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- POV, a cinema term for "point of view," is television's longest-running showcase for independent non-fiction films. Since 1988, POV has presented more than 300 of the best, boldest, and most innovative documentaries to PBS audiences across the country.
- Documentary on Bayard Rustin, best-remembered as the organizer of the 1963 March on Washington.
- The epic story of a family forced to emigrate from Laos after the chaos of the secret air war waged by the U.S. during the Vietnam War. Kuras has spent the last 23 years chronicling the family's extraordinary journey in this deeply personal, poetic, and emotional film.
- In 1971, African- American protesters seeking economic justice and voting rights are met with armed violence by white vigilantes in the Mississippi River town of Cairo, Illinois. They fight back.
- When ARMANDO and CARLOS PENA set off to carry their mother's ashes back to South Texas and reunite with their brothers, the road reveals more than they bargained for. Calavera Highway (Skeleton Highway), traces the odyssey of two brothers as they decipher their family's story-why their mother ROSA was outcast by her own family, and what happened to their father PEDRO, who disappeared during the notorious 1954 U.S. government deportation program, "Operation Wetback," in which over a million Mexican and Mexican Americans were forced across the border. A sweeping story of a family of seven men grappling with the meaning of masculinity, fatherhood, and a legacy of rootless beginnings.
- The director follows a Sunni doctor as he prepares to run for the early 2005 elections in Iraq.
- Global Recordings Network, a Christian organization, has recorded Bible stories in over 5,500 of the world's 8,000-plus languages. GRN's use of inventive, ultra-low technology makes it possible for these people - many of whom live in the most remote corners of the world - to hear The Good News for the first time in their lives.
- An exploration of the celebration and impact of "independence day" - the 4th of July - on a native American reservation, told through the eyes primarily of native-Americans who earn a substantial portion of their livelihood through the sale of fireworks.
- The agonies of war torn Africa are deeply etched in the bodies of women. In eastern Congo, vying militias, armies and bandits use rape as a weapon of terror. Recently engaged to a young man from her village, 20 year-old Lumo Sinai can't wait to have children and start a family. But when she crosses paths with marauding soldiers who brutally attack her, she is left with a fistula- a condition that renders her incontinent and threatens her ability to give birth. Rejected by her fiancé and cast aside by her family, Lumo finds her way to the one place that may save her, a hospital for rape survivors. Buoyed by the love of the hospital staff, including a formidable team of wise women known to all as "the Mamas," Lumo and her friends keep alive the hope of one day resuming their former lives, thanks to an operation that can restore them fully to health. A feisty young woman with a red comb perpetually jutting from her hair, Lumo faces the challenge of recovery with remarkable courage and sass. As she and her friends recover from surgery, they pass the days by gossiping and sharing their dreams of one day finding love. But when it looks like her operation may have failed, Lumo's faith is thrown entirely into question. On this uncertain road to recovery, LUMO proves that the solidarity of women can bind even the most irreparable of wounds.
- Prior to the 20th century, most Americans prepared their dead for burial with the help of family and friends, but today most funerals are part of a multimillion-dollar industry run by professionals. This increased reliance on mortuaries has alienated Americans from life's only inevitability - death. "A Family Undertaking" explores the growing home-funeral movement by following several families in their most intimate moments as they reclaim the end of life, forgoing a typical mortuary funeral to care for their loved ones at home.
- 1988– 1h 26m7.0 (61)TV EpisodeHistory finally gets rewritten as descendants of the largest slave-trading family in early America face their past, and present, as they explore their violent heritage across oceans and continents.
- Two children recover from enslavement to fishermen in a rehabilitation shelter in Ghana.
- A story of a defiant movement of women of color, transforming politics from the ground up (Part 1).
- A story of a defiant movement of women of color, transforming politics from the ground up (Part 2).
- The human fallout of the Israeli-Palestinian conflict is explored through the work of Jewish-Israeli lawyer Lea Tsemel, who has represented Palestinian political prisoners for decades.
- Co-founders of an Oakland, Calif.-based alternative to the Girl Scouts for girls of color aged 8-13, which encourages girls to earn badges for social justice and for being an LGBTQ ally, face challenges growing their organization.
- Photographs taken by Kentucky schoolchildren in the 1970's, their lives since then, and the linkage of personal memory to the passage of time.
- A young couple flee Iran with their son, Mani, seeking asylum in Turkey so they can start a new life.
- On the brink of incarceration, a 10-yr-old child healer and hunter grapples with school as he faces scrutiny from welfare authorities and the police.
- Upon finding out about his father's Alzheimer's disease, artist Maleonn creates "Papa's Time Machine," an autobiographical stage performance featuring life-size mechanical puppets.
- In the Arab-American neighborhood outside of Chicago where director Assia Boundaoui grew up, most of her neighbors think they have been under surveillance for over a decade. While investigating their experiences, Assia uncovers tens of thousands of pages of FBI documents that prove her hometown was the subject of one of the largest counterterrorism investigations ever conducted in the U.S. before 9/11, code-named "Operation Vulgar Betrayal." With unprecedented access, The Feeling of Being Watched weaves the personal and the political as it follows the filmmaker's examination of why her community fell under blanket government surveillance. Assia struggles to disrupt the government secrecy shrouding what happened and takes the FBI to federal court to compel them to make the records they collected about her community public. In the process, she confronts long-hidden truths about the FBI's relationship to her community. The Feeling of Being Watched follows Assia as she pieces together this secret FBI operation, while grappling with the effects of a lifetime of surveillance on herself and her family.
- P.O.V airing of Brother Outsider: The Life of Bayard Rustin (2003)
- Two young immigrants, members of a group of radical Dreamers, are arrested by Border Patrol and put in a detention center.
- A private investigator in Chile hires someone to work as a mole at a retirement home where a client of his suspects the caretakers of elder abuse.
- The stories of two working mothers and a child care provider whose lives intersect at a 24-hour day care in New Rochelle, NY.
- When a man and his brothers return to their hometown of Colima, Mexico, to care for their grandmother, they clash over money, communication and caregiving.
- When the Taliban puts a bounty on Hassan Fazili's head, he is forced to flee with his wife and two daughters. Capturing the journey, Fazili shows the dangers facing refugees seeking asylum and the love shared between a family on the run.
- In 1964, to explore the adage "Give me a child until he is seven and I will give you the man," World in Action filmed seven-year-olds. Every seven years, Michael Apted visits them. At 49, 12 agree to talk about family, work, their hopes, and the series. We also see footage from previous interviews. Some marriages seem stronger; some have ended. Being a parent or a grandparent dominates life's pleasures. Simon has found responsibility; John's charity work flourishes. Neil remains in politics, against all odds. Jackie leads the critique of a more deliberately-present Apted and the series' intrusiveness. None enjoy participating; all are reflective; several surpass expectations.