Directed by
George Cukor |
Writing Credits
Louisa May Alcott | ... | (by) (as Louisa M. Alcott) |
Sarah Y. Mason | ... | (screen play) & |
Victor Heerman | ... | (screen play) |
Del Andrews | ... | (contributing writer) (uncredited) |
Alfred Block | ... | (contributing writer) (uncredited) |
Charles Brackett | ... | (contributing writer) (uncredited) |
Salisbury Field | ... | (contributing writer) (uncredited) |
David Hempstead | ... | (contributing writer) (uncredited) |
Jane Murfin | ... | (contributing writer) (uncredited) |
G.B. Stern | ... | (contributing writer) (uncredited) |
Wanda Tuchock | ... | (contributing writer) (uncredited) |
John Twist | ... | (contributing writer) (uncredited) |
Cast (in credits order) verified as complete
Produced by
Merian C. Cooper | ... | executive producer |
Kenneth Macgowan | ... | associate producer |
Music by
Max Steiner |
Cinematography by
Henry W. Gerrard | ... | (as Henry Gerrard) (photographed by) |
Editing by
Jack Kitchin | ... | (edited by) |
Casting By
Fred Schuessler | ... | (uncredited) |
Art Direction by
Van Nest Polglase |
Set Decoration by
Sydney Moore | ||
Ray Moyer | ... | (uncredited) |
Costume Design by
Walter Plunkett | ... | (costumes by) |
Makeup Department
Elmer Armstrong | ... | hair stylist (uncredited) |
Mel Berns | ... | makeup artist (uncredited) |
William Ely | ... | makeup artist (uncredited) |
Jean Woodhall | ... | hair stylist (uncredited) |
Production Management
Wallace Fox | ... | unit manager (uncredited) |
Second Unit Director or Assistant Director
Edward Killy | ... | assistant director (uncredited) |
John Lodge | ... | associate director (unconfirmed) (uncredited) |
Mortimer Offner | ... | assistant director (uncredited) |
Art Department
Hobe Erwin | ... | settings |
George Peckham | ... | assistant propman (uncredited) |
Charles Sayers | ... | props (uncredited) |
Moje Åslund | ... | poster artist: Sweden (uncredited) |
Sound Department
Frank H. Harris | ... | recordist |
Victor B. Appel | ... | recording assistant (uncredited) |
George D. Ellis | ... | sound recordist (uncredited) |
Ellis Fesler | ... | recording assistant (uncredited) |
Special Effects by
Harry Redmond Jr. | ... | special effects (uncredited) |
Harry Redmond Sr. | ... | special effects (uncredited) |
Camera and Electrical Department
Ernest Bachrach | ... | still photographer (uncredited) |
S.H. Barton | ... | chief electrician (uncredited) |
Tom Clement | ... | chief grip (uncredited) |
Robert De Grasse | ... | second camera (uncredited) |
George E. Diskant | ... | assistant camera (uncredited) |
Mike Fitzgerald | ... | grip (uncredited) |
Guy Gilman | ... | gaffer (uncredited) |
Mike Graves | ... | assistant grip (uncredited) |
J. Merry | ... | best boy (uncredited) |
John Miehle | ... | still photographer (uncredited) |
Costume and Wardrobe Department
Eugene Joseff | ... | costume jeweller (uncredited) |
Emily Perkins | ... | wardrobe (uncredited) |
Music Department
Bernhard Kaun | ... | orchestrator (uncredited) |
Script and Continuity Department
Gale Evans | ... | script clerk (uncredited) |
Additional Crew
Del Andrews | ... | production associate |
Eddie Arden | ... | double (uncredited) |
Francesca Braggiotti | ... | instructor: ballroom dancing (uncredited) |
Dorothy Dawson | ... | production secretary (uncredited) |
S. Barret McCormick | ... | advertising coordinator (uncredited) |
Elizabeth McGaffey | ... | researcher (uncredited) |
Robert Sisk | ... | director of advertising and publicity (uncredited) |