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1-18 of 18
- Jack Crabb, looking back from extreme old age, tells of his life being raised by Native Americans and fighting with General Custer.
- Host Jack Palance looks how Hollywood has depicted Western legends like George Armstrong Custer, Billy the Kid, Crazy Horse, and the O.K. Corral.
- A Shoshone veteran, a teenage powwow princess, and an Arapaho journalist discover their purpose on the Wind River Indian Reservation as they seek lost artifacts.
- The film captures life on Crow Agency, Crow Fair and a recreation of the Battle of Little Big Horn featuring four of Custer's Crow scouts.
- This is an exceedingly picturesque scene taken in the midst of a Crow encampment with typical Indian teepees in the background. Four old Indians sitting cross-legged upon the ground beat their tom-toms, while the warriors, gay in their war paint and eagle feathers, dance around them.
- Winner, Best Long-form documentary: The American Indian Film Festival - San Francisco Permanent collection at Smithsonian: National Museum of the American Indian
- Apocalypse at the Little Bighorn, Custer's final battle.
- This scene offers a sharp contrast to the others of the series, for here we see the well educated and civilized Indian with modern machinery and sleek, well-fed horses gathering in his wheat on a thoroughly up-to-date farm.
- A Crow Indian riding and subduing a bucking broncho.
- Taken amid the same surroundings as the previous picture [CROW INDIAN WAR DANCE] and showing the same lot of Indians in a different dance.
- Each year tourists come to southern Montana from all over the world to be a part of the annual celebrations marking the anniversary of Custer's Last Stand. "Dying With Custer" is a sometimes poignant, sometimes comical look at the way we remember history, and what that memory has to say about who we are.
- This travelogue was produced by the Ford Motor Company to commemorate the Henry Ford Memorial Highway, which leads from the Montana/Canadian border south through Wyoming, Colorado, and New Mexico. The highway ends in Texas at the Mexican border. Scenes of Little Big Horn, the Alamo in San Antonio, a parade in Laramie, Wyoming, pueblo Indian dwellings in Arizona, and the mountains of Colorado are included.
- An in-dept look at The Battle of Little Bighorn Reenactment at the Custer National Battlefield in Montana and the reenactors who bring this event to life. The filmmakers go to Crow Agency in Montana and interview the reenactors and the Native Americans who tell the story to the general public of the greatest Indian War battle in U.S. history between the 7th U.S. Cavalry led by the flamboyant General George Armstrong Custer and the Sioux and Cheyenne warriors led by Sitting Bull and Crazy Horse in 1876.
- Arrow Creek explores the the collision of culture through sound image relationships constructed from footage shot at the Crow Fair and Rodeo, in Crow Agency, Montana.
- The first of many programs favoring Native Americans. In this instance, a Midwestern legend suggests how horses arrived to the tribe. Later in this episode is the song "Ancient Places, Sacred Lands" which lists several words originating from various locations of the United States and the tribal meaning of their names.
- Native American eyewitness accounts tell a new story of the Battle of Little Bighorn: of chaos and panic, no gallant last stand by Custer. Using the methods of crime scene investigation, forensic scientists are uncovering evidence of what really happened.