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- An interesting piece on some of the rigors of the location shoot in the Mojave Desert.
- A behind the scenes on the filming of the movie.
- Interviews and snippets from the film.
- Madonna performs in the music video "Like a Virgin" taken from a live concert performance of the song from the Blond Ambition World Tour in Paris, France. Madonna wears a golden corset and sits on a bed decorated with red velvet blankets. She is accompanied by two dancers who were large pointed brassieres.
- A photo gallery.
- Finding the perfect embodiments of the new characters.
- This piece includes comments from set photographer Murray Close. He discusses aspects of his career as well as his work on Hunger Games. Close offers an informative view of a subject not often covered in situations such as this.
- This features a series of scenes with before and after "wipes" which clearly dhow the much improved contrast, color timing and saturation this new HD transfer offers.
- C'mon get moving! Dance along with Barney and his friends as they learn about exercise and healthy eating!
- An Introduction to District 13, description and creation. District 13 is like the Capitol - The Capitol is oppressive, but not to the people who live there. Here are some facts: Just like District 13 appears oppressive to Katniss. They based the design on cylindrical organization, communal, "The Hive". There were 250 people in the evacuation scene running down the stairs. Level 40 bunker was filmed in a parking garage with very low ceilings. Did their best to base District 13 in the reality of being underground.
- This making of documentary profiles Arnie and Sly.
- Talks about the kind of strange middle ground this film stakes out between an independent production and a big budget special effects spectacular.
- Ross discuses how he moved from writing The Hunger Games to actually shooting it.
- It tells how the scene of the fight against the Lizard Mutts came about. This is done through interviews with the cast and crew and footage of the set during the shooting of 'The Hunger Games: Mockingjay - Part 2 (2015)'. Especially the problems the cast had while filming in the narrow tunnels and in the water. Liam Hemsworth in particular had problems not always bumping his head.
- Emma Roberts archive footage.
- A piece looking at some of the action choreography, and includes interviews with Keaton and O'Brien.
- This short has the author interviewing the actor portraying the author's creation.
- A scenic look at some of the locales used.
- A brief piece centering on costumes and production design.
- A discussion with "The Hunger Games" Casting Director, Debra Zane, about the process of casting the Tributes, as well as insight from the actors themselves.
- This making of documentary shows interviews, behind the scenes footage and scenes from the film.
- This piece offers "avant" (before) and "apres" (after) comparisons.
- Makeup and costumes for District 13. Here are some facts: Style is grounded in reality where everything is being conserved for the war effort. Katniss looks raw, she's at her most glamorous in the Mockingjay suit. The Mockingjay costume was a bit more fantastical at first in design, but Francis Lawrence had them tone it down, and make it more realistic to being a leader in the military. They worked Effie's outfits by figuring out what she would do with the five pieces of clothing that were the standard issue. Castor and Pollux camera gear was a blend of a silverfish and mollusks.
- an inside look at the close-knit relationships of the returning actors.
- A behind the scenes footage and interviews on the making of the film.
- focuses on the principal actors in the film.
- A look at the incredible acting in the movie, including Director David Mackenzie's willingness to take advice from all his actors and allow them to try different ideas on camera.
- Donald Sutherland talks about how moved he was by the script, which reminded him of Kubrick's Paths of Glory. Sutherland talks about his role as a repressive leader, and he reads from a letter he sent to director Gary Ross about the role.
- A closer look at the major stunt sequences in the film. Stunt team did a lot of pre-vis videos to show Francis what they envisioned for a scene and then waited for a yeah or neigh. The lumberjacks were on wires to help them be able to climb take after take. In the pre-visualization for District 8, Gale had a regular bow rather than a crossbow. The dam was a 100 ft wall of blue screen with the bridge built in front. The initial drop from the hovercraft was shot in the parking lot with a 100 foot blue screen. Inside the Marriot Marquis the doubles did the full 500 ft drop several times, then the actual actors did a 50-75 ft drop on the bottom to make it feel real.
- An interview with Mitchell questioning Ross about the adaptation and shooting of the film.
- Join Thomas & Friends as they speed through the Island of Sodor in these six spectacular stories of fun and adventure. Capture the spirit of "steamwork" as Thomas learns to share his workload, rescues the water works, and takes on the challenge of a high-speed race! So hop on board and strap on your conductor's hat for this thrilling collection of High Speed Adventures!
- A look at a wide array of accoutrements the tributes utilize as well as some of the stunt work involved
- This focuses on the film's Games Center, the high tech control room that writer- director Ross introduced to break up the "first person" narrative of the book.
- A brief piece on VFX and production design.
- Some behind the scenes footage and snippets from the completed film.
- Cast and crew interviews and snippets from the film.
- We hear from costume designers Mueller and Swanson. They discuss the perspective of the Cinna character and influences on various Hunger Games outfits.