Rico is a small-time hood who knocks off gas stations for whatever he can take. He heads east and signs up with Sam Vettori's mob. A New Year's Eve robbery at Little Arnie Lorch's casino results in the death of the new crime commissioner Alvin McClure. Rico's good friend Joe Massara, who works at the club as a professional dancer, works as the gang's lookout man and wants out of the gang. Rico is ambitious and eventually takes over Vettori's gang; he then moves up to the next echelon pushing out Diamond Pete Montana. When he orders Joe to dump his girlfriend Olga and re-join the gang, Olga decides there's only one way out for them.Written by
The character of Joe Massara was based on actor George Raft, who was associated with Owney Madden, the man who organized the taxi racket in New York City. See more »
Another problem with the scene in which Rico is wounded in the arm: when Rico leaves the newsstand heading toward the scene of his ambush, he's walking from left to right (as seen by the audience, the point of view referred to here throughout). Then we cut to the truck, with its concealed gunman, and it's heading toward him from the opposite direction. The truck's starting point, therefore, must have been in front of Rico, or to his right. But the trail of bullet holes created by the moving gun begins behind Rico, that is, to his left. Or in other words, the bullets striking the plate glass window behind Rico should have moved from right to left, not left to right, as they do in the movie. See more »
Rico continued to take care of himself, his hair and his gun - - with excellent results.
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In the 1954 re-release, a foreword crawl was added, warning that the "heroes" of Little Caesar and The Public Enemy represent "a problem that sooner or later we, the public, must solve." This version is often shown on cable channels. See more »
Rico Bandello, a petty crook nicknamed LITTLE CAESAR, plots his rise to become crime boss of the Big City.
Edward G. Robinson made a tremendous impact in this star-making saga of a thoroughly detestable little man who bandies his way through society's underbelly for a short time until fate brings him his just reward. The evil spawn of a deplorable age, Rico cares for neither booze nor dames, only pure raw power. Even loyalty & friendship are weaknesses to be deplored since no one can be ultimately trusted. Robinson, with his frightening eyes and large ugly mouth, makes this human scum fascinating to watch - a cheap little monster in expensive suits, a moral nonentity with a big gun.
Douglas Fairbanks Jr does a fine job with what little the script gives him as Rico's longtime buddy; the bland nature of his performance contrasts nicely to Robinson's florid acting style. Even more compelling is Glenda Farrell in an important early role as Fairbanks' girlfriend - this talented actress would soon become one of Hollywood's premiere tough talking brassy blondes.
Stanley Fields, Sidney Blackmer & George E. Stone all deliver vivid portraits of crooks & criminals that Rico must intimidate or use. Special mention should be made of William Collier Jr who gives a touching portrayal as the mob's getaway driver who loses his nerve and attempts to go straight.
Movie mavens will recognize an unbilled Lucille La Verne as the old crone who intimidates Rico near the end of the picture.
With LITTLE CAESAR and PUBLIC ENEMY (1931) Warner Brothers established themselves as the Studio that could produce topnotch, gritty crime dramas. The reputation was well deserved and the films were appreciated by movie viewers already enthralled by the headline exploits of real life Depression desperadoes.
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