His Royal Highness (1932) Poster

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6/10
The once and future King of Betonia
bkoganbing24 August 2012
Given that the Australian film industry was in its toddler stage, I'd like to rate the film a bit higher. But as it is His Royal Highness is a good exposition to the comedy talents of George Wallace who apparently was to Australia as Maurice Chevalier to France and Sir Harry Lauder to Scotland. A kind of roving ambassador of entertainment for his country during his prime.

It's a simple film in structure and plot. Wallace plays a guy who nabs someone else's job as a stagehand at a theater and proceeds to muck it up. When the first guy comes back, he clunks Wallace on the head and Wallace dreams he's the lost king in some Ruritanian type country.

I saw bits of a few entertainers in Wallace's style. A little of Lou Costello, a little of Stanley Holloway, a little of Sir Harry Lauder. Mostly he was like an Aussie version of Eddie Cantor in his patter and in his singing and dancing. He was popular Down Under, but very few know him north of the equator.

His Royal Highness is a pleasing enough film and even though Americans might not get some of the Australian idiom you'll find a few laughs in it if not production values associated with Hollywood.
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5/10
For Those Who Like Music Hall Comics and Operettas
boblipton17 April 2018
George Wallace gets a job as a stagehand, but the man he replaces coshes him. George dreams he is the long-lost King of Betonia, a musical-comedy kingdom where his lower-class Aussie malapropisms and insistence that the Prime Minister roller skate clash with intrigue and a plot to put a pretender on the throne.

This vehicle for Wallace shows off his talents well, with a nice song-and-dance routine early on. It's an Australian talkie, and clearly made for the Australian market. His shtick wears a bit thin after a while, although there is a good poker routine to liven up the end. Over all, the movie remains a historical marker, more an example of a style of film (operetta) and performer (music hall) that has largely disappeared, than of cinema.
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5/10
Pleasant...just not all that funny.
planktonrules29 April 2010
Warning: Spoilers
Note: The public domain version of this movie ran only 69 minutes--far shorter than the running time listed on IMDb.

I have never heard of the Australian comic, George Wallace and assume he was some sort vaudeville-style comic from the early 20th century. IMDb really has no information on the man other than he made a few movies. In this, his first film, he seems to be acting in a style strongly reminiscent of a dance hall comic. While he certainly was not a brilliant comic, at least in this film, he is pleasantly entertaining though far from sophisticated in his style and delivery. However, it's not all that funny. It could have used an infusion of some more jokes.

The film has a somewhat conventional plot through the first third. George obtains a job working as a stagehand. However, the guy he replaced is angry and does his best to hurt him. When George is klunked on the head, he has an extended dream about him becoming the king of a fictional land. This is somewhat reminiscent of "Duck Soup" (particularly the song and dance numbers) but far more conventional. As king, there are many schemes to bump him off but George manages to trick them into thinking he's dead. By the end, however, George is off the hook--as he really isn't the king after all.
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5/10
Interesting to see old Aussie comedian George Wallace
PeterM2717 November 2021
Warning: Spoilers
This musical comedy, one of Australia's first, stars George Wallace, who was Australia's most successful film comedian of the 1930s, and made five films in the 30s.

Wallace plays Tommy Dodds a simple working man who gets odd jobs between periods of unemployment. He gets a job as a theatre hand, but is knocked out by the man whose job he took, and falls unconscious. He dreams he is discovered as the heir to the throne of Bitonia, and heads off to a formal European court with his buddy Jim. There he wisecracks his way through ceremonies, and puts down an attempt on his throne, before waking up to find himself a theatre hand again.

Wallace is entertaining: he jokes, mocks the pretension of the European court, sings witty songs and tap-dances. It's quite a good production, with a big cast, impressive sets and costumes.

Like many American films of the time, the humour and dialogue is a bit dated. If you enjoy 30s comedies, this stands up pretty well. But the 30s is another world, and most of the films do look a bit silly now.

But as an artefact of Australian cinema it is very interesting, and it's good to hear the language and expressions Wallace uses, some of which are still used today, and others which have died out.
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7/10
Classic Aussie comedy performance
opsbooks26 November 2021
George Wallace was a comedy genius and this otherwise unexceptional movie shows him portraying the ordinary timeless Aussie bloke as only he could. Other comedians down the decades would attempt to copy George's style but none have put it over so naturally. He could sing, dance, write and direct and often did the lot on later movies. Only the British really understand our humour and this movie was hugely popular over there.
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