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1-9 of 9
- Comments written by Ottavio Rosati about the world of entertainment, theater and television. From stage tables to the small screen, from the room to the general public, exclusive services and reviews on the best shows in Italy. Some comments have a psychoanalytic and psychodramatic orientation. Some conversations with Rosanna Cancellieri introduce TV socioplays that Rosati has produced with Plays in collaboration with Moreno Cerquetelli.
- A TV socioplay with the advice of Malcolm Andrews (director of the Dickens Fellowship) that proposes to participants a multimedia play where the languages of theater, cinema, and video-jockey intertwine puppets and lyric music.
- Roberto Rossellini realized with Jacob Levi Moreno this short (not transmitted) for RTF. It is the prototype of Da Storia Nasce Storia (1991) by Ottavio Rosati broadcasted 35 years later by Italian TV Rai3. The historical meeting of 1956 was organized in Paris by A. A. Schutzenberger and revealed to Roberto Rossellini a particularly congenial acting technique for a potential new didactic TV. The director of photography was the young Claude Lelouch. In 2018 Maria Cristina Sidoni has finally found this old Moreno/Rossellini experiment in the RTF archives; Italy has produced its digital restoration with the Archivio Nazionale Cinema Impresa, Centro Sperimentale di Cinematografia di Roma and the Institut National of l'Audiovisuel, in collaboration with Museo Moreno directed by Marco Greco. In 2019 Istituto Luce Cinecittà has published the DVD with subtitles and a booklet in three languages with articles by Adriano Aprà, Maria Cristina Sidoni, Marco Greco, Roberto Cicutto, Ottavio Rosati, Paola de Leonardis, Sergio Toffetti and others. Le Psychodrame has also been presented at 2019 Torino Cinema Festival and at 2019 La Festa del Cinema di Roma. In 2020 it will be presented at Facoltà di Psicologia Sapienza by the rector prof. Fabio Lucidi and the school of Psychodrama Ipod Plays.
- A couple of gay artists both masters of talking parrots depart from Rome for an international competition for the most beautiful and playful specimen of Cacatoa Alba. Fabio's parrot is called Teto, Ottavio's is called Isis. The competition takes place on the island of Tenerife at the Loro Parque, the largest zoo of parrots and other exotic animals in the world. On the ship Fabio (who is a creator of special effects for the cinema) makes a dream where a group of inseparable sing two of his favorite songs: one by Lucio Dalla, the other by the vocal group of Take Six. The same night Ottavio, who is a director, dreams of doing a photo shoot at Naomi Campbell who wanders among the cages of Loro Parque in a wonderful dress by Roberto Capucci. At the hotel, after unpacking the bags, the two friends realize that Isis has begun to dance and gorge a few notes. Fabio is so impressed that he decides to really make the video of the two songs in computer graphics. But who made his dream? He or his Isis? He has no doubts about the intuitive and magical dimension in which the Cacatoas live, but his companion does not think the same way and teases him. In the evening at the hotel Robert turns on his laptop and finds on the web a video where the actress Valeria Solarino poses with two Cacatoas identical to them for 3D photos dedicated to Corriere della Sera, the first to be published in a newspaper. He remains stunned and calls Fabio because he runs to see. His cacatoa laughs and moves his neck up and down with the raised crest.
- As Perdo/nanda Pivano (2018) this videoplay by Ottavio Rosati is an example of 'Bricconaggio': the artistic and active catharsis of an old (but still present) trauma. One day in 2001 Ottavio discovered that his young and talented partner Fabio during his "psychotherapy", financed by Ottavio, made frequently sex with "dr. Hide" the famous analyst who for ten years had been the teacher of Rosati. After 16 years Rosati reveals the circumstances and the emotions that he didn't express in 2001, in order to avoid the complete separation from two loved persons fundamental for his identity. The Ottavio's performance is completed by the Voice Off of Maurizio Stuppiggia (Teacher of Psychodrama School IPOD) who explains the consequences of any affective trauma and the specific manipulation with which dr. Hide in 2001 blocked any reaction of Rage of his former pupil. Rosati's videoplay of 2018 ends with a joyful exchange of dogs and revelations about today's gay customs between Ottavio and his pupil Francesco Marzano, author of the book "Ciak si gioca". The two cockers, Winnie and Duffy are the main testimonials of everything, in homage to the phrase of Francoise Dolto: "In a family children and dogs always know everything". The title "I cani dell'acqua Marcia" is inspired by Emanuele Trevi's novel "I cani del nulla" (2003, Einaudi, Stile Libero).
- The Capucci Museum (Florence, Tuscany, Italy) was the exhibition space, managed by the Roberto Capucci Foundation. It moved specially from Rome to Florence and was inaugurated on 27 October 2007 with the temporary "Back to the origins" exhibition, which met with considerable success with about 50,000 visitors. A year later it became a permanent exhibition, focused in particular on a series of twelve sculpture-dresses made for the 1995 Venice Biennale and originally not intended to be worn. The Capucci Museum was located in Villa Bardini. It was closed in November 2017, to be transferred to the 'Villa Manin' in Passariano (Udine, Friuli Venezia Giulia, Italy).
- A television interview (for RAI 5 - IT) to Roberto Capucci in his atelier in via Gregoriana in Rome (Italy) , with presentation of his dresses and his friends and clients from international jet set. Capucci explains why he moved his work from the world of Fashion to the world of Art.
- A socioplay about a poetry reading, between the docu-film Generazioni d'amore: Le quattro Americhe di Fernanda Pivano (2001) and the "bricconaggio" Perdo/nanda Pivano (2018). The set is Valeria Moriconi Theater during the Women's Day in the margins of the show "La canzone della Nanda" by Giulio Casale directed by Gabriele Vacis.
- Rossana Cancellieri interviews Rosati about his Il Piombo e l'Oro del Perdono (2005) a sociodrama organized by Italian Ministero Affari Esteri for "The Parents Circle Family Forum" in Tel Aviv, an important Israeli-Palestinian association of 500 families who lost a close relative in the Israeli-Palestinian conflict, but still look for Peace and Encounter.