The Prisoner of Corbal (1936) Poster

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6/10
Good historical romance seems to have been lost to most film lovers
dbborroughs26 October 2008
Warning: Spoilers
Revolutionary drama from the pen of Rafael Sabatini best known as the author of the Captain Blood books is good but a decidedly un-swashbuckling affair. The plot of the film has Deputy of the Revolution Varenes saving the life of Cleonie from the guillotine at the last possible moment.The deputy clearly has feelings for the girl and has rescued her to keep her safe. To that end, he has her masquerade as his baby faced aide as he heads to the south to spread the Revolution. They stop in a village that is watched over by the Marquis of Corbal, a nobleman loved by those he rules over. Tensions rise as Varenes tries to spread the cause, Cleonie tries to break free to see her mother and the Marquis tries to keep the madness from Paris in check. Complicating matters is the Marquis' discovery of Cleonie's true sex, sparking further romantic entanglements.

Good looking romance is something that is decidedly out of the ordinary. Opulent and well acted this is clearly a lavished production that looks so good its amazing almost no one has ever heard of it.(I had never run across the film until I found it at a table at a nostalgia show.) The film feels like it was filmed way back when something that most films from the time of its production never do (They are decidedly Hollywood in feel). The cast is very good including an almost unrecognizable Noah Beery as Varenes friend, a sergeant in revolutionary guards. For the most part this is a really good little film.

If the film has any flaws its that the plot of the novel seems to have been reduced too much in the translation. We simple don't know a good chunk of the back story of several of the characters so we don't get a complete sense of who many of these people are. You can get a sense from watching the actors on the screen that there is a whole other life thats barely hinted at.

Still this is a film thats worth searching out. Its a little undiscovered or half forgotten gem.

Between 6 and 7 out of 10
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5/10
Faux French Frolics
richardchatten8 November 2019
With an Austrian director, Swedish leading man and Noah Beery somehow shoehorned in, that leaves little room for British actors in the other leads; and as for the French themselves - despite being set against the backdrop of their revolution - forget it!!

It's fun during the first half when Hazel Terry has to disguise herself as a young man in a high collar, britches and boots (which she even seems to sleep in); plus a sequence in which she goes skinny-dipping. As usual none of the oafs in the film recognise her for what she actually is; and it's a lot less fun after she dons petticoats again (and as is usual in such nonsense, we're supposed to think this constitutes an improvement)!
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Creaky costume drama.
Mozjoukine18 May 2019
Terrible imitation Korda British piece presumably aimed at repeating The Scarlet Pimpernel. The opening has some promise with elaborate decors (Otto Werndorf was doing the Max Scack films of that period but there's no desiger credit) and the shiny blade guillotine being sharpened - cut to aristocrat prisoner Terry's blonde hair being trimmed. She jumps when the razor touches her neck. Even here everyone is so British.

There's nothing as good in the rest of the film as the doors at the back of the big set opening to show the guillotine outside.

Citizen Nils Asther shows up as a Revolutionary official with a passport made out for her as his nephew and takes her in drag with his mounted troops towards the Swiss border. Material with her being ordered to wash by the soldiers or the inn maid coming on for her. They are easily bluffed. She's still wearing lipstick. Scene of her in a wet shirt and swimming discretely naked.

The area is under the benevolent control of Marquis Sinclair and the peasants who are quite happy to see others topped, object when his death is proposed. He does a defense about Liberty, Equality and Fraternity being Christian principles. Terry hates her savior because her mother has been executed and has placed herself in Sinclair's care. He of course has a stock of elaborate dresses that are her size. Romance blooms.

The piece tries for a few striking tableaux including the large scale assembly decor which pans to the shadow of the guillotine or a shot of Terry in black mantilla at prayer but the odd striking compositions are wasted. This is a film sorely in need of a couple of good sword fights.

Performances are not helped by a director for whom English is not a first language with accented Asther emoting in a different convention to the English stage actors and taking awkward pauses after he delivers lines meant to be significant. Noah Beery as a loyal Revolutionary Sergeant gets by.

The U-Tube copy is foul and the disk a little better.
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