan's film The Crying Game.
- A lovely gathering with the main cast of "Doubt" (Philip Seymour Hoffman, Meryl Streep, Amy Adams and Viola Davis), sharing their different points of view about John Patrick Shanley's play and script, behind the scenes curiosities, the acting process and their thoughts on what audiences should expect from such an interesting and important project. A very informal and positive interview conducted by Dave Karger.
- The making of _Vita è bella, La (1997)_
- Filmmaker Celine de Sauvage introduces her film 'The Long Journey Home', focusing on those suffering from Post Traumatic Stress Disorder (PTSD) following the Vietnam War. Ms. de Sauvage inteviews Viet Nam veterans who describe their individual situations in what was a life altering experience for young men.
- Quentin Tarantino and Scott Spiegel discuss all things Modesty Blaise.
- A look at how the special effects were made for 'Cursed'.
- Madonna performs in the music video "Like a Virgin" taken from a live concert performance of the song from the Blond Ambition World Tour in Paris, France. Madonna wears a golden corset and sits on a bed decorated with red velvet blankets. She is accompanied by two dancers who were large pointed brassieres.
- Adaptation of the best-selling 1998 autobiography of Somalian supermodel Waris Dirie.
- A question-and-answer session featuring the director, producer, and stars of the indie comedy hit "Clerks".
- Atlantic Canadian radio host and film critic. Providing interviews with cult film stars.
- Acting coach Anthony Gilardi analyzed some of Hollywood's most famous - and infamous - dying scenes. Reviewing movie deaths ranging from great to mediocre to downright terrible, he broke down what went right and wrong in the actors' performances.
- Four kids witness an arsonist start a fire, but no one believes them.
- Breakdown artists, sometimes called agers, dyers, or textile artists, work behind the scenes to fake all the damage on a character's costume. Sarah Blostein has done breakdown work on "The Boys," "The Strain," "Ready or Not," "The Handmaid's Tale," and "Station Eleven." Because movie and TV show scenes are frequently shot out of order, sweat stains and rips have to be replicated. Sarah walked us through how to create convincing fresh and aged blood stains on a shirt, what materials look the most like dirt, and the very specific way to make a bullet hole look realistic.
- Professional pickpocket Lee Thompson looks at 12 pickpocketing scenes from popular TV shows and movies and rates them based on realism. He looks at "Birds of Prey" (2020), "The Take" (2016), "Ocean's Eleven" (2001), "Now You See Me" (2013), "Killing Eve" (2018), "Gangs of New York" (2002), "Pickpocket" (1959), "Pickpockets" (2018), "Focus" (2015), "The Adventures of Tintin" (2011), and "Sleight" (2016).
- Oscar winning composer Howard Shore reveals his creative process while composing the score of "Doubt", one of his most challenging and interesting works. We follow Shore during the sessions with his orchestra in action viewing the film and coming up with themes for the characters and situations, and he talks about his collaboration with the director.