The Third Alarm (1923) Poster

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9/10
A spectacular movie!
JohnHowardReid9 September 2014
Warning: Spoilers
By cobbling together the best footage from multiple 16mm prints, Grapevine have done Emory Johnson proud in this splendid tinted presentation of one of the producer/director's most spectacular movies, The Third Alarm. In my opinion, this version is superior to the 1930 version which Emory Johnson re-made with James Hall, Anita Louise and Jean Hersholt in the roles here played Johnnie Walker, Ella Hall and Ralph Lewis. The incident-packed story was written by the director's mother, Emilie Johnson. Fortunately, both the Johnsons had access to the real fire-fighters and were able to commandeer some really spectacular fire footage. Admittedly, for a while there it looked as if the Johnsons were going to go overboard on sentiment, but they change their collective minds to build up a really nail-biting scenario instead. The special effects are outstanding. Admittedly, any viewer who isn't moved by sentiment won't find The Third Alarm as thrilling as I did. But for me, the film offered really grand entertainment. The whole cast was totally convincing and should be firmly congratulated, but particularly Ralph Lewis who plays the lead in a thoroughly convincing style. Fine photography by Henry Sharp is also a considerable asset. The movie was expertly produced by Emory Johnson on a spectacular budget. Sources differ as to whether the original theatrical version had six or seven reels, but the five-reel Kodascope cutdown was one of that library's most popular movies – and no wonder! This five-reel version is now available on an excellent DVD from Grapevine.
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Long before BACKDRAFT
searchanddestroy-125 May 2023
It is probably the most important film ever made about firemen, before Ron Howard's BACKDRAFT, back in 1991. As far as I know and also FIREHOUSE, a TV movie from 1973, starring Richard Roundtree. But thoe latest films about firemen will never make this very silent era film lousy, on the contrary. And by the way, I want to point out something; I noticed that silent movies brought story telling, or simply stories, far different in the screenplay than the talkies period. During the silent era, there was more romantic, tragic moments and a movie could also show different periods of a story, decade by decade; yes this was very very different, even between the twenties and the thirties - talky period. During the silent decades, images were so powerful - of course it was because there was no talking- that only faces movements really eplained a situation, or acts. No talks and that changed many things.
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