A print of this film survives in the UCLA Film and Television Archives.
Though the film is mostly in black-and-white, the main titles and opening scene are in two-color Technicolor. There is also a scene, set in a barber shop, which utilizes the Handscheigl color stencil process to show Johnny Hines' face as bright red after too-hot towels have been removed.
The print ad campaign was composed of cartoon caricatures of Hines and company in speeding cars, riding an ostrich, etc. all drawn by cartoonist R.M. Brinkerhoff, then-famous for a daily comic strip, "Little Mary Mixup". In 1919, he had done the same for Chaplin's "A Day's Pleasure" ads.