Danse serpentine par Mme. Bob Walter (1899) Poster

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5/10
A Well-Turned Leg
boblipton4 September 2009
At this point in the history of the movies, you could not copyright a film, so each of the production companies lifted the products from other companies..... and sometimes reshot them instead of simply taking the film into the lab and making a duplicate.

This, one of the earliest survivals of Alice Guy is, of course, a remake of the Edison film ANNABELLE SERPENTINE DANCE (1895), in which the young lady swirls a lot of drapery around herself. Much the same happens here, but this being a French film, we do get to see the the dancer's ankles. Not much of a difference, agreed. Of more importance is that tinted copies of the Edison version exist, while the copy I viewed is pure black and white.
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6/10
A thing of beauty
Horst_In_Translation26 October 2015
Warning: Spoilers
I must say I am quite a fan of these serpentine dances and I can see why they were a common subject in these very early movies. This one here is from 1899, so had its 115th birthday last year and the director is Alice Guy, the first female movie maker. It runs for slightly over a minute and has a woman with long hair performing. And in my opinion, this does look even better than most other serpentine dance videos from back in the day. It seems that Mrs. Bob Walter is quite talented. Her movements are really beautiful and how that dress sways through the air. Anyway, I need to stop now as this is about a married woman. Good little movie, better than most of the other films made around that time. Of course, this is also still a silent, black-and-white film. Recommended.
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when a film on the same subject is not a "remake"
kekseksa20 June 2018
Of course it is NOT a "remake" of the films made by William Kennedy Laurie Dickson for Edison and Mutoscope. It is just an umpteenth film copy of a stage act originated by icon of modern dance Loïe Fuller back in 1891. It was the dance sensation of the decade and versions were made by Max Skladowsky (perhaps the first), Dickson, Léar, the Lumières, Pathé and Gaumont and probably others as well (Sigmund Lubin probably performed it himself in drag and Leopoldo Fregoli certainly did). Loïe Fuller herself never appeared in a film. But if there was any copyright due it was to Fuller herself and not to any of the film-makers.

When the impersonator Little Pich made a film of the "big boots act" this was not a remake of the film made in 1900 of Little Tich performing the act, it was just a rip-off of the British comedian's stage-act. Ditto for Mme Walter.
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