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- The peace of the anarchist and his wife's house is disturbed by the mother-in-law. He sees no other advice than to blow her up.
- At a tramcar in Copenhagen the piano teacher Magda Vang meets the young man Knud Svane, who falls in love with her. She is invited to spend the summer with him and his parents at the vicarage in Gjerslev. Outside the vicarage a circus troupe passes by, and Magda is saluted by the performer Rudolph Stern. In the night Rudolph climbs a ladder to Magda's bedroom. She tries to flee his advances, but after a hot kiss she surrenders, and runs away with him. Magda is hired as a dancer with Rudolph at the Empire Varieté. When Rudolph fondles a ballet dancer Magda gets furious, and starts a fight in front of the audience. Magda and Rudolph are fired. To earn some money Rudolph forces Magda to play the piano in a band at a garden restaurant. Knud turns up and recognizes her. Incognito he asks her for a private meeting. Magda thinks she is asked to sell her body and refuses, but Rudolph forces her to go. When Rudloph after a while interrupts and finds Magda with Knud, he gets furious and starts to beat her. During the turmoil she grabs a knife and stabs Rudolph in his chest. In her despair she clings to his dead body, and has to be taken away by force.
- Two men of high rank are both wooing the beautiful and famous equestrian acrobat Stella. While Stella ignores the jeweler Hirsch, she accepts Count von Waldberg's offer to follow her home, where she falls in his arms. At her party some days later Hirsch turns up uninvited. He says he wants to give Stella a piece of jewelry, but she repulses his advances. When Waldberg sees this he knocks Hirsch down. Hirsch challenges him to a duel by cards. Waldberg loses all his money, and in the end also has to sign a promissory note on 85.000, which should be paid within 24 hours. To help Waldberg solve his debt Stella goes to Hirsch to receive the brooch he has promised her. While he turns away, she steals a precious necklace from him, but he happens to see the theft in a mirror. He tails her to a park, where he sees Stella giving the necklace to Waldberg. Hirsch tells Stella to come to him at midnight, if she wants him to be silent about the theft. When Waldberg finds out that Stella is going to Hirsch in the night, he becomes jealous and goes there as well. By mistake he happens to shoot Stella, who reveals her sacrifice for him before she dies.
- The ballet pupil Camilla Favier tells the author Jean Mayol that she had learned all lines of the main character in his new play. When the stage manager announces that the leading lady is sick, Jean suggests that Camilla could replace her this evening. Camilla makes a huge success, and she and Jean fall in love. Jean introduces her to his friend, the painter Paul Rich, who wants to make a painting of her. While she is in his atelier, Jean gets a love letter from Yvette Simon, the wife of a rich rentier, asking for a rendezvous in the wood. In Jean's empty apartment Camilla finds the letter and is devastated. In revenge she reveals the secret love story for Mr. Simon and his guests at a big party. Later she finds a new love message from Yvette Simon. She brings it to Mr. Simon, who gets furious, grabs a pistol and goes to Jean's apartment. Camilla repents and rushes away to warn Jean and Yvette. To deceive her husband Yvette dresses herself in Camilla's clothes, but he recognizes her nonetheless and kills her. Camilla is shocked and brought to a hospital by Paul, who takes care of her afterwards. When Jean turns up and approaches her, she rejects him and stays with Paul.
- The Flying Circus was the largest traveling artist band in the country, and among its favorite artists were the rope-dancer, Laurento and the snake tamer, Ula Kiri. The hot blooded gypsy snake tamer is passionately in love with the attractive young man, hut he does not quite return her feelings. She is hasty and ill-tempered, and not far from being cruel to those depending on her. For the first time the Flying Circus pitches its tents in a small country town. The daughter of the mayor attends. The rope dancer meets her and for him it is a case of love at first sight, and he decides to do all in his power to win her. That night a great fire breaks out in the town, and the flying embers ignite the home of the mayor. The townspeople strive to deflect the flames, but all in vain. The mansion is doomed to destruction and it seems that the mayor's daughter must perish. At this juncture Laurento beats his way through the flames and scales the wall, and, picking up the frantic maiden, jumps to the mesh of telegraph wires outside the window. Carrying his burden over the fragile wires, he saves her amid the frantic cheers of the populace. The grateful mayor makes him a welcome guest, and he soon wins the heart of the young girl, but he has yet to obtain the father's consent. He worries continually about this problem, and not even at home can he rest in peace, for Ula Kiri, who feels that her beloved friend is sliding away from her, keeps tormenting him with jealousy and mockery. At last he plucks up his courage and goes to the mayor. The latter is friendly to the young man, but he compels the rope dancer to leave with a vague promise for the future. If circumstances, should alter. A capital idea strikes the young man to obtain money. He arranges to do a rope dance to the church tower. The circus director is delighted with the idea. The great day arrives, and the people of the town gather around the church. The rope dancer cannot forget Erna's sorrowful eyes and pale face as he walks along the flaccid rope towards the dizzy height. A snake has escaped and its body bars the way to the entrance to the tower. The snake tamer has, in her mad jealousy, forgotten all about her duties, and this negligence now proves fatal. Erna implores her in vain to call back the reptile, as she is the only one that can do it, but Ula Kiri will not listen to her in her storm of jealousy and hatred. But Erna overcomes all difficulties. Her great love teaches her what to do, and thus she saves her sweetheart. The mayor can no longer withhold his consent to the marriage and the same evening the Flying Circus goes away to the other regions, leaving a happy couple in the country town.
- A bear tamer marries a dancer from a traveling circus. When his wife makes it big, will she forget about the man she fell in love with?
- After Dr. Friedrich's wife becomes mentally unstable and his research papers are rejected, he leaves the country to respite.
- A comet, passing by Earth, causes rioting, social unrest, and major disasters that destroy the world.
- A criminal escapes from prison, however a betrayal leads to his second arrest.
- A restless young man travels west, encountering adventure, romance, and danger.
- A group of researchers from Earth travel in a spaceship to Mars, where, to big surprise, they find a peaceful vegetarian and pacifist civilization.
- Spoiled Ysabel marries a man of respectability but he later turns out to a criminal. Consequently, her mother breaks down, and on her deathbed, Ysabel wows to become an evangelist.
- In 4 episodic tales of human suffering: the temptation of Jesus, the Spanish Inquisition, the French Revolution and the Russo-Finnish war of 1918, Satan attempts to win God's favor.
- Based on the 1918 novel 'Elsker hverandre' by Aage Madelung, the film follows various lives, one of which is Jewish girl Hanne Liebe, as she grows up, and experiences the pains of living as a Jew in Russia, leading to a revolution.
- A beautiful but imperious princess refuses all offers of marriage, often condemning her suitors to death. The prince of Denmark comes seeking her hand and, aided by magic objects given to him by a mysterious spirit, seeks to win her love.
- A poor vegetable peddler in Paris runs afoul of the law and finds himself ground up in the cogs of the corrupt French judicial system.
- A woman performs a series of dangerous stunts, many of which involve precarious climbs at tremendous heights, including riding down a windmill and hanging from the landing gear of a biplane.
- A propaganda film produced by National Socialist Workers' Party of Denmark (DNSAP) the largest Nazi Party in Denmark before and during World War II. The party was founded on 16 November 1930, after the success of the Nazis in the German Reichstag elections of that year. The party mimicked the National Socialist German Workers' Party (Nazi Party) in Germany, including the use of the swastika and Hitler salute, the naming of their fighting force as SA, and even the singing of a translated version of the Horst Wessel Song. The party was antisemitic, though not to the same degree as the German Nazis.
- An elegant and humorous film-in the guise of a serious anthropological treatise-spotlights "The Perfect Human," a model of the modern Dane created by our wishful thinking.
- About the Nordic spring in a spiritual sense. Ofelia gathers her flowers and her crumbled world in a bouquet of strange and wonderful dream visions.
- Motion Picture is an experimental film with and not about the Danish tennis player Torben Ulrich, who is merely credited as "Example". The film may be viewed as a study of the nature of the medium and more specifically of the phenomena of framing, movement, and synchronicity of sound and picture. The material consists of Ulrich training strokes against a wall, volleys at the net and serves, but also of strange enactments in which Ulrich runs towards the camera, arms and legs twitching, dances a crazy racket dance or fakes slow motion as he sits down at a table and pours a cup of tea. These are all studies of movement. At the same time, the framing is absolute: Ulrich moves in and out of the picture without any attempt by the camera to follow him, thus constantly emphasising the role of framing. The complex nature of film is indicated by Jørgen Leth's little appearances as a living clapperboard for synchronizing sound and image. Jørgen Leth and Ole John ran the film through the camera several takes to create a couple of doubly-exposed scenes, and the result is the mysterious perception of several Torben Ulrichs serving on top of one another almost as if in a choreographed dance. One last narrative element introduced several places in the film is very sparse subtitles, such as "table chair tea". At the premiere at the Carlton cinema Motion picture as shown before Francois Truffaut's L'enfant Savage.
- Portraying the four seasons of the nature in the famous Danish garden Dyrehaven.
- Almost 100 Danes - including a cyclist, a minister of finances, a popular actress, and 13 single women from province - try to convey a realistic impression of Denmark, different from the usual view as a little, exotic, and strange country.
- Feature length drama about a Yugoslav who lives as a guest worker in Denmark. He experiences the Danish industrial society with its stressful way of working and its loose moral norms. A great contrast to the peasant society he left behind. A tangible rejection of a woman's advances results in him being fired from his job. He slips into crime and is deported to Yugoslavia, where things only get worse.
- In continuation of the time trial sequence from Stars and Watercarriers, The Impossible Hour is a concentrated study of Ole Ritter's attempt in Mexico City in 1974 to set a new record for the hour - described in the film as "the noblest, most difficult record that can be set on a bicycle". A brief retrospective in black and white sets the historical framework, with shots of Ritter and Eddy Merckx' successful record attempts in 1968 and 1972 respectively, and a few words about former record holders such as Fausto Coppi. From then on the film is in colour and with one minor exception (a training scene from a motor race track) it takes place in the relatively colourless setting of a cycle track. The film follows Ritter's three record attempts chronologically, which, accompanied by a Mexican marching band on the bandstand, all fail. There are several interview situations in hand-held reportage style in which Ritter is surrounded by a group of reporters and gives his account of the attempts, plus other shots from the inner circle of the cycle track. When Ritter is riding he is captured from a motorcycle moving round the track or we follow him (during the record attempts) in long pans all the way round the track. The only notable visual device is the slow motion used to accentuate Ritter's style in a couple of places, accompanied by a piano theme, with Leth's words on the soundtrack: "The functional mastery of power is an aesthetic experience". Throughout the film Leth talks soberly and informatively about cycling technique, the advantages of the thin air in Mexico City, Ritter's gradual acquisition of his average speed and rhythm, the progress of the record attempts, etc.
- Klaus Rifbjerg is a portrait that has the author talking about his work in a series of tableaux. Under three major headings, "Talking easily about great things", "Standing freely on all sides" and "Being able to receive" Rifbjerg starts by talking in a self-conscious, posed picture in which he is seated at his desk. From then onwards he is moved around a little as he continues to pronounce a series of deliberations on writing. He poses in the dunes, in his garden, and in front of his car, and we attend a meeting with his publisher, a tennis match, and a family luncheon. In the garden Rifbjerg also reads aloud from one of his many works. This verbose film was mainly shot in wide shots and very few scenes stand out. The final image, however, is a well-performed backward tracking shot showing Rifbjerg as he strides energetically along the beach in a frontal half wide shot.
- An extension of The Perfect Human, Good and Evil is a longer, more expansive pseudo-documentary portrayal of life, no less. Using capacious titles or chapter headings that Leth's narrator's voice dwells upon and impresses upon us as he toys with the cliché "Faces", "Bodies", "Things", "Necessary actions", "Unnecessary actions", Good thoughts", "Bad thoughts", "Pleasant feelings", "Unpleasant feelings", and "Words" - the film consist of aesthetically titillating and contentually almost schematic scenes shot in the void of the film studio: faces, bodies and things. A man with a shoe. Another man with a hardboiled egg which he talks about and eats. A woman gives her husband a shirt. A couple who argue. A desperate woman. And so forth. There is no psychological shading of the characters, merely a series of sketches or examples that are as if plucked out of different everyday contexts. The thread leading back to Life in Denmark is thus also clear. The dialogue is sparse and phrases or fragments of phrases recur, spoken by different actors and in different roles, which may be viewed as an accentuation of the ordinariness of these little utterances and as an awareness of language as such. Besides the professional cast work the film uses several photographic models, the circus artiste Diana Benneweis, and the cyclist ole Ritter, who all pose in front of the camera in small tableaux. In addition to the craziness of the project the film also contains a series of zany comic acts with Claus Nissen to carry them. He bursts into song while washing his hands, dances in an empty room, plays rhythmic games with the statement "Bossa nova rhythms I have nothing against" and repeats his mysterious closing line from The Perfect Human: "Today, too, I had an experience ..." The framework for the scenes is made up of a couple of visual leitmotifs by way of house fronts and landscapes. In addition a beautiful travelling shot from an avenue at dramatically appropriate moments is accompanied by one of the two tunes by Gunner Møller Pedersen from the film, sung in a girlish voice by Sanne Salomonsen. In 1999 Lars von Trier chose the film to represent Danish cinema at a number of European film festivals over a period of three years ("15 x 15: European Cinema Heritage").