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- Angelina (Emily Hampshire) is a shy and whimsical Italian waitress who has moved from Italy to Canada to fulfill a family vow by marrying a man she's not in love with. Angelina settles into a neighborhood in Toronto's Little Italy longing for true love. Mike (Sean Astin) is a jaded and cynical copywriter for romance novels but has lost his faith in romantic love. In the days leading up to Valentine's Day, an enigmatic and amorous couple named Il Magnifico (Joe Mantegna) and Mrs. Jones (Kate Nelligan) set the whole neighborhood ablaze with romantic passion. While everyone seems to be falling under the spell of Cupid's arrows, Angelina and Mike meet and just might find the true love that they've been searching for.
- Aliens have arrived on Earth in the quiet rural lands of County Wicklow, Ireland. These particular aliens invade by means of taking over the minds and bodies of the local animal population before moving to human hosts. In this instance the aliens have possessed the local sheep population. Although these aliens have their orders to covertly take over human hosts and await further orders from their superiors, they actually love being sheep and decide to remain as sheep and conquer Earth for themselves. The Sheep leader known as Baa-raxus demands that the humans send a lone journalist to broadcast the demands of the Sheep overlords. The journalist Seamus Doody is sent. Unbeknownst to Doody, he has been wired with a bomb meant to sacrifice Doody in order to assassinate Baa-raxus, but not all goes according to plan.
- A nine year old boy is struggling to accept his parents' divorce, while also dealing with his own loss of innocence.
- 'Relocation! Expansion!' takes the Walter Benjamin quote as its basis, "There is no document of civilization which is not at the same time a document of barbarism." 'Relocation! Expansion!' does not show any overt acts of barbarism but instead tries to let that negative side of our history slowly rise to the surface in a format where one would not expect this to occur, which is by showing Manitoba's colonial history and some of its present day aftermath in the form of upbeat tourism propaganda seen through the eyes of a white supremacist lens that denies its colonial legacy. The intended effect is that the film has a more forceful impact of repulsion and moral outrage than from watching some kind of distorted historical reenactment of the 'naked truth.'