Roaming Lady (1936) Poster

(1936)

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5/10
Tedious Efforts Fail To Yield Comedic Results.
rsoonsa30 November 2005
Very lightweight fare indeed is this hollowly energetic film designed to showcase a lovely and lively Fay Wray, a work that is hindered by a poorly constructed script that is full of predictable dialogue and sequences, so that despite adequate production support from Columbia Pictures, only the stunt work is completely satisfying, although Wray does contribute a good deal of pepper with her performance as a pampered rich girl. Dan Bailey (Ralph Bellamy) is a professional instructional pilot employed, during this highly cinematically pictorial biplane era, by Western Petroleum, owned by E.J. Reid (Thurston Hall) whose daughter Joyce (Wray) is madly in love with Bailey, but after the latter insults Reid he is fired, immediately thereafter hiring on with another company that ships him, along with two airplanes, by freighter to China for oil exploration purposes, Dan being unaware that his new employer is actually under the control of Reid whose intent through this sea voyage is to have the Pacific Ocean between romance coated Joyce and the flier. Ruthless Chinese warlord Fang Wu has suborned the services of the freighter captain, placing his surrogate Mister Wong (Paul Guilfoyle) on board playacting as the skipper's ostensible servant, while in reality controlling the ship's passage while Bailey, his sidekick Andy (Edward Gargan), along with the pair of aircraft are being shanghaied into the custody and service of Fang, an unfortunate Joyce, remaining smitten with Dan after his canning by her father and stowing away to be near him, also being ensnared. There are some exciting stunts seen in the air and upon the ground, but elsewise journeyman director Albert Rogell has scant material available from within a weakly cobbled script to elevate the silly storyline. Wray garners acting honours, obviously enjoying her part and always looking good, substantially due to costumer Samuel Lange, while Otto Meyer's able editing helps to smartly move along this largely forgettable fondue.
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5/10
She goes from witnessing horror to being it.
mark.waltz12 November 2020
Warning: Spoilers
The 1930's had brought moviegoers huge apes, vampires, dead monsters and invisible men. But now comes the most scary creature of them all, the spoiled debutante. Fay Wray goes from screaming at King Kong to screaming because she can't get her way. she's hysterical at doing that, and that makes her character tolerable.

Wray's victim is Ralph Bellamy, a top notch pilot who worked for her father Thurston Hall and is fired by him because of how he handled an incident involving Wray stealing a plane and nearly knocking dad out of the sky. After Bellamy leaves for another position, Wray convinces her father to try and hire him back, back to do that, she must stop him on the liner that he is a passenger on, effectively becoming a stowaway.

Once again, Wray turns Bellamy's world upside down, but this is a Hollywood romantic comedy, and we know how all those work out. this film is saved by a lot of witty dialogue even though the situations are completely unbelievable and likable or not, Wray's character proves that she is nothing but trouble when she can't get what she wants.

This is a possible time filler, nothing more, mixing romance and comedy and adventure, and in spite of how annoying Wray can be, she's never so awful to the point where you want to see Bellamy strangle her. As much as he takes from her, Bellamy gives back as much as he gets, and the imagination goes overboard in indicating how much fun he'll have attempting to tame her.
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7/10
Nice little divertissement
mmipyle30 November 2020
"Roaming Lady" (1936) stars Fay Wray, Ralph Bellamy, Edward Gargan, Thurston Hall, Paul Guilfoyle, Tetsu Komai, Roger Imhof and others in a story about a flight instructor and his continual romantic conflicts with his...well, with Fay Wray...not yet his fiancé, though she would certainly like to think she is! Her father, Thurston Hall, is an exceedingly wealthy oil magnate who tries to dissuade the attachment, and he fosters a plan whereby Bellamy is sent to Shanghai. Meanwhile, Wray, wielding an impetuous lioness of a temperament, sneaks on the ship Bellamy's on to get him to his destination where he and his partner are to pilot planes to try to help destroy General Fang's guerilla war-lord force that's trying to take over that part of China. Every plan of every man - lover, friend or foe - goes awry due to the interference and ferocity of temperament and downright intrepidity of Wray. Though there are some serious parts to the film, even one death (until the end where a brave escape shows many deaths), this is a romantic hustle and tussle between Wray and Bellamy that is loads of fun to watch. I had a smile on my face nearly from beginning to end. The only disappointing feature of the film is a lack of one scream from Wray. My interpretation of Wray is psychologically rooted in "King Kong" and the screams of Wray. She shows in this film, however, she's a marvelous farceur-ess. Bellamy? Well, he's just swellaby. Ed Gargan and Thurston Hall acquit themselves quite well here, as do Guilfoyle and Komai as well. Maybe it's totally forgotten, but this is quite a good intermission between dinner and bedtime.
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