Advanced search
- TITLES
- NAMES
- COLLABORATIONS
Search filters
Enter full date
to
or just enter yyyy, or yyyy-mm below
to
to
to
Exclude
Only includes titles with the selected topics
to
In minutes
to
1-7 of 7
- Failing to obtain any vultures--the only potential food in the severe drought of Northeastern Brazil--Didi and his friends Soró and Tatu', put their hut on a wagon pulled by their burro Salvation and head for the town of Oróz, believing they can find water there. On the way, they find a Scarecrow, whom Didi calls Clowbrush (clown+brush), besieged by vultures reminiscent of the crows in _Wiz, The (1978/I)_. They kill and eat the vultures and take the brainless Scarecrow with them, hoping a doctor at Oróz will put them in. They next stumble upon a warehouse, finding a man in a metal vat of rum, which is his blood, who desires a heart. In the town of Oróz, Sheriff Lion works for Colonel Ferreira, who owns a pond using gigantic frogs to keep people from obtaining water without paying. Lion's girlfriend, Aninha the schoolmaster, thinks he is a coward for not standing up to the Colonel. The Tramps, with Vat and Clowbrush, arrive and promptly rob a bakery. Sheriff Lion puts Soró and Tatu in jail, while to redeem himself, he is ordered to supervise Didi, Vat, and Clowbrush in a search for water, which is their punishment. After disguising themselves as Ferreira's guards, they are nonetheless discovered, so they flee to a desert, where a saint points them to the Wizard of Oróz, who fiendishly supports their mission - The film, while a spoof of a famous story, was also intended to make people aware of the conditions in the Northeast, which Aragão said he could not show in any greater detail, lest the film be terrified by the reality of the plight in that area.
- When a nurse leaves her job to walk home, a young boy tries to grab her pocketbook, but she wrestles him to the ground, gets her pocketbook back, and drags him to her apartment in a headlock. There she feeds him and teaches him some valuable lessons before sending him home.
- A bored goth girl briefly animates and narrates 8 operas (with no music), catalogs the scandalous actions, and counts the deaths (36). The operas included are La Traviata, Carmen, Don Giovanni, Aida, Tosca, Tristan and Isolde, Madame Butterfly, and The Ring of the Nielbelung.
- The filmmakers accompany Alan Schneider, director of the American premieres of most of Beckett's plays, and producer Daniel Labeille to the home of Billie Whitelaw, whom Schneider, ironically, had never met previously, and takes us through the rehearsal process of Beckett's newest play, including the recording of the dialogue, as almost all of it is voiceover. The final fifteen minutes of the film are the premiere performance in its entirety.
- A thief is caught robbing a couple's home when they arrive early from allegedly going to the theatre. He tells them all their belongings are too worthless to steal, but convinces them he needs to steal something so they don't look like poseurs.
- Michael Richards plays a guy who wants to know why his auto insurance keeps going up, even though he crashes into cars in front of and behind him when parallel parking on the way in to his insurance company, where they make him play a game about insurance costs that takes him through bizarre reenactments of history to explain his problem.
- A look at H.G. Wells and specifically his novel, _The War of the Worlds_ and its influence on the future, and its initial intents. Included is a discussion of Wells's relationships with women, his participation in society and his part in the development of the United Nations, and a comparison of the novel to the two most famous adaptations, including new interview footage with Howard Koch, the writer of the radio script. Also addressed is some of Wells's more controversial writings, which would be utilized in the 20th Century as tracts advocating genocide, as well as quotes from the smae material to show that interpretation as wrong.