Clean Pastures (1937) Poster

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5/10
Despite what most reviews say, it is offensive...though I will agree it is not an altogether evil cartoon
planktonrules30 December 2008
CLEAN PASTURES is a play on words, as the year before this film debuted, a film with an all-Black cast, GREEN PASTURES, was released in theaters to White and Black audiences alike.

This is one of the so-called "Censored 11"--Looney Toons cartoons that were pulled from the market in the 1960s because of racist stereotypes of Blacks. While the general feeling of the reviewers is that this isn't offensive or that offensive, I can see how calling Heaven "Pair O Dice" could easily offend, as showing Black men as shiftless gamblers was a common stereotype of the age. As for the people who are parodied (mostly Black jazz musicians), I don't think this was intended as offensive and I bet most of them (such as Cab Calloway and Louis Armstrong) were probably flattered by the attention. Throwing in a Steppin Fetchit-inspired character, though, is inflammatory as he is practically the poster child for the "I hate my race and will whore myself out for money" club. The bottom line is that there are elements of this film that can't help but offend. This is sad, as because with a few minor changes, this could be a more acceptable and widely enjoyed cartoon.

My advice is that this and all the Censored 11 cartoons should not be shown on broadcast television unless they are shown with some sort of prologue that could explain the context and reasons they offend. Having them continue to be available on the internet (when you can find them) isn't a bad thing, however, as I am loathe to ban any sort of speech and it is an unfortunate but important part of our history. And if we eliminate EVERYTHING that might offend from our history, then we are left with,...well,...nothing!
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5/10
ya gotta pay your dues if you wanna sing the blues
lee_eisenberg19 March 2010
Yes, Friz Freleng's "Clean Pastures" is full of racial stereotypes. But like many Warner Bros. cartoons, the images accompany some great music. I always get the feeling that the WB animation directors really liked jazz and swing. In this case, the owner of a club in Heaven called Pair-O-Dice is wondering what to do about the jazz dancers on earth. The cartoon features caricatures of Cab Calloway, Louis Armstrong, Fats Waller, and more*. I figure that as long as we understand the content, we can appreciate the cartoon's look at 1930s popular culture. It must have been absolutely incredible to go to some of those clubs. I recommend it.

*In Chuck Jones's "Knight-Mare Hare", Bugs Bunny mentions Count of Basie, Duke of Ellington and Satchmo of Armstrong.
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5/10
"Only half of me wants to be good."
utgard1414 January 2016
Merrie Melodies short, directed by Friz Freleng, notable today for being one of the Censored Eleven. For those who don't know, the Censored Eleven are cartoons that were withheld from syndication because they were considered to be too offensive due to their use of racial stereotypes and imagery. Its title is a take on the 1936 film Green Pastures, which was a wonderful movie that told familiar Bible stories with an all-black cast. The story here has angels trying to save the people of Harlem from their sinful ways by using jazz music to lure them to the side of Heaven (called Pair-O-Dice here...get it?). Pretty offensive to many today, this is actually one of the better Censored Eleven cartoons. That's in large part because of the bits of great jazz music that play throughout. The animation is also good for its time, if one can look past the grotesque depictions of black people. Animation buffs and anyone interested in jazz or black culture from the period might want to seek it out. But, for obvious reasons, it's not something your average person will enjoy today.
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7/10
One of the better, most entertaining, most energetic and generally least offensive "Censored 11" cartoons
TheLittleSongbird30 October 2016
Was put off seeing 'Clean Pastures' due to its low rating and that it's one of the "Censored 11" cartoons withheld from syndication for being deemed as having offensive content.

However, as somebody who also trusted those defending the cartoon, due to them being from people well-respected by myself and also as somebody who has actually enjoyed some of the "Censored 11" cartoons, 'Clean Pastures' got the benefit of the doubt with an open mind treatment. While one can absolutely understand why some would be offended or dislike it now, to me it is one of the better "Censored 11" cartoons.

There are "Censored 11" with far more offensive stereotypes, such as 'Angel Puss', 'Hittin' the Trail for Hallelujah Land', 'Jungle Jitters' and 'All This and Rabbit Stew'. There are also far duller ones than 'Clean Pastures', again 'Angel Puss' and 'Hittin' the Trail for 'Hallelujah Land', and ones that forget to entertain like all three of the cartoons just listed as cartoons more offensive.

Not that 'Clean Pastures' is perfect. The Steppin Fetchit-like angel character is disastrously executed. Not just because of the character being racially offensive, with an agreed "I hate my race" vibe but the character is also very obnoxious, unfunny, ineptly lazy (which is a common stereotype of the time with the portrayal of black people admittedly, but it is one that's overused, unflattering and to me it's not true either) and poorly drawn. Am not a fan of exaggerated character features usually, and 'Clean Pastures' is not an exception, the big lips for example just look gross and ugly.

Most of the animation is very good indeed, much of it is beautifully drawn and meticulously detailed in the backgrounds and vibrant use of colour. The best thing about 'Clean Pastures' is the soundtrack, which is incredibly infectious (jazz is a very catchy and quite sexy style of music) and just an amazing soundtrack on its own. Regarding the issue of racism, only the Steppin Fetchit caricature is in poor taste, compared to the stereotypes of 'Jungle Jitters' for example and considering the context this is one of the tamer "Censored 11" cartoons outside of that character.

'Clean Pastures' makes up for this issue by being very entertaining, especially with the soundtrack and recognising the caricatures and their roles in the story, instead of forgetting to entertain like 'Angel Puss' for example did. In fact, it is most in common with 'All This and Rabbit Stew' where there is a character that significantly brings the cartoon down but the cartoon is still very funny and clever, very like 'Clean Pastures'. As well as being one of the most energetic along with 'Coal Black and De Sebben Dwarfs' and 'Goldilocks and the Three Jivin' Bears'. The voice acting is very good.

In conclusion, not a bad cartoon at all and one of the better "Censored 11" cartoons. 7/10 Bethany Cox
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Good if viewed in its proper context
Coolguy-72 February 2003
Warning: Spoilers
I realize that a lot of people find this cartoon to be rather racist. True it may seem that way nowadays, but black caricatures were a common sight in cartoons,as well as films in general, back in the 20's through late 40's. Nevertheless, I see this cartoon to be a work of art with good caricatures of famous African Americans like Louis Armstrong and Cab Calloway. I don't believe that this cartoon was intended to be a racial slur toward African Americans. It's just supposed to be humorous. I always seem to get a kick out of the ending where Heaven is full, but one person knocks at the gates and Pair O' Dice says "There's always room for one more." This "one more" turns out to be none other than the devil himself.
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6/10
Here's a Cultural History Lesson for all you Haters out there . . .
tadpole-596-91825610 March 2017
Warning: Spoilers
. . . about Looney Tunes director Friz Freleng's Profile-in-Courage-worthy response to Thomas Alva Edison's 1905 offering, THE WATERMELON PATCH, which had shocked Friz when it was screened by his racist third grade teacher. (If you do not want to trust my account of Edison Manufacturing Co.'s PATCH, it is readily available to see for yourself in its 10 minute, 42 second original entirety on YouTube; PATCH is so egregious in its suggestion of a "Final Solution" for American Blacks that President Obama PERMANENTLY banned Edison's light bulbs under a guilt-by-association clause which even Leader Trump does not dare to reverse.) PATCH opens with eight Black men crawling in a field to filch melons until chased toward their rural community center by a pair of White Skeletons; the scene then shifts to that cabin, in which other Blacks are gyrating with NO sense of rhythm, including the two Gay Dudes Twerking, and the musician strumming a Racist Banjo. When the melon thieves arrive, one of them "serves" this treat by dropping it to shatter on the floor, whereupon there's a lingering Edison group shot with 16 Blacks of all ages posed in rows as they sloppily slurp up the melon pieces. Just then five Whites--including former KKK Democratic Sen. Robert Byrd--run up to the cabin, nailing all exits closed and blocking the chimney, so that these Black men, women an children will be asphyxiated (no doubt inspiring Hitler's initial plan to off all the Jews by driving them around in the back of trucks into which the exhaust was vented; however, this diverted too much gasoline from Adolf's Blitzkrieg, causing Der Fuhrer to go to Plan Xyklon-B).

CLEAN PASTURES, on the other hand, celebrates the Black Culture of the 1930s by portraying an Urban Population with a good command of Jazz, Rhythm, and sophisticated musical instruments such as the trumpets and pianos favored by Beethoven rather than the Racist Banjo popularized by Southern Crackers such as that plagiarist Stephen Foster. Know-Nothings have been ragging on Mr. Freleng for decades, just because the Racist Ted Turner and his infamous spouse Hanoi Jane (the deplorable pair behind the Atlanta "Braves" Tomahawk-Chopping Politically Incorrect Fad) got smashed on six pitchers of mint juleps on their Verandah one night and randomly Red-Lined CLEAN PASTURES and several other of Friz's film offerings. But now YOU know the rest of the story (and hopefully will make the Real Racists pay by putting any future payments of "Edison Bills" into escrow until a Judicial Referee settles the question of Reparations on which the Edison miscreants are trying to block payment).
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10/10
Find this one!!!
haildevilman13 March 2005
This cartoon really deserves another chance. People call it racist because of the black stereotypes but did anyone else notice that heaven was being run by blacks? And there were no white people in heaven either. It's not really racist because the jazz musicians they characterized (Calloway, Waller, Gillespie, Lunceford) really did act and talk like that. The music was a show stopper. That shuffling black man in the beginning was just a bit of comedy. But racist? That's a tad harsh. Let's face it, Yosemite Sam and Elmer Fudd were hardly roll models for white people. The music was the main event here. Give this one another chance. Re-release it.
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10/10
A marvelous gem that will probably never see release or broadcast again unless it's public domain
llltdesq26 May 2002
This is a beautiful musical short that is frowned on these days because it features caricatures of Stephin Fetchit, Cab Calloway, Fats Waller, Louie Armstrong and others. It's really too bad, because the jazz is great and it's a wonderful piece of animation. Unfortunately, the prevailing attitude these days seems to be that animation is for kids when the reality is these shorts were made for adults and children both. You'll have to dig to find this, but it's worth the time and effort. Most highly recommended.
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Spoof on "Green Pastures"
NukeIt214 September 2002
This 1937 Merrie Melodies short is one of the Censored 11. Fats Waller, Cab Calloway, Jimmie Lunceford, and Louis Armstrong as angels, they go down to Harlem and bring back some folks to heaven (I still don't understand this). Cameo by Al Jolson as he walks into a nightclub singing "I Love to Singa"
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8/10
Deserves respect, despite caricatures (read on)
david-22715 December 2006
Warning: Spoilers
The cartoon opens in Harlem. People are dancing, drinking, gambling and generally making merry. Up in heaven (or Pair O' Dice as it is called here), a Black angel despairs that they are losing souls to Hades. He sends an angel (a caricature of Steppin-Fetchit) to teach people to resist temptation. Not surprisingly, he is unsuccessful.

Then a group of angels (caricatures of Fats Wahler, Jimmie Lunceford, Louis Armstrong and Cab Calloway) tell the head angel that they need to update the message. The angels go to Harlem and sing "Swing for Sale." It works, and soon they are leading hordes of ex-sinners into Pair O' Dice. Even the devil begs his way in to enjoy the new swinging good news.

Many modern viewers will be offended by the caricatures in this cartoon, particularly the lazy, inept Steppin-Fetchit angel. Despite this legitimate criticism, "Clean Pastures" does a commendable job of reinforcing the fact that swing music was, in fact, African-American music. No Pat Boone/Vanilla Ice rip-offs here. "Clean Pastures" presents this wonderful music in all its ethnic and, yes, revolutionary glory to a primarily White audience. This is quite an accomplishment, considering that the real musicians portrayed in this cartoon would have had to enter and exit a White club by the rear entrance, if they could get in at all!

Tragically, "Clean Pastures" has been blacklisted (no pun intended). WB has refused to release it on TV or home video. It is worth tracking down however, as it deserves more respect than its current status allows it.
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9/10
lots of fun at Pair-O-Dice
didi-526 March 2007
This cartoon, one of Warner Bros. 'Censored 11', is one of the funniest ones I have seen and it is such a shame a wide audience are denied the chance to see it.

The premise is that Pair-O-Dice (geddit?) a place where the angels congregate, is suffering from those sinners just heading for Hades instead. So ... with the help of Al Jolson, Cab Calloway, Louis Armstrong, and Fats Waller, and 'Swing for Sale', is it possible to turn around the fortunes of the holy land? The caricatures of the great musical personalities are great and the title (a parody of 'Green Pastures') is inspired. Highly recommended if you can get to see it.
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8/10
Clean Pastures is a very enjoyable musical cartoon despite the "Censored 11" designation
tavm12 June 2008
Warning: Spoilers
Just watched this, the third (in chronological order) of the "Censored 11" Warner Bros. cartoons that rarely get TV exposure anymore (unless issued on a bargain basement DVDs or VHSs of public domain stuff). In this one, Pair-O-Dice (Paradise, get it?) is low in attendance since all its potential customers are in Harlem living it up. It's not until the Stepin Fetchit-assistant angel sees one man tap dancin' and another singing like Al Jolson that he gets the idea to gather a musical group consisting of Fats Waller, Cab Calloway, and Louis Armstrong to entice a crowd. Boy, do they ever! Even with the "No Vancancy" sign, the head angel even lets Satan in! The end. Despite the stereotypical big lips on all the African-Americans, this was another enjoyable musical animated short directed by the as always talented Friz Freling. It's possible that all the people I mentioned actually provided their voices here but if they didn't, they certainly sounded enough like them to convince me! So on that note, I highly recommend Clean Pastures for animation and jazz music buffs.
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