Leave Well Enough Alone (1939) Poster

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9/10
Popeye Has A Good Heart, Especially With 'Ami-nals/
ccthemovieman-11 July 2008
Warning: Spoilers
The title to this cartoon is the name of a song, sung by a parrot in this story. The message is that the bird is happy in the pet shop, where all his needs are met, so why deal with the outside world?

He sings that to Popeye after our "am-inal" (his pronunciation) lover gives the pet shop owner $500 to let loose all the dogs in the store. There are probably 20 to 30 of the mutts. There are some good sight gags with that transaction as the owner, Olive Oyl (who doesn't know Popeye in this story) tries to figure out how much all the pets are worth.

Anyway, in no time the free-running dogs are all rounded up by the dog catcher (do they still have them?) and Popeye has to dig into his wallet to save the pooches, once again. The irony is that he finally brings them all back to the store and the parrot says, "See, I told ya!," and then sings his song again. Even Popeye has to laugh, now.

No, it's not a very funny cartoon but it's extremely "cute" and likable and guaranteed to put a smile on your face.
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Nice Popeye Short
Michael_Elliott8 February 2017
Leave Well Enough Alone (1939)

*** (out of 4)

Popeye decides to do a good deed buy going into Olive's pet store and buying up all the dogs so that they can have their freedom but things take a bad turn when a dog catcher shows up.

LEAVE WELL ENOUGH ALONE isn't a masterpiece and it's not one of the best from the series but if you're a fan of these early Popeye shorts then you should enjoy it enough to make it worth watching. There are several funny moments here but the highlight is probably the title song being sung by a bird. The docs are all cute enough and the animation is great as usual and for the most part this is a pleasant and entertaining film.
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5/10
leave this one alone
SnoopyStyle19 October 2019
It's Olive Oyl's Pet Shop. There are puppies for sale in the window. Popeye goes in to buy up all of her animals for $500. He releases them into the street. They are caught by the dog-catcher but Popeye rescues them and puts them back in Olive's shop. In this one, Olive is not Popeye's girlfriend. He does something stupid. He ends up fixing it by undoing everything he did. He doesn't eat spinach. This is relatively unsatisfying.
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10/10
Popeye and the Law of Unintended Consequences
llltdesq8 July 2003
While most everyone knows Murphy's Law, not everyone is aware of the Law of Unintended Consequences-that is, every event or action spins off consequences, some you recognize beforehand and (perhaps) are prepared for and others that are totally unexpected and uncontemplated. These range from beneficial through benign to potentially devastating and/or disasterous.

Popeye comes full-face with this Law and doesn't enjoy the results. He does what he considers a good deed and a kindness, but remember what good intentions pave-a particularly uncomfortable road. Interestingly enough, this is a particularly atypical Popeye short, in that there is no brawling and there is no indication that Olive and Popeye are significantly involved-actually, she's basically an extra here. A parrot in the shop has a more pivotal role and may actually have more lines (I think he does, but I didn't count them). The parrot sings the title song, by the way. An excellent Popeye short, with a valuable lesson attached: things rarely go as you think they will. Well worth tracking down. Most recommended.
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10/10
Could This Mean "FREE MARKET?"
redryan6411 August 2014
Warning: Spoilers
HAVING COME TO an age where one can look back and recall incidents that occurred 20, 30 or even 50 years or more ago. Such it is as it concerns viewing these B & W as well as Colour POPEYE Cartoons. At first, we preferred to watch the latter-day product from the '40s and '50s; which were done by Paramount's Famous Studios and were filmed in color.

THOSE PRODUCED UNDER the banner of "Famous" Studios were what we had seen at the Movie Houses at the time. Little did we know that the "Famous" Productions were the output of an Animation Production Company that had been the object of a hostile takeover of the old Fleischer Animation Studios by Paramount Pictures.

AS TIME PASSED and we gained some more wisdom, we found ourselves greatly appreciating that those mainly Black & White earlier Popeye cartoons had heart & soul. Their story lines were greatly diverse and avoided falling into the rut that the Famous Studios' product did.

TYPICALLY, WE WOULD have a Famous production adhering to the following plot line or some slight variation. Popeye and Olive are together. Bluto comes into the picture and woos her away from the little guy. After forcing himself on her with that oft used phrase of, "Hey Babe, how 'bout a kiss?", Olive hollers, "Help! Help, Popeye!" Popeye eats spinach from his usual can from his sailor uniform and proceeds to beat the tar out of Bluto! OUR HONORED CARTOON Short of today is a prime example of the superiority of the previous product. LEAVE WELL ENOUGH ALONE has that bright outlook, high energy and gentle moral instruction imparted in a method that is definitely a non-heavy handed way.

AS OUR STORY opens, a very happy go lucky Popeye skips down the street, coming upon Olive Oyl's Pet Shop. Spotting the large number of puppies for sale in the window. Feeling empathy for the pups and all of the other canine creatures for sale being caged, he purchases all and immediately releases them.

HE THEN OBSERVES a sole parrot, who has not and will not leave his perch. Opting instead to remain an item of stock for sale, the bird croons the song, "Leave Well Enough Alone!" WE ARE QUICKLY transported to scenes of both pups and full grown dogs wandering on the streets, eating from garbage cans, being run out of a meat market and being captured by the local Dogcatcher. Popeye immediately realizes the folly of his actions and pays the fines for the unlicensed doggies and returns them to the Pet Store.

THE PICTURE CLOSES with Popeye enthusiastically singing that very same song that the Parrot had taught him earlier.

WE'RE NOT SURE if the lessons to be learned were in relation to the Great Depression or if it is a much more general bit of wisdom that is being imparted here. But we know for sure that its charmingly simple and straightforward style of presenting us with a story that is both an example of a morality parable and an example of entertainment and amusing cartoon short.

ANF IT'S ALSO the sort of film that we all will remember for many, many years to come.
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9/10
The consequences of having a good heart
TheLittleSongbird20 April 2020
1939 was not the best and most consistent year for the Popeye series (do prefer the cartoons from the 1935-1938 years), although the late-30s was one of Fleischer Studios' better periods for the Popeye series and overall. Pretty much all of the 1939 cartoons in the series range from between above average to great having said that, 'Aladdin and His Wonderful Lamp' which is among the best Popeye cartoons (like the other Arabian Nights Popeyes) being my personal favourite.

'Leave Well Enough Alone' is one of the Popeye series' changes of pace, which for Fleischer and Famous Studios varied in the quality stakes but were mostly good, with it having no Bluto and none of Popeye and Bluto's love rivalry and fighting (plus Olive not being his girlfriend). None of those worked against 'Leave Well Enough Alone', they rarely did in the change of pace cartoons and besides why not have something different once in a while, and to me it was one of the better 1939 Popeyes.

Didn't really see the need for Olive's, again as said in a rare non-girlfriend appearance, presence here, other than being the owner she has next to nothing to do and certainly not anything that's interesting. She actually has more presence when Popeye's love interest but even then too many cartoons underuse her and give Popeye and Bluto far more interesting material.

Popeye's comic timing however shines as always, especially in those asides that Jack Mercer clearly enjoyed bringing to life, and his kind heart and good intentions make him very easy to endear to here. The parrot though is one of few supporting characters in the Popeye cartoons to steal the show from under Popeye in my opinion, very funny and never annoying. 'Leave Well Enough Alone' is very funny, with plenty of gags and a lot of energy, but it also is warm-hearted and teaches a valuable lesson without preaching and one that Popeye and the viewer learns from.

As ever, the animation is nicely drawn, neat and the attention to detail never came over as simplistic or cluttered. The music really adds to the energy, the orchestration is typically beautiful and the instrumentation clever. The title song is a scream and one of 'Leave Well Enough Alone's' highlights. The voice acting is dependably good, Mercer never disappointed as Popeye, he was the most popular and longest-serving voice actor for Popeye and for good reason as nobody else delivered Popeye's asides and mumblings quite like Mercer.

In summary, great and well worth checking out and not worth leaving alone. 9/10
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