Advanced search
- TITLES
- NAMES
- COLLABORATIONS
Search filters
Enter full date
to
or just enter yyyy, or yyyy-mm below
to
to
to
Exclude
Only includes titles with the selected topics
to
In minutes
to
1-10 of 10
- Five lonesome cowboys get all hot & bothered at home en the range after confronting Ramona Alvarez and her nurse.
- At a New York City restaurant, the patrons are men, nude but for a G-string, waited on by one woman, also clad in a G-string (played by Viva) and a G-bestringed (bestrung?) waiter. Some of the "nude" patrons leave the establishment, their places taken by new customers, also nearly in the buff. There are numerous in-camera jump cuts (known as 'strobe cuts') and the camera weaves around a bit. The waiter and waitress move from table to table, talking to the customers. Taylor Mead sits smirking at the fountain, where eventually he partakes in a long conversation with Viva about her Catholic childhood. Viva, the waitress if not the actual person, seemingly is obsessed with the subject of lascivious priests. There is more strobe cutting and at one point, Viva turns to the camera and asks that it be turned off. The camera is turned off and, after an interlude, is turned back on again, after which Viva continues with her monologue. More patrons arrive while others go, perhaps thinking -- if not speaking -- of Michelangelo.
- Ondine is a gay man attempting to re-adjust his sexuality via various encounters with different women. After trying his luck with three women, Ondine becomes a background character in a sequence in which a group of Latin American men, calling themselves The Bananas, engage in a food fight. Ondine then engages in a wrestling match with Joe Dallesandro, who is married to Brigid Berlin.
- Viva and Taylor Mead rent a beach-house to surfers, while their daughter Ingrid Superstar is pregnant. Mr. Mead, gay, tries to pawn her off to a surfer. Viva wants a divorce from her husband, who wants a surfer.
- Joe Spencer, a member of a motorcycle gang, is taking a shower. After his bout with personal hygiene, Joe encounters Andy Warhol's "superstars," who engage him in conversation. The superstars crack jokes he doesn't understand and continually correct his poor pronunciation in an attempt to deflate his machismo. In response to these provocations, Joe becomes more obscene and more boasting, but ultimately, he cannot compete with the put-downs that are part of the put-on performances of the Warhol superstars, who prevail over him in the end.
- Joe Calucci is a kind-hearted office supervisor working for the New York State Unemployment Department. Weekly, he must deal with his frustrations with his girlfriend, employees, bureaucracy brass and the unemployed coming to his department seeking help.
- Clark & McCullough are arrested for disturbing the peace. They steal the police car and return it to the station. The new police commissioner believes that they are real policemen and they get back the patrol car. Out on the beat, the duo chase women rather than criminals, just like real cops.
- The boys are bushwhacked while accompanying Phil Archer and his wife through the desert.
- 1969–1973TV-PG7.5 (382)TV EpisodeNasty land developer Mike Saunders is ready to destroy a widow with a green thumb to get her land. / Morton Silkline arranges a late funeral for an unusual client, Ludwig Asper. / A jukebox in a diner repeatedly plays the same sad song.
- When mystery woman withholds toilet paper from Elaine, who turns out to be Jerry's new girlfriend, Jerry tries to stop her figuring it out. George becomes enamored with Elaine's "cool guy" boyfriend. Kramer keeps calling a phone sex line.