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- In 2001, far from the space ships, Argentina suffers a social and economic crisis that arouses fury in the streets. Looting, violence and terror are part of the everyday landscape. Fear flies over the environment and families are broken in a rarefied climate.
- At night in the hottest summer in 20 years, Leandro De La Torre, famous punk singer, shoots out of a window and hits the roof of a car. It is the day of his 27th birthday. Paula, a young fan of twenty-one years old, records everything with her cell phone. Far from knowing that in that video is the key behind the murder of the musician. Martín Lombardo, a staunch supporter of Racing, is the detective in charge of investigating the case. Along with Paula you will discover the conspiracy behind the deaths of all famous rockers at 27 years old. Jimi Hendrix, Janis Joplin, Amy Winehouse, Sid Vicious and Leandro De La Torre have a lot in common: in fact, they were all murdered. Paula and Lombardo can be the following. Persecutions, impossible action scenes and completely unexpected twists make up the plot of 27.
- From the port of Santa Maria de los Buenos Aires, the city like a desert where no one can expect mercy or help from anyone. Black and sound ships. Orchestral trains. Abandoned children. Illuminated signs of methylene blue. Theater lobbies. Extensive avenues. Narrow straight streets Late studies. Aerial collisions. Chimneys without smoke. Identical letters. Sneaky encounters. Prefabricated marshes Leganese beds. Forbidden islands. Almost a million books. Stone angels Allegorical stones. Porteño songwriters in body and soul. Tricks. Holds. Scams Black and white images of a dead Buenos Aires.
- Documentary that traces the history of the 20th century through the story of Rogelio García Lupo, Argentinean investigative journalist and historian co-founder of the Cuban news agency Prensa Latina along with Gabriel García Márquez, Rodolfo Walsh and Jorge Masetti, and also of the weekly of the CGT of the Argentines in 1968. In a structure of Chinese boxes we access the personal file of García Lupo while he travels for the last time at age 82, after having decided to deliver it to the National Library for consultation of future researchers.
- In Tolhuin, a small town lost in the extreme south of Argentina where almost nobody is going to stay, where the cold and the wind enter through all the cracks and the snow covers the fences, a man seeks that people do not go through a new try, a carnival in the middle of winter. This is a film about the efforts made by man to adapt to an destiny, to a territory that is hostile and that confronts nature in its purest and most unbridled state.
- The film is based on the life of Spanish composer and pianist Isaac Albéniz. In this story Albéniz is represented since he was a child prodigy, so talented that even comes to say that his presentations were a fraud. The film also shows the child as the victim of a tyrannical father, who tries to fulfill his own desires through his son. To escape the pressure of his father, Albéniz fled his home, first to South America and then to the United States. The musician's personal life was marked by tumultuous romances. Albéniz returned to Spain, but received a scholarship at the Brussels Conservatory awarded by King Alfonso XII, but once again the focus of his attention was on women, rather than on music. The musician achieved international fame through concerts that he financed himself, obtaining many awards.
- The life of Élida Passo, pioneer of the medicine of the Buenos Aires of the XIX century. By 1870, the first women tried to practice medicine in an area reserved for men; and by force of sacrifice and struggle, they begin the path towards a more egalitarian society.
- Mecha and Ofelia go through a couple crisis that erupts with appearance of a third woman.
- The diffusion of the Super 8 format, several decades ago, multiplied the filmmakers through "genres": the film of marriage, the one of the boys singing and jumping, that of the vacations on the beach. Family cinema, memory movies, amateur cinema. For some, the Super 8 was only the possibility of obtaining photographs in movement. For others, the possibility of making movies.
- Stewardess Uma looks for a sperm donor to fulfill her dreams to have a child. It is her best friend Lucia who ultimately offers her own boyfriend as a potential candidate.
- Visibly beaten by the turns that took his life, turning in false, Daniel returns to his town. The work is scarce, his ex-wife constantly demands an economic contribution that he is not in a position to do, the prospects are generally not very encouraging: in this scenario, the preparation for the baptism of his sister's son, who has chosen him as Godfather, will give you a modest purpose, for a few days at least. Simultaneously, his great nephew, Giovanni, settles in his apartment, and there is something of the boy's lack of direction in which both seem to be recognizing themselves little by little.
- In recent times there has been an increasing and silent advance of panic attacks in a high percentage of the population. It is an irrational fear of death, which causes a state of constant alertness, agoraphobia and fright. The film analyzes from the testimonies, the causes of the disease and what is the neurological, psychological and sociological impact of the culture of fear.
- Facundo next to his friend Matias are 9 years old, they are going up a kite to send a letter to sky.
- Beatriz Portinari is not only the name of the inspiring muse of Dante Alighieri, but also the pseudonym with which the Platense writer Aurora Venturini was presented in 2007 to the Nueva Novela contest, organized by the newspaper Página 12, in which she won the grand prize for their work The bonuses. Full of mischief and grace, vitality and mystery, with great character and lucidity, this woman who throughout her ninety-one years never stopped writing, had a life totally linked to the literature and history of the twentieth century: she knew , was a friend and worked with Eva Perón in a minority center; in his exile he became associated with Simone de Beauvoir and Jean-Paul Sartre, among others; and received a prize from Jorge Luis Borges, among many other things.
- Berretín is a thief who lives next to the brook of Buenos Aires. One day he meets Remanso, a man who has just gotten out of jail and is determined to behave himself. Berretín falls in love with Rosa, a girl to whom he stole his wallet, and decides never to commit a crime again. Berretín and Remanso, meanwhile, move to the pension where Rosa lives with her mother, and will face El Carancho, an evil lover of the young woman who accuses the two friends of crime, sending them to jail.
- The life and work of Miguel Abuelo (creator of the Los Abuelos De La Nada group). His songs, poems and less known and unpublished photos are discovered along with his great successes. During a whole night, his son Gato Azul travels the city on a motorcycle. As the only heir, he collects photos and poems of his father in different parts of the city.
- First Argentine film in 3D, it includes several aerial and panoramic shots, where you can glimpse a city in expansion of the era. Presenting Buenos Aires as "the Capital of a Great Nation", the film invites you to take a walk through the most iconic neighborhoods and emblematic monuments currently familiar to the porteños.
- Agustín returns to town of horizon of mountains to wait to be judged by murder of its parents.
- Cumbia, soft-rock, reggaeton, pop, boleros, hit hits from the '80s and before: the music is in the air of the city, and Song of love catches her in the places where she is so naturalized that we hardly pay attention to her but also, and especially, in the most hidden or unusual. Crowd choirs that play Queen, restaurant singers, impersonators of Elvis; the radio that is heard from the back seat of a taxi, the functional music of shopping malls or hotels with virtuosity, parade in this documentary as curious as playful.
- Ricardo and Miguel, are two young friends, who form a musical duo. Convinced that they have great potential, they decide to present themselves to a casting for new musical talents and show the virtues of their group. In the casting, they do not want the duo. They only want Ricardo, who betrays Miguel, leaving him out of the band. 20 years later, Ricardo alias ¨Richie¨ will be the Latin Pop artist number one, and Miguel a music teacher with few students. But Miguel will begin his musical career, and will unleash the most crazy, delirious and fun competition ever seen.
- Like a modern, misunderstood, prophetic Sherezade, Cassandra tells several stories. Basically it is the story of a woman who penetrates deep in the Impenetrable provoking another journey, a journey towards the interior of itself. And on these journeys he takes photos, questions, reports, forms a story, interrogates himself, writes. "Everything is a matter of framing," says Cozarinsky in the role of one of the interviewees, drawing the heart of the film. Cassandra plays its significance in the framing; in the way the director approaches and distances herself from her materials, in the subtlety with which she mounts the images and cuts them, in the arrangement of the bodies in the plane; in short, in what is seen and what is hidden. But in addition the film works with the close relationship between time and space, between the continuous and the transient, between the dwelling and the journey. In this way, it also becomes a sharp reflection on the cinema and its senses, on its constituent materials, on its ambiguities.
- Twenty years ago, when Gerardo, Alvaro, Sebastian and Elvidio were 10 years old, they invoked a spirit that said to be Jesus, in a session of "The game of the cup " By accident the cup was split, and the spirit was trapped in the body of Roman, the uncle of Alvaro, who was sleeping in the armchair of the house. The children kept, with the help of Father Luis and Guido, the fragments of the cup in the chest of the sacristy of the neighborhood church. Then they promised to keep the identity secret of Román, who is now Jesus on earth, whatever happens until the indicated day where through "The liberation ritual" they will help him to return to the place where he came from.
- Based on two stories by Antonio Di Benedetto and Alvaro Yunque, it is divided into two episodes that have more than one thematic relationship. The first tells of the traumas of a boy following the death of his mother. The other has as a central character another child, who lives with his beggar grandparents. .
- Argentina, 1943. Cipriano Reyes, a top leader of the meat workers, arrives in Berisso. There he meets two huge refrigeration companies that cherish more than 14,000 workers. With political and ideological crosses very strong and typical of the time, the small town is the scene of a fierce battle for the shipment of meat to Europe. From that conflict, Reyes takes great relevance of the national political scene.
- Nina Miranda leaves after spending 20 years imprisoned for a murder that she insists she did not commit and recalls the time of her youth. He remembers the boyfriend who chose his love despite the threat of his millionaire aunts to disinherit him if he married the artist. Her brother Vividor, pressed her to continue acting but her boyfriend was strict: the theater or me, and she agrees to leave his profession. Already married, Nina thinks she is abandoned because of a misunderstanding caused by her brother and returns to the theater, where she sings the tango, La morocha, even though she knows she can provoke a scandal. There is a fight between her husband and brother during which the latter wields a revolver and she accidentally kills her husband and is doomed because they do not believe his version. Already free, when a criminal shoots his son, who ignores that it is his mother, to steal it, she interposes and receives the shot. His son holds up his arms and orders that the door of the family mansion that has always been closed be opened and there dies happy.
- A man of political delinquency whom the police chase down. The film had some data like the personage of the film appear in front of a poster of Scarface or to indicate that the father had named to him Salvador, so that it looked after and saved his brothers.
- Juan and Ismael are two great friends who work together. Mounted to the truck they cross the winter and coexist with the asperities of work, they do it with humor, sometimes helped by alcohol. Friendship is a difficult wall to break between them. Juan, he drives the truck and lives surrounded by dogs, Ismael, loads the truck and dreams of having money.
- It goes through the history of one of the biggest music festivals in South America, told by its protagonists. Figures of Latin American rock and music speak of their experience in a unique encounter between artists and the public, where the love of rock is the point of convergence. Charly García, Andrés Calamaro, Pappo, Pity Alvarez, among other internationally recognized artists, tell us through interviews compiled throughout the 15 years of the Cosquín Rock edition, the importance of a musical event of this magnitude. Through this film, we can relive the memorable events that have left us many musicians who are no longer in the rock scene, securing the "Myth of the Sierras".
- A very humble couple celebrates the birth of their second child when accidentally kill their father that same day. The mother is forced to move and be employed as a domestic, having to give the newborn child to the marriage that used until then, leaving for Europe for a couple of years.
- Cumbia la reina narrates the phenomenon by which the Cumbia was becoming part of the Argentine culture, evolving in its different and new musical fusions, in its costumes, in its ideological content. From the beginning in the 50's with Mario Castellón (founder of the Wawancó), until 2000 with Pablo Lescano (referring to the Cumbia Villera), the history of the Argentine Cumbia is narrated from its protagonists. Interspersed with the different landscapes, geographical and cultural, in which the Cumbia has managed to make its mark.
- A young man decides to self-examine. He escapes from school and meets two friends who do not know his plan. They spend the whole day wandering around the center of Buenos Aires. Finally, the young man leaves his friends in a train while they sleep. The young man, alone, wanders through the city through the night. Security cameras monitor the city, but the young man disappears.
- The action takes place in a dystopian Buenos Aires in 2068 (now called Darwin), where the sinister Phizar, head of a dark corporation, chaotically governs the Southern Cone of the American continent. Dr. Crux is an old rebel scientist who fights the Phizar regime, and his son Juan Crux is the one who must become the hero expected to fight the villain and his henchmen and free the city from the dome that prevents him from making contact with the outside.
- It runs in 1896. In the dense Paraguayan jungle a three-year-old girl survives a massacre perpetrated by white settlers on an Aché family. The girl is baptized with the name of Damiana by its captors. Anthropologists of the Museum of Natural Sciences of La Plata in Argentina make it an object of scientific interest within the framework of their racial studies.
- Julieta and Federico are parents of three boys, it is a high class family. He is a successful architect. They receive the visit of Tito, uncle of Federico, a gray man who has just left the prison. Tito wants to go to the sea and Federico proposes to go to a house that he himself built for some friends, but Federico stays in the city, working.
- First Argentine film entirely improvised. Thirteen friends meet to celebrate Vicky's birthday. This is the first time that many of them meet again. The resentments, the faults, the pain and the fictions of the memory are unveiled throughout the night.
- Carla is 19 years old, she grew up without a father and with an absent mother. His world of parties, friends and emotional swings is invaded by the sudden return of his mother to Buenos Aires. The forced coexistence will bring to light a relationship, at times hilarious, between a mother who wants to live as a teenager and a daughter who wants to grow.
- A documentary by Kris Niklison, about Bela Jordán, his mother. Bela is 80 years old and lives on the banks of the Paraná River. An aristocratic widow, she dedicates her time to active leisure: read, make puzzles, cut the grass on a tractor and surf the Internet with her laptop. With the physical energy of a teenager and the wisdom of an old woman, she is proud of never having given her time to the consumer society and describes old age as 'the most beautiful time of her life'.
- Five dromómanos roam the city and a village on the outskirts of a Buenos Aires almost unrecognizable, nocturnal, fierce, concrete and lyrical. There is a loving trio fascinated by a piglet, a patient of a neurocykary who believes he has found his ideal wife, and a doctor specialized in psychiatry, alcoholic and self-destructive.
- Two antisocial adolescents, resentful against their classmates and teachers, intend to provoke commotion in the school through a series of anonymous acts of vandalism. Little by little, the game is losing its naive side and the two young people are submerged in a dangerous spiral of violence that seems to have no limits.
- Campo Del Cielo, in Argentina, experienced a meteor shower thousands of years ago. Since then all kinds of people have come to the area in search of a part of the booty. Among them, the largest meteorite collector in the world, and at the same time smuggler, Robert Haag. A film that speaks of plunder and human folly.
- There is a house being emptied. There is an auction in the neighborhood of Flores. Clients fill the place, eager to buy all kinds of objects. There is almost no filter when fighting to get the best price that belongs to the dead, the exiles, the fugitives and the soulless. A reseller who is too preoccupied with the staging, a collector with a past as a fishing worker, and the owner of an antique shop that admits to selling the affections of people, hints at the state of things.
- Lola is a South American singer who lives in Paris but yearns to return to her hometown with her daughter. One night a Nazi general, who needs a foreign singer for an espionage mission, bursts into her mansion and forces her to infiltrate a group of rebels in exchange for passports for her and her daughter.
- In a popular auction that matches the sinister and colorful of a circus of phenomena, a couple adopts children in exchange for their belongings. The children there acquired, usually mutilated, are in their new home in order to prepare for access to the Peronist education program taught in only 10 state institutes.
- An impossible love between a city man, with a dark past, and a woman who lives in a village with her little daughter, together with a group of mysterious and martially organized elders. The young woman awaits the return of her husband, strangely disappeared, in an environment where enigmatic natural phenomena determine the course of history.
- A reflection on the passage of time and the use of an emblematic space of Buenos Aires as the Abasto. In more than 100 years, many stories have gone through the central construction of this traditional neighborhood, which functioned as a fruit and vegetable supplier market to later become Abasto Shopping, a daily and constant movement shopping center, which has been consolidated as one of the most successful in the Argentine capital.
- Signs from another planet arrive on Earth, exactly at Villa 21 de Barracas (Buenos Aires). With scrap, garbage and cardboard, a group of the humble neighborhood manufactures weapons and a spaceship to destroy the aliens. The final battle approaches. Will the villa be ready?
- A lawyer specializing in economic crimes investigates the case of the liquidation of a company trying to respect the procedural guarantees of its defendant. But, as it investigates, it discovers that important personalities are involved and that behind the case that occupies it, larger crimes are concealed.
- The difficulties of writing, of literary creation, can often lead to small daily labyrinths: the blank page, which now flickers on a computer monitor, can be a dangerous abyss. This is the case of the writer, whose present becomes a dramatic starting point as dramatic as the beginning of a novel. From the discovery of a mysterious package in the street, among the trash, begins to rethink relationships with others, to the point of creating a kind of particular and mysterious malaise in the downtown apartment where he lives.
- It narrates the great social, human and economic transformation that took place in Argentina due to industrial development between 1945 and 1955. It contrasts with the agro-export national model that they tried to impose since the end of the 19th century, and raises the great contribution of the military Cordoba airplanes to the Peronist industrial project.
- In the midst of a military dictatorship, a group of young leftist militants decided to study theater as a way to continue their political activity without going completely to the clandestine that was pushed by state repression. There Uviedo and his provocations entered the scene: the avant-garde (in all its meanings) was born Workshop of Investigations Theatrical. After the forced flight to Brazil, his disciples went after Uviedo and created an organization to give shelter to poor children. There, even today, the old master works as a shaman to keep the group and remains faithful to its principles, always provocative, always defiant, believing that art and creation are the best weapons to defeat the evils of this world.